IMDb-BEWERTUNG
6,6/10
4415
IHRE BEWERTUNG
Es erzählt die Geschichte von Romulus, seiner schönen Frau Christina und ihrem Kampf angesichts großer Widrigkeiten, ihren Sohn Raimond großzuziehen.Es erzählt die Geschichte von Romulus, seiner schönen Frau Christina und ihrem Kampf angesichts großer Widrigkeiten, ihren Sohn Raimond großzuziehen.Es erzählt die Geschichte von Romulus, seiner schönen Frau Christina und ihrem Kampf angesichts großer Widrigkeiten, ihren Sohn Raimond großzuziehen.
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- 10 Gewinne & 23 Nominierungen insgesamt
Empfohlene Bewertungen
Richard Roxburgh has picked a difficult story to tell through a motion picture. For a first timer, he doesn't do a bad job. Through his cinematographer, he captures the raw Australian landscape beautifully and contrasts it well with the 'depression' of that time. He extracts phenomenal performances from his actors. He also displays the subtle layers quite effectively and seems to have an understanding of how difficult things were during that time. The only problem is that 'Romulus, My Father' moves at an extremely slow pace and some of the events appear patchy rather than smooth. Eric Bana does an excellent job. Marton Csokas is superb. Franka Potente handles a difficult role with élan. Child actor Kodi Smit-McPhee is terrific as Rai who is torn between his parents. The background score has a subtle effect. 'Romulus, My Father' reminded me of 'Angela's Ashes' but in my opinion, the latter remains a superior film.
A broken family have a growing boy at his early teenage years and have no sense of responsibility to grow a child. Considering that both mother and the father is uneducated and clueless, they live in a farm before the World War II; we still have no idea upon why they ruin a child's life making a havoc of his psychology.
Proved by adversity the family have nothing to distinguish their boy, nor to give anything to make him happy, nor to teach him anything precisely good. Father gets to figure out that the kid needs a college education, and sends him to a college. Then after the suicide of the mother, the boy gets closer to his father. A happy ending occurs and mops up all the pain and unpleasant situations out of the movie, and hopefully out of the boy's memory. Thus, his father taught him one thing, a very important one, how to be patient of adversity.
For a tough story to put on silver screen, the actors' performances are somewhat exhilarating; and that's the mainspring to tolerate this movie. Within low-budget movies with no technical endeavors, if you like to witness a modest triumph of a child, much better than My Father Romulus, I advise you to watch "I am David".
Proved by adversity the family have nothing to distinguish their boy, nor to give anything to make him happy, nor to teach him anything precisely good. Father gets to figure out that the kid needs a college education, and sends him to a college. Then after the suicide of the mother, the boy gets closer to his father. A happy ending occurs and mops up all the pain and unpleasant situations out of the movie, and hopefully out of the boy's memory. Thus, his father taught him one thing, a very important one, how to be patient of adversity.
For a tough story to put on silver screen, the actors' performances are somewhat exhilarating; and that's the mainspring to tolerate this movie. Within low-budget movies with no technical endeavors, if you like to witness a modest triumph of a child, much better than My Father Romulus, I advise you to watch "I am David".
10diane-34
My wife and I watched this excellent movie several hours ago in Fremantle and we both share similar feelings about this engrossing yet difficult film. My comment is in no way meant to demean anything about the film, rather it is simply a sign-post to direct some people to other films because it is a difficult movie to watch; it fleshes in segments of people's lives that, as a rule, are not brought to light--they remain closeted and spoken of in muted voices when they are spoken of at all.
In my opinion, Australian movies are a massively unique sub-species of what could generally be tagged "art-house" movies--movies that are drawn in colours that do not reflect anything remotely from Hollywood. These movies have certain characteristics: they are most obviously short on dialogue; the Australian landscape is so strong that it becomes another principle character in the film; there is not even a hint of "glitz"; the script is as close to reality as any viewer would likely want to get and the cinematography is bold, using close-ups and strong contrasts to accentuate the on-screen drama. Romulous, My Father had all of these elements and they were masterfully blended into an unforgettable movie.
The script was based on the memoirs of the boy who dominates the movie. Eric Bana, the father, takes top billing but the son is equal to Bana's brilliant portrayal. Diane and I talked on the way home today that we knew adults who were that boy. We did not know these families when the friends were small but we know the elements that combined to mirror the script we just watched on the screen. Change a few scenes here and there and it is all so similar. Australia is the story we saw today many times repeated.
I would recommend this film to Australians because it is the story of our neighbors or workmates and I would recommend it to people from the world over as a quintessential Australian film as well as an insight into who we are.
In my opinion, Australian movies are a massively unique sub-species of what could generally be tagged "art-house" movies--movies that are drawn in colours that do not reflect anything remotely from Hollywood. These movies have certain characteristics: they are most obviously short on dialogue; the Australian landscape is so strong that it becomes another principle character in the film; there is not even a hint of "glitz"; the script is as close to reality as any viewer would likely want to get and the cinematography is bold, using close-ups and strong contrasts to accentuate the on-screen drama. Romulous, My Father had all of these elements and they were masterfully blended into an unforgettable movie.
