Visions - Die dunkle Gabe

Relatively new cinematic team of director Ariel Vromen and writer Joshua Leibner pounce onto the scene with a surprisingly fine little film that has basically gone unnoticed. DANIKA is a story that demands the viewer's careful attention and rewards that attention with a finely wrought surprise ending. This is a tough movie to review: almost anything that is said about it diminishes the impact of a fresh look.

Danika (the superb and grossly underused actress Marisa Tomei) is a beautiful, well-dressed successful professional woman, loved by her husband Randy (Craig Bierko) and her children Kurt (Kyle Gallner), Lauren (Nicki Prian) and Brian (Ridge Canipe). Yet even from the opening scenes we can tell something is amiss: Danika 'sees' disturbing things, terrifying events and people that alter her attention to her job and her family. She visits a young psychiatrist Evelyn (Regina Hall) who becomes her confidant - the only person who accepts that Danika is witnessing disturbing sights. A mixture of critical pieces of disastrous events flash before Danika's eyes as well as flashbacks to some years back when her children were young. Danika overcompensates for her fears by being an overprotective mother, an unfortunate trait that begins to fracture her family.

The pace of the film changes to rapid fire events as the reasons for Danika's visions become clear: we finally see just what made this brilliant and strong woman the victim of a terrified and disturbed psyche and the manner in which each of the characters in the story impacts this discovery is well-illuminated. The surprise ending scene is a stunner and one that will haunt the viewer.

Marisa Tomei makes this very difficult, well-written role completely believable. She is an actress of enormous gifts. Likewise the remainder of the cast offers such fine ensemble work that credit must be given director Ariel Vromen for being a young talent on the rise. Yes, there are some portions of the film that beg credibility but then that is what delusional thinking is about. This is a tight little film that deserves attention. Grady Harp

I watched quite a few films last year, and "Danika" made it to the top of my list for intellectual quality and brilliance. It's hard to comment on it without giving away details and spoilers, so let me just say, this movie takes your full attention (don't cook dinner and try to keep up!) Tomei is NEVER a disappointment. It's a wonder she isn't in more films these days. She is a little older than her fresh-faced "Only You" days, but time has settled kindly on her, giving her more character instead of so-called 'flaws.' The ending will leave you in somewhat of a stunned silence, and then you will sit there and watch all of the loose ends tie themselves neatly together. You will not walk away from this movie confused or wondering what it was all about - unless you weren't paying close attention all along. I admit, there will be boo-hooers who dislike it because they haven't the patience or the depth to grasp the true meaning behind this film, but this is why Danika is a work of art and it's star a true artist. If it were neat and pat like any good mainstream film, it wouldn't be the hidden jewel that it is. Many will pass it by, others will scoff and tear it apart. Let them. Those who grasp it will be those who tend to think a bit deeper than the first layer of the onion. Danika is a piece of abstract art - viewing it from different angles, you will see details that aren't visible to the casual onlooker.

Not for the squeamish, pick it up sometime and give it the credit it deserves!

I like Marisa Tomei, and I wanted to like this film, but it didn't work for me. It kept me interested up to a point, but it played out like a dull, overlong episode of Ghost Whisperer, with a terrible ending.

I saw Danika's world premiere at the CineVegas film festival this past weekend. It was an excellent psychological thriller with many twists and turns. Marisa Tomei is exceptionally convincing in the lead role as a soccer mom tortured by visions which could be premonitions or hallucinations. The action in the movie intersperses tension-building dialog and dramatically shocking visuals with tremendous effectiveness. The supporting cast is also exceptional in the roles and convince you of the impact that Danika's visions are having upon them. Regina Hall is especially impressive as Danika's psychologist.

I would highly recommend seeking this movie out if it comes to a festival or theater near you!

This is one of those movies that you stumble upon while streaming surfing and see Marisa Tomei, and if you love Marisa Tomei - as I do - you decide you'll give it a chance. Then as you continue to watch and see Tomei's great performance and a number of psychologically provocative scenes you begin to wonder "Wow.. this movie is great.. How come I've never heard of it."

And so .. yes.. watching this movie is like watching a train wreck.. and as the viewer desperately tries to sort out what's real and what's not real you can't help but want to see this movie to the end for the "reveal" that explains it all.

Unfortunately, the "reveal" was a huge let down. I was super enjoying the movie up to that point.. but then the bottom dropped out. And then at that point I now understood how this movie got relegated to the straight-to-video realm.

Sadly, this is the kind of movie that one could argue is "critic-proof" because nothing "needs" to make sense and large plot holes can be "forgiven" because none of it has to make sense in a fundamentally crazy mind. Very convenient.. right?

I was ready to give the movie is "7" or "8" but downgraded it wholly because of the ending.