IMDb-BEWERTUNG
3,6/10
1627
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA group of convicts and a doctor seek refuge from the authorities in a lodge deep in the wood, but the weird inhabitants are not friendly.A group of convicts and a doctor seek refuge from the authorities in a lodge deep in the wood, but the weird inhabitants are not friendly.A group of convicts and a doctor seek refuge from the authorities in a lodge deep in the wood, but the weird inhabitants are not friendly.
- Regie
- Drehbuch
- Hauptbesetzung
Goran Maric
- Spence Palmer
- (as Luca Maric)
Wolfgang Müller
- George
- (as Wolfgang Mueller)
Klaus Münster
- Joseph
- (as Klaus Muenster)
Gunter Bender
- Ron
- (as Gunther Bender)
Empfohlene Bewertungen
When the movie started, I was pleasantly surprised about some rather nice camera work. This pleasure lasted exactly until one of the actors started to speak.
This movie proves that basic technical skills do not make good directing: Apart from moving the camera in the right way, a director also has to make decisions concerning things that do or don't work. Ittenbach's movie fails miserably in the attempt to get some acting out of the amateur cast.
I sometimes enjoy amateur actors, but here we have a disastrous collision between the lack of acting skills and the inane things the poor people are supposed to say. The plot revolves around some convicts stranded in a forest hut with a family that obviously lived secluded from civilization for some centuries. When these people speak, they use what writers Ittenbach and Thomas Reitmair assume to be an ancient English dialect. This idea may have looked nice on paper, but the result is absolutely hilarious. Because the writers believe that old English simply consists of attaching a "th" to every verb, everybody is phonetically challenged and has to speak very slowly. When the doctor asks the protagonist girl (horrifically played by Ittenbach's wife Martina) whether she has some hot water, her unwieldy reply is "Aye, haveth I". (For the reader: What do you think is the translation of "no" into old English? Right: "Nay, haveth I not".) Almost as funny as this is the grandiose overacting by Dan van Husen, who tries to play the chief convict. If somebody told him that he is not Anthony Hopkins, would he believe it? Inexplicably, Jürgen Prochnow also has a small part, unfortunately a talking role. He's as terrible as in all of his English speaking roles. I thought his career had hit rock bottom when he appeared in "House of the Dead", but it's strange how things can always get worse.
The only thing that Ittenbach is known to do really well is over-the-top splatter and gore effects. The movie is rather tame in this respect, even compared to Ittenbach's work in Uwe Boll's "BloodRayne" (where the two formed an unholy alliance). The effects did a lot to make this the first of Boll's movies that was comparatively bearable. As a director, however, Olaf Ittenbach is a much more terrible than Boll and would deserve an appropriate level of notoriety.
This movie proves that basic technical skills do not make good directing: Apart from moving the camera in the right way, a director also has to make decisions concerning things that do or don't work. Ittenbach's movie fails miserably in the attempt to get some acting out of the amateur cast.
I sometimes enjoy amateur actors, but here we have a disastrous collision between the lack of acting skills and the inane things the poor people are supposed to say. The plot revolves around some convicts stranded in a forest hut with a family that obviously lived secluded from civilization for some centuries. When these people speak, they use what writers Ittenbach and Thomas Reitmair assume to be an ancient English dialect. This idea may have looked nice on paper, but the result is absolutely hilarious. Because the writers believe that old English simply consists of attaching a "th" to every verb, everybody is phonetically challenged and has to speak very slowly. When the doctor asks the protagonist girl (horrifically played by Ittenbach's wife Martina) whether she has some hot water, her unwieldy reply is "Aye, haveth I". (For the reader: What do you think is the translation of "no" into old English? Right: "Nay, haveth I not".) Almost as funny as this is the grandiose overacting by Dan van Husen, who tries to play the chief convict. If somebody told him that he is not Anthony Hopkins, would he believe it? Inexplicably, Jürgen Prochnow also has a small part, unfortunately a talking role. He's as terrible as in all of his English speaking roles. I thought his career had hit rock bottom when he appeared in "House of the Dead", but it's strange how things can always get worse.
The only thing that Ittenbach is known to do really well is over-the-top splatter and gore effects. The movie is rather tame in this respect, even compared to Ittenbach's work in Uwe Boll's "BloodRayne" (where the two formed an unholy alliance). The effects did a lot to make this the first of Boll's movies that was comparatively bearable. As a director, however, Olaf Ittenbach is a much more terrible than Boll and would deserve an appropriate level of notoriety.
