Füge eine Handlung in deiner Sprache hinzuAfter the disastrous months spent with Gauguin in the yellow house in Arles, Vincent van Gogh, in desperate search for a cure from attacks that increasingly plague him, voluntarily enters an... Alles lesenAfter the disastrous months spent with Gauguin in the yellow house in Arles, Vincent van Gogh, in desperate search for a cure from attacks that increasingly plague him, voluntarily enters an insane asylum.After the disastrous months spent with Gauguin in the yellow house in Arles, Vincent van Gogh, in desperate search for a cure from attacks that increasingly plague him, voluntarily enters an insane asylum.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Diana Agostini
- Kee Vos
- (as Diane Agostini)
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Having seen some of Barnett's earlier work on stage in N.Y., I was more than familiar with the depth and breadth of his ability as an actor and director; how seemingly effortlessly he brings each of his characters to life. I was fully prepared to be equally moved by his interpretation and portrayal of Vincent van Gogh. I knew that Barnett could be electrifying on stage and I was curious to see how his energy would translate on film.
Nothing, however, prepared me for the emotional shock I experienced by his haunting rendering of the most tortured months in the life of van Gogh. The intensity that Barnett brought to this role can only be described as "insane." One can but imagine the years of research and total immersion into the life of van Gogh it must have required to be able to portray with such shocking clarity what was in van Gogh's heart and mind during this brief period of time. Another commenter describes Barnett's performance as, "as close to insanity as you will ever get." I agree.
The film is not highly polished in the typical sense. The lighting is poor at times, the sets and scenery drab, and while I know nothing about film editing, I found some of the flashbacks unnecessarily confusing. These perceived flaws could be due to budget constraints, but knowing something of Barnett's work, I tend to think there is some intention on his part. The overall effect is that the viewer experiences the bleakness that is Vincent's life at the time. At times in the film, what is reality and what is only in van Gogh's tortured and clouded mind is as indistinguishable to the viewer as it is to Vincent, making the viewing experience all the more haunting and disquieting. An amazing feat, whether intentional or not.
Nothing, however, prepared me for the emotional shock I experienced by his haunting rendering of the most tortured months in the life of van Gogh. The intensity that Barnett brought to this role can only be described as "insane." One can but imagine the years of research and total immersion into the life of van Gogh it must have required to be able to portray with such shocking clarity what was in van Gogh's heart and mind during this brief period of time. Another commenter describes Barnett's performance as, "as close to insanity as you will ever get." I agree.
The film is not highly polished in the typical sense. The lighting is poor at times, the sets and scenery drab, and while I know nothing about film editing, I found some of the flashbacks unnecessarily confusing. These perceived flaws could be due to budget constraints, but knowing something of Barnett's work, I tend to think there is some intention on his part. The overall effect is that the viewer experiences the bleakness that is Vincent's life at the time. At times in the film, what is reality and what is only in van Gogh's tortured and clouded mind is as indistinguishable to the viewer as it is to Vincent, making the viewing experience all the more haunting and disquieting. An amazing feat, whether intentional or not.
History tells us that Van Gogh, like many artists, was a very intense and troubled personality. Barnett takes us into the heart and mind of the man in a way that causes us to empathize afresh with his feelings and struggles. Barnett the film-maker deliberately refrains from any cutting from one camera to another, enhancing the viewer's being drawn into the world as viewed from Van Gogh's perspective. The score is also effective in painting an aural picture of what is going on inside the artist's mind. In this film we see Van Gogh, not just as a troubled soul, but as a sensitive and caring person who never quite found the way to break free of the demons from his past that haunted him up to the end of his life. Barnett's portrayal of Van Gogh is both believable and engaging. Despite the film's length of almost two hours, it holds the viewer's attention and moves the heart.
Mr. Barnett's ability to move us directly into the anguished reality of the genius who was Vincent Van Gogh is startling, unflinching, and profound.
He reflects to us the inexorable tragedy brought on by the deeply flawed relationship between the Van Gogh brothers, compounded by the confusion and bitter poverty of being unseen by his peers, misconstrued by the world at large. Yet no one was more in touch with the blazing pulse of creation than this tormented man, whose transcendent work has touched us all.
To be confronted with such a life, and such a film, is not for the faint of heart; like Van Gogh's restless and fiery art, Barnett's script is uncompromising -- and his acting powerful.
He reflects to us the inexorable tragedy brought on by the deeply flawed relationship between the Van Gogh brothers, compounded by the confusion and bitter poverty of being unseen by his peers, misconstrued by the world at large. Yet no one was more in touch with the blazing pulse of creation than this tormented man, whose transcendent work has touched us all.
To be confronted with such a life, and such a film, is not for the faint of heart; like Van Gogh's restless and fiery art, Barnett's script is uncompromising -- and his acting powerful.
This movie will stir your soul. Barnett draws us in, leaving us emotionally drained, as he brings to life Vincent's struggles and what must have been his tortured state of mind during those dark years. We are immersed into Vincent's mind.
Also noteworthy, Roy Thinnes'performance as Dr. Peyron.
I thought the sets and costuming were too drab but that did not deter from the, at times, riveting performances on screen.
All in all, this is a noteworthy work. Hope to see more of Barnett on film. He comes across as well on film as he does on stage.
Would love to see some of his earlier work come alive on the screen.
Also noteworthy, Roy Thinnes'performance as Dr. Peyron.
I thought the sets and costuming were too drab but that did not deter from the, at times, riveting performances on screen.
All in all, this is a noteworthy work. Hope to see more of Barnett on film. He comes across as well on film as he does on stage.
Would love to see some of his earlier work come alive on the screen.
The legend of Van Gogh haunts the ages. What, we wonder, was behind those images. What did Vincent SEE??? The Eyes of Van Gogh will take you there - if you can learn to "paint the air".
Van Gogh wanted to push art beyond visual reality. He wanted to paint the air that we could sense but not see. He wanted to paint emotion. But his insanity stole reality from him. He couldn't tell what was real and what was a distortion of real. He fought the distortion with all his strength. He tried to capture reality by surrounding it with color. The distortions fought back, stealing his art equipment, surrounding him with darkness.
Alexander Barnett will take you into this fight - I said, take YOU INTO this fight. It's as close to insanity as you'll ever want to get.
AR
Van Gogh wanted to push art beyond visual reality. He wanted to paint the air that we could sense but not see. He wanted to paint emotion. But his insanity stole reality from him. He couldn't tell what was real and what was a distortion of real. He fought the distortion with all his strength. He tried to capture reality by surrounding it with color. The distortions fought back, stealing his art equipment, surrounding him with darkness.
Alexander Barnett will take you into this fight - I said, take YOU INTO this fight. It's as close to insanity as you'll ever want to get.
AR
Wusstest du schon
- WissenswertesIn 2015, the Van Gogh Museum in Amsterdam will commemorate the 125th anniversary of van Gogh's death. They will be showing clips from the film The Eyes of Van Gogh throughout the year.
- Zitate
Vincent van Gogh: I must finish my work.
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- Laufzeit
- 1 Std. 51 Min.(111 min)
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