The script was based on the memoirs of the boy who dominates the movie. Eric Bana, the father, takes top billing but the son is equal to Bana's brilliant portrayal. Diane and I talked on the way home today that we knew adults who were that boy. We did not know these families when the friends were small but we know the elements that combined to mirror the script we just watched on the screen. Change a few scenes here and there and it is all so similar. Australia is the story we saw today many times repeated.
I would recommend this film to Australians because it is the story of our neighbors or workmates and I would recommend it to people from the world over as a quintessential Australian film as well as an insight into who we are.
This is what I would call a "slice of life" movie that works, and it works pretty well. It's based on the memoirs of Raimond Gaita, who's now a philosopher and writer, and details what seem to be just a couple of summers in his childhood. And it's a troubled childhood - one that undoubtedly gave him fodder for becoming a philosopher, because one would have to spend a lot of time figuring out what life's about after being raised in that environment.
The title character is Raimond's dad, obviously, Romulus. That part was played by Eric Bana. Bana was quite good and quite convincing in the role. The Gaita family came to Australia from Germany in 1950. Romulus was Romanian, married to a German woman, Christina, played by Frankie Potenta. Christina was obviously emotionally ill, flitting in and out of the family's life, obviously interested in Raimond (who's quite devoted to his mother) but totally incapable of being a mother to him. Romulus is hard-working and devoted, but heavily burdened by raising Raimond essentially alone, with help from a wide and diverse array of family and friends. Eventually he has a breakdown himself and lands in a mental hospital.
As good as Bana (and, for that matter, Potenta) was, it's really Kodi Smit-McPhee as Raymond who stole the show. Large parts of this movie are pretty slow (with sudden outbursts caused by the various trials the family is undergoing) but you develop an interest in Raimond's story, and there comes a point when you feel real pain for him; real sympathy; wondering how in the world he's going to ever be able to overcome this kind of upbringing. Smit-McPhee draws us very powerfully into Raimond's life. It was a fine piece of work by a very young actor.
Not knowing anything about the background of the movie, it was made more powerful when I realized that Raymond was a real person, and that the movie was based on his memoirs. That he could obviously become successful after such a troubled upbringing is a great credit to him. (7/10)
The title character is Raimond's dad, obviously, Romulus. That part was played by Eric Bana. Bana was quite good and quite convincing in the role. The Gaita family came to Australia from Germany in 1950. Romulus was Romanian, married to a German woman, Christina, played by Frankie Potenta. Christina was obviously emotionally ill, flitting in and out of the family's life, obviously interested in Raimond (who's quite devoted to his mother) but totally incapable of being a mother to him. Romulus is hard-working and devoted, but heavily burdened by raising Raimond essentially alone, with help from a wide and diverse array of family and friends. Eventually he has a breakdown himself and lands in a mental hospital.
As good as Bana (and, for that matter, Potenta) was, it's really Kodi Smit-McPhee as Raymond who stole the show. Large parts of this movie are pretty slow (with sudden outbursts caused by the various trials the family is undergoing) but you develop an interest in Raimond's story, and there comes a point when you feel real pain for him; real sympathy; wondering how in the world he's going to ever be able to overcome this kind of upbringing. Smit-McPhee draws us very powerfully into Raimond's life. It was a fine piece of work by a very young actor.
Not knowing anything about the background of the movie, it was made more powerful when I realized that Raymond was a real person, and that the movie was based on his memoirs. That he could obviously become successful after such a troubled upbringing is a great credit to him. (7/10)
I just saw this and though a lot of people complained of this movie being slow I adored it. One of our best Australian movies to date. It has a moving story, terrific and very realistic actors but the only problem was the pace. Everything was brilliant but it just avoided perfect with its pace which is a bit of a let down for a movie that everyone knows could have been and kind of is everything. Eric Bana is brilliant and the wife Franka Potente was so good I really understood her character. The movie was a bit predictable at times but it had a sweet ending, interesting character and superb character development. A must see for people probably over thirteen. (Some of the themes are very strong.)
Wusstest du schon
- WissenswertesMany of the cast members have close to the same origins as their characters. Eric Bana, Franka Potente, and Marton Csokas all have large family ties to Europe.
- PatzerThe black eye and cut on Christina's face changes in different shots.
- Crazy CreditsSpecial thanks to Raimond and Yael Gaita .... and Christina Gaita's two daughters--Barbara Walsh, Susan Stewart and their families.
- VerbindungenReferenced in Rolf De Heer (2008)
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Box Office
- Bruttoertrag in den USA und Kanada
- 4.283 $
- Eröffnungswochenende in den USA und in Kanada
- 2.791 $
- 2. März 2008
- Weltweiter Bruttoertrag
- 2.234.889 $
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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