While driving on a lonely road a bus with dangerous inmates from Seattle, the driver crashes on a car driven by Dr. Douglas Madsen (Christopher Kriesa) and the three prisoners leaded by Arthur Palmer (Simon Newby) escape and execute the security guards. However, Arthur's brother Spence (Luca Maric) is shot, and the criminals decide to abduct Dr. Douglas to take care of Spence and walk to North in the direction of the Canadian border. They find an old cabin in the middle of the woods inhabited by a weird family that speaks ancient English and advises the group to leave the place while they can. The strangers transform in flesh-eater monsters and kill the criminals, but the local Alice (Martina Ittenbach) spares Dr. Douglas and saves his life. He is found by the police and he is interrogated by a police officer (Jürgen Prochnow) that does not believe on his words and he is sent to the prison in Seattle. While in a bus with dangerous inmates, the bus crashes on a car and the story repeats like in a déjà vu for Dr. Douglas and the criminals.
"House of Blood" is an extremely violent and gore, with scary and gruesome special effects. Unfortunately the acting is uneven, with good but also awful performances. The screenplay and the story are flawed, since what could be the possibility of another identical accident in the same lonely road in the same circumstances? But there are good points in the story and with improvements and better actors, this movie would have a great potential. I can not say that I hated or that this movie is totally bad, but the story indeed deserved improvements. My vote is five.
Title (Brazil): "Casa de Sangue" ("House of Blood")
"House of Blood" is an extremely violent and gore, with scary and gruesome special effects. Unfortunately the acting is uneven, with good but also awful performances. The screenplay and the story are flawed, since what could be the possibility of another identical accident in the same lonely road in the same circumstances? But there are good points in the story and with improvements and better actors, this movie would have a great potential. I can not say that I hated or that this movie is totally bad, but the story indeed deserved improvements. My vote is five.
Title (Brazil): "Casa de Sangue" ("House of Blood")
Dr.Douglas Madsen is on his way back home from work one day when his car collides with a prison bus,setting off a horrific chain of events.The four surviving prisoners,one of whom is severely injured,take the doctor hostage and flee into Canada.The group of intruders finds refuge in a mysterious,isolated house inhabited by a very strange family of bloodthirsty cannibal demons..."House of Blood" is a mediocre horror film.The acting is horrible,the dialogue is ridiculous and there is no suspense.Many people compared this film to Uwe Boll's cinematic atrocities like "House of the Dead" or "Alone in the Dark",but I wouldn't go so far to call it worse than them.At least "House of Blood" contains plenty of grue including head explosions,decapitations and chainsaw dismemberment.Still this one is only for die-hard horror fans.5 out of 10 and that's being generous.
A very professional movie from the former "ultra-gore" auteur (Premutos ,The burning moon)Olaf Ittenbach. Chain Reaction (aka House of Blood) is a professional, good looking 35 mm film, with car crashing, great makeup and gore FX but it lacks in entertainment value. I mean, its very boring and confusing. The plot is very hard to follow and the action scenes comes only in bits (when they come are cool with gore and blood, but its a very talkie movie, and the dialogs sucks. Premutos was a great low budget movie. Then Ittembach entered more mainstream. The "fromdusktilldawnesque" Legion of the Dead was pretty cool and entertaining, but stuff like this or Riverplay make me think if i will watch a new Ittembach movie. 4/10 for the good productions values only.
I've rent this movie in a local videostore. why did I do that. It's a typical Ittenbach movie. Cheezy gore effects, bad acting, and a cheap story. The story is about four prisoners and a doctor who survived a crash.(The doctor's car hit the bus.) They kill the guards who were on that bus an try to run for the boarder.After hours of walking they find this old cabin in the woods. The family in that house speaks an old language (for covering the bad acting), and they act very mysterious. And then the horror part of the movie begins. Unfortunately this part is too short. Watch the bald guy in the movie, it's the German version of Dr. Lecter. If you are a horror fan and looking for a good laugh, maybe this movie will do the trick. If you're looking for a gore movie, there are better films.
Wusstest du schon
- WissenswertesDirector Olaf Ittenbach makes a cameo as a prisoner at the end.
- VerbindungenReferenced in Der Ja-Sager (2008)
- SoundtracksSo Cool
Music and Lyrics by Franz Seifert, Markus Sternagel, Chris Heck, Thomas Reitmair
Top-Auswahl
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- Is the us r-rated version uncut?
Details
Box Office
- Budget
- 800.000 € (geschätzt)
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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