October Moon

This is the worst piece of garbage I've ever seen. The acting by the two main guys isn't bad but the guy playing the crazy straight guy who becomes obsessed is over-the-top and cringe-inducing to behold. And as an extra layer of smelly crap within crap, the scene where the gay guys teach the straight guys how to have fun is offensive to gays everywhere. Way to reinforce stereotypes. Was this movie made by the Republican party? If you were a gay filmmaker, why would you put in a scene to show that straights are "squares" and need to be taught how to have a good time? AND that said time would be a (warning! shocking twist ahead!)...a DANCE PAR-TAY!

I did like the scene where the janitor in the background sneaks a swig from his mop bucket, that's the only reason I'm giving this mop-bucket-of-a-film one star instead of none? Haven't seen the sequel, maybe next time I want to botch a date I'll put it on as she goes running for the hills. Or maybe I'll just stick with the original to do the job.

Jason Paul Collum both wrote and directed this little film that resembles a gay 'Fatal Attraction' without the benefit of a tight script, good actors, suspense, or sophisticated effects and camera work. Sadly it boils down to a fifteen-minute story spread out over an almost interminable 2 hours.

The story involves on Corin (Sean Michael Lambrecht), a 30-year old ad exec in a five-year bumpy relationship with 23-year old party boy Jake (Jeff Dylan Graham). Corin's boss and friend Nancy (Brinke Stevens) understands Corin all too well, appreciates his relationship, but in attempting to relieve his work duties hires an assistant Elliot (Jerod Howard), a gender confused nerdy lad who is engaged to his lifelong chum Marti (Tina Ona Paukstelis) in a push from his mother (Judith O'Dea) to make things 'right'. Elliot is befriended by Corin, brought into Corin's and Jake's friendship, and Elliot and Marti and Corin and Jake begin socializing. Elliot falls for Corin, comes out of the closet to the extreme dismay of Marti and his mother, and despite Elliot's friendship with Corin and Jake, he begins to stalk Corin. Corin's rebuff of his advances leads to disaster and the film tumbles downhill from there.

Yes, some may view this weak little foray as being full of statements about love, obsession, relationships, and friendships, but all of that has been said far better before and without the seemingly tacked on genre of a horror film. The acting from the women in the film is good, but the men are blunted stereotypes. Everything about the film screams low budget. One annoying factor - a music score that sounds like lessons on electronic keyboards and obscures a lot of the dialogue - turns out to be a blessing in that the weak script is covered frequently. Most viewers will utilize the fast forward button to get through the repetitious dialogue and race for the end, a predictable, stagy tableaux that really doesn't resolve anything. Not worth two hours of your viewing time.

This was one of the worst films I have ever seen. And I'm 54. There was a point in the 1970s that I saw over 500 films in one year. I've seen thousands I'm sure. But, this. Wow. There is dialog so pretentious, so unbelievable within the first ten minutes that we found ourselves thinking, "Well, maybe it will be a cult film, or campy" but the whole thing became so overbearingly amateurish we had to give up. The dialog was so lame and awful...the pacing (well there wasn't any) so bad, it became uncomfortable to watch. It became very obvious this was a group of people who got together and raised enough money for this vanity production thinking that 1)filmmaking was easy; 2)acting was easier; 3) writing and direction was simple. Even ad-libbing is difficult. There is nothing here. I rented this on Pay-per-view cable (PPV) and actually went to the trouble to ask them to give me a credit for the $4 today. My advice: Don't watch for more than 5 minutes or you'll have to pay. As a person who has written some small doc films and worked in editing, etc throughout the years, I understand the creative process. I give a lot of leeway toward a film. In my life, I have probably walked out of two films in theaters in my entire life. If I had seen this in the theater, it would be on that list.

Here's Fatal Attraction for the gay set with a few additional twists. The basic premise holds some definite potential but it's soon stamped out by severe reality-killing amateur acting (Sean Michael Lambrecht and Jeff Dylan Graham being the worst offenders there) and mediocre writing, and ends up basically coming off like a rushed production job. The character of Elliot is potentially interesting but he's not fleshed out to the point where his sexual transition or obsession is at all convincing.

Shot on video with the lowest production values you're likely to stumble across (I stumbled across them on Netflix), best I can say here is that the filmmakers tried but failed to come up with something a little different, though it's nice seeing Judith O'Dea again after such a long absence from films. Other than that, this offers very little of value and is instantly forgettable. I will not discount the director's future endeavors on behalf of this weak effort but will just advise him to sharpen up on his writing and hire better actors next time. It's also fishy that there are currently five glowing reviews for this film on IMDb. Even more fishy is that four of them were submitted in the same day!

After 40 minutes we called it quits. Poor acting and boring story line. Gay characters were dull and the supposed straight man was a joke. I didn't recognize Elliot's mother but I remembered her name from a horror movie back in the 60's...Night of the Living Dead. Her acting was bad back then and she never improved. Don't waste your time on this TURKEY! And, unbelievably, they made a sequel of this trach 2 years later!