Zwei Polizeibeamte der Hafenbehörde werden unter den Trümmern des World Trade Center verschüttet.Zwei Polizeibeamte der Hafenbehörde werden unter den Trümmern des World Trade Center verschüttet.Zwei Polizeibeamte der Hafenbehörde werden unter den Trümmern des World Trade Center verschüttet.
- Auszeichnungen
- 4 Gewinne & 12 Nominierungen insgesamt
William Jimeno
- Port Authority Officer
- (as Will Jimeno)
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I saw an advanced screening of World Trade Center last night, and I was very impressed. I went into it unbiased, deciding that I would indeed like to hear the story of what happened to the two officers this movie is about, and I would take it for what it is, regardless of whether or not people think it's still too soon.
This is a very moving and intense look at the story of the officers' ordeal as well as what their families had to go through. Of course, the viewer is reminded of a lot that happened on that day, and it is disturbing, sad, and angering just as the real events were. However, the movie makes no attempt at all to explain what happened or give some great message to the world about terrorism, government, or war. It's more of a character study and simply a look at a terrible event from several perspectives.
The acting is superb, and I have more respect for Nicholas Cage after this movie than I did going into it. There are some very intense moments, and moments that, as I've said, are angering and disturbing, but not to make the viewer want to walk away, but simply to be angry that these events had to occur in the first place.
Thankfully, there are several moments of humor throughout the movie, to give the viewer a break perhaps, but they work well.
I gave this movie a 7 out of 10 because the writing at times was not all that it could have been, especially some of the dialogue. Overall, the acting is great and the characters feel real, but in some scenes you may feel like the sentimentality is being forced and doesn't feel genuine.
I will recommend this movie to people who are not dead set against it, or someone who is just looking for exactly what it is: a movie made for entertainment and as a tribute to those that died.
This is a very moving and intense look at the story of the officers' ordeal as well as what their families had to go through. Of course, the viewer is reminded of a lot that happened on that day, and it is disturbing, sad, and angering just as the real events were. However, the movie makes no attempt at all to explain what happened or give some great message to the world about terrorism, government, or war. It's more of a character study and simply a look at a terrible event from several perspectives.
The acting is superb, and I have more respect for Nicholas Cage after this movie than I did going into it. There are some very intense moments, and moments that, as I've said, are angering and disturbing, but not to make the viewer want to walk away, but simply to be angry that these events had to occur in the first place.
Thankfully, there are several moments of humor throughout the movie, to give the viewer a break perhaps, but they work well.
I gave this movie a 7 out of 10 because the writing at times was not all that it could have been, especially some of the dialogue. Overall, the acting is great and the characters feel real, but in some scenes you may feel like the sentimentality is being forced and doesn't feel genuine.
I will recommend this movie to people who are not dead set against it, or someone who is just looking for exactly what it is: a movie made for entertainment and as a tribute to those that died.
Many good critical points have already been made about this film, but I'll just add that some historical events are better portrayed through documentaries and viewing real time news footage other than a Hollywood script.
This movie is an example of that.
This movie is an example of that.
This is an excellent film on a very touchy subject. World Trade Center makes an excellent companion piece to United 93. The films have different styles and they present diverse perspectives of a day that has limitless faces. Both are thoughtful, intelligent, and emotionally potent. They provoke and challenge, asking us not only to face our memories but to question our future. By being less political than he has ever been, Stone offers a movie that can be embraced by movie-goers who sit on the left side of the theater, in the center, or on the right. It's an achievement, and it makes one hope that future feature films about 9/11 will exhibit the same mix of dramatic force and tasteful restraint.
Stone cold, that's what I call the new Oliver Stone film, World Trade Center. Taking the story of two Port Authority Police who survived, Stone manages to make the singular event of the last decade a boring made-for-TV story of two cops buried and waiting rescue, by the Marines no less. There are marks of an auteur to be sure such as the set design, just as authentic looking as when I visited ground zero after the attack. But the mark of the real Stone, one that carries the heft of his personal opinion about an event (Platoon) or his off-center look at history (JFK), is absent.
Let's face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn't come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.
As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It's a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.
It's as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he'd be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google "Loose Change" to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn't have gone there rather than the straight way. Or at least part of the way.
"While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!" Shakespeare, the Tempest
Let's face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn't come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.
As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It's a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.
It's as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he'd be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google "Loose Change" to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn't have gone there rather than the straight way. Or at least part of the way.
"While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!" Shakespeare, the Tempest
I was afraid this movie would be over Hollywoodized like Pearl Harbor was. However, the movie was made in good taste and was very emotional. It was the first time i had ever teared up at a movie. It captured that period very well and it brought back a lot of memories of that day for me and the days that had followed. The acting was pretty good, especially Michael Pena, who seemed to actually be living the experience instead of acting it out in a movie. When the movie ended the audience was silent(pre screening)and didn't clap, not because they didn't like it but out of respect. I felt really in-touch with the characters and while i teared up in some parts I also smiled and even laughed at some parts as the characters tried to cheer each other up. Expect it to win some awards.
Wusstest du schon
- WissenswertesThe city of New York absolutely prohibited the recreation of 9/11 destruction or chaos on location. The filmmakers were not even allowed to film actors looking upward toward where the towers would be. The drive of the officers up to the site was permitted to be filmed, but all scenes depicting events at or near the WTC were filmed in Los Angeles.
- Patzer(at around 35 mins) There is a brief scene set in Hong Kong, where locals are stunned by what they see happening in New York on TV. The background clearly shows that it is daytime. However, when the 9/11 events occurred, it was night time in Hong Kong.
- Zitate
Will Jimeno: Where did that wind come from all the sudden, Sarge?
John McLoughlin: I don't know.
Will Jimeno: The fire just goes out like that, Sarge! Why is that?
John McLoughlin: I don't know!
Will Jimeno: You're not a big talker, are you?
John McLoughlin: No!
Will Jimeno: Well gee, you gotta talk to me 'cause...
John McLoughlin: Aaaahhhh! Aaaahhhh! Aaaahhhh! Aah! I can't 'cause my knees are crushed again! That's why I can't fucking talk!
- SoundtracksOnly in America
by Kix Brooks, Don Cook & Randall Rogers
Performed by Brooks & Dunn
Courtesy of Arista Records
By Arrangement with SONY BMG Music Entertainment
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Las torres gemelas
- Drehorte
- Marina del Rey, Kalifornien, USA(World Trade Center set)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 70.278.893 $
- Eröffnungswochenende in den USA und in Kanada
- 18.730.762 $
- 13. Aug. 2006
- Weltweiter Bruttoertrag
- 163.247.198 $
- Laufzeit
- 2 Std. 9 Min.(129 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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