Im Bett - En la cama

I watched this on Netflix streaming video with English subtitles because I was bored one night and the premise of the movie's description sounded intriguing. It is far more than I could have known! This movie is an amazing exploration into truths, relationships, and various layers thereof, and it gradually unfolds like layers of an onion.

The movie first begins with the couple in the throes of lovemaking resulting from mutual attraction at a party. They begin to dialog and note how they don't even know each other. As their personal life stories begin to unfold, so do layers of truths, jealousies, distrust, anger and all of the other emotions which tend to play out during many months, not hours, of relationships.

The movie fascinates if you enjoy the study of humanity and interpersonal relationships. The movie didn't simply end-- I'm still enjoying the food for thought which it left for me to ponder.

First I would like to say I really enjoyed this movie. I don't mean to diminish it, but it was very obvious to me how it was strongly based on Richard Linklater's movies: Before Sunrise, Before Sunset (and Tape, because the whole movie takes place in one room).

There is a scene that is a clone of the famous Before Sunrise scene where the protagonists hear the song "Come Here", by Kath Bloom, and exchange furtive looks towards one another. In "En la Cama" they hear a song an exchange looks in the exact same way. Unfortunately, I think this scene is very pale (the acting and the setting) if compared to the Before Sunrise one, and is a bit out of the context of the movie (it definitely doesn't make sense in a motel bed right after the two made passionate wild sex). I prefer to think it was made as a tribute to Before Sunrise, rather than a shallow copy, a way for the director to say "This is really inspired by Before Sunrise, I love it too!". I strongly believe the director watched those movies and asked himself, "what if I did this with the protagonists in a motel bed, during a one night stand?".

But it doesn't mean this movie has nothing to add. It feels like an antithesis of Before Sunrise/Sunset, and shows the concept of the movie (= deep communication) applies in other contexts as well. It is also shows a great irony in today's society, where people will go to bed without knowing each other (and this probably happened even before one night stands even existed...). Sex is trivial, while reaching each other's inner thoughts, feelings and truths is the unexpected, obtrusive and life altering act.

The acting is very good and realistic. The dialogs are great and keep you enticed to the movie. The plot is good and has a lot of depth, but I think it has some minor flaws (no big deal, though). The sex scenes are very artistic, but I wouldn't take my kids to watch it.

If you like Before Sunrise/Sunset, you will enjoy this movie a lot (but don't worry, it won't replace them in your shelf). If you liked this movie dialogs or any part of it (besides the sex scenes), you should watch Before Sunrise as soon as possible.

Do you remember "Before Sunrise", with Ethan Hawke and Julie Delphy?

If you do, the general premise of this movie goes more or less like this: It's "Before Sunrise", but instead of Vienna you get a motel room, and lots of steamy sex.

It's quite simple, really. Daniela (Lewin) and Bruno (Valenzuela) meet at a party, and end up in a motel. And they have sex.

While I certainly can't complain about the sex scenes, the interesting part of the movie is what happens after (Or, uh, in between) them.

From being two total strangers having sex at first (They can't even remember each other's names!), they end up revealing themselves, their lives, their fears, and all that jazz.

The talk starts sloppily at first, but soon they get all the big topics covered. Past relationships, religion, fate, sex, 80's cartoons, death, etc.

It's somewhat tender and ironic, too, when you notice that, in the end, they're trying to seduce each other in a very childish and innocent way when they have already spent three condoms and about half an hour doin' it.

The dialog flows really good and it's very well paced. The acting is superb. Valenzuela is known around these lands for being somewhat of a expression-less actor, but he achieves a good performance.

Blanca Lewin is, however, the one that steals the film, in my opinion. I've always been her fan, so perhaps I'm a bit biased when saying this, but you're completely captivated by her character. As Daniela starts revealing herself, all the way to the (shocking!) revelation in the end, (Well, not that shocking, really) you just can't turn your head away from her.

So, really good writing, high doses of eroticism, acting that's not only above-par but a hole-in-one (or whatever better than that, I'm not much of a golf person), good directing and Blanca Lewin. What else can you ask for in a movie? Okay, maybe explosions and ninjas, and this film doesn't have those two, but it's pretty much covered in all of the remaining categories.

It gets a 9 because the ending comes out as a little bit too abrupt, in my opinion. But then again, 90 minutes seems to be just the right time.

Alright, about my rating first: I realize that this movie is not 10/10 quality, for it is a good one, but we have all seen better. However, in it's own category, it shows some qualities, that are rarely seen at cinema.

Namely: Well done sex scenes.

People, seriously, why is it so hard to make them? In most movies you see, they're either toned down and flat, or over the top and out of place. This one's on the other way taking it to the extreme. The whole film is about two young people on a one night stand in a motel room. There are no other actors, and no other set. Just these two, who came to have sex. And to have it as many times as possible. The night is long, and they already paid for the room, so it's perfectly understandable.

The story is about the two getting closer and closer, until their relationship turns from 'total strangers' to 'uncomfortably close, for a one night affair'. And that's another interesting thing about this one. I bet everyone of you has memories of sitting through a movie with a larger audience, coming across an unexpected, kinkier scene, which makes all of you feel embarrassed. Well, this movie doesn't screw around, that's for sure, and maybe because you know what to expect, and because of this film is well written and executed, you'll never once feel that cringe. As a matter of fact, the dialog parts may be much more tense, and uncomfortable. Why? Because a one night affair is not about talking. One might bump into things he or she doesn't want to get involved, or let the other get involved in.

Let's get back to the sex. I really didn't count it, but they're having sex about five times throughout the movie! It's quite a big number for a 85 minutes movie, which tries to tell story actually. But all of them work just fine. It's due to the cast of course, both the actors come off as really likable, good looking, young and fresh, and a strange kind of chemistry is present. As they getting to know each other, slowly, their relationship changes. And here comes another reason why these scenes work so well: good timing and direction. See, it's not just a movie, where these two screw five times and then they talk. The sex scenes are fully integrated into the plot, the have reason to be where they are, and they're executed and played out in a manner that reflects to the actual mood, events and dialog. It means we get about five completely different sex scenes in one movie, on about every significant point of the plot, where they are more than needed.

Deepest regards to the director, for this is truly an accomplishment, not too many could've pulled off.

a woman. a man. in a hotel room. sex. talks. plains of silence, expectations, fears, desire. slices of past. small window of a future. I saw many times this film. and in each occasion, important was the fragile feeling to discover a parable in clothes of a meeting. a beautiful film about need of other and search to escape from yourself. fragility is its essence. its rule, axis and lead character. Bianca Lewin and Gonzalo Valenzuzuela are only its sculptors. their performance, delicate, precise, admirable makes things rolls. it is a delicate film. it is the virtue of director - and after years, not a surprise - to give force of a world who seems be only crumb of dream. to make a film like a silk carpet. to present a world, a state of soul, a crisis in a special manner because it becomes confession of viewer. a beautiful film. lesson. about each of us.