The Situation

THE SITUATION is an eye-opener for the general public who have been kept guessing as to what is happening in the Iraqi War by the edited reporting in the media. It has all the markings and possibilities of a significant statement movie, but unfortunately the seemingly sound script (Wendell Steavenson) and the solid acting are all but lost by the engineers who allowed the dialog to be inaudible: not only is the ambient sound in a war-torn country not controlled by the Dolby process, but the insipid music score covers what free space there might have been for us to hear what the characters are saying. For lip readers the story might make sense, but for other viewers it is a tough uphill fight.

Anna (Connie Nielsen) is a journalist sent to cover the war to send home to the public a realistic view of what is happening in Iraq. She is aided by friendly Iraqis such as Rafeeq (Nasser Memarzia) and informed of American crimes against Iraqis and becomes involved in a dangerous journalistic mission, one that gives many insights into all of the aspects of the Iraqi conflict. She finds love with two men, a CIA operative Dan Murphy (Damian Lewis) who represents the idealistic vision of helping supply the country with medical assistance, and an Iraqi photographer Zaid (Mido Hamada) whose gentle spirit and warm support win Anna's respect, and the love triangle comes into strident focus when the forces involved in espionage clash in a climatic conflict while Anna is held hostage.

Thankfully, the Arabic conversations are accompanied by subtitles and the audience is thus more able to understand the Iraqi side of the story than the inaudible English spoken dialog apparently explaining the American aspects. The cast seems strong (especially Nielsen, Lewis and Hamada) and the supporting cast is excellent. While THE SITUATION is not meant to be the 'tell-all' of the complex Iraqi story, it at least gives credence to both sides of opinion. And that is what could have made the movie well worth seeing. Philip Haas digs in and gives us a tough dose of what the war is about - if only we could hear the dialog! Grady Harp

This film sums up what I have come to believe about the war in Iraq, and does it very well. Almost all of the other comments on it in this forum are accurate, in my estimation. It's remarkable that so much was accomplished with so little money-roughly one percent of the budget of Apocalypse Now, for example. The production values are so high in most respects that I have to conclude that the confusing ambient sound track was a conscious choice of the director's. The story is told, at times, from the viewpoint of the Iraqi characters, a remarkable feat in itself. At least a third of the dialogue is in Arabic, with subtitles. Like "Three Kings", the film shows the Iraqis not as villains or caricatures, but just as people stuck in a crummy situation for which America is responsible. One of the other reviewers quotes Damien Lewis' character stating the basic premise of the film:"There is no truth, you know....It's just that the truth shifts according to each person you talk to." The reviewer came close, but he missed one line that summed up The Situation for me: "...because the truth is covered over with layers of agenda."

Finally, if, ten or fifteen years from now, anyone is still interested in what was going on in the American war in Iraq, this film stands as the most convincing description I've seen.

It doesn't really matter which side of the political spectrum you come from, this movie will get you thinking. The horror of daily existence in Iraq, the violence and insecurity, the hatred and hopelessness. The good people trying to survive the bad situation, and the bad people who thrive in this hell on earth. And, of course, obvious to every thinking person, the lack of any viable solution for these, for centuries victimized people. This is a brave little independent movie with beautifully etched characters, and powerful massage. You can not bring democracy by force. Force brings only more force and more blood. Avoiding these facts might be politically prudent, but it is morally abhorrent.

This movie is good. And I mean really well done. If you are looking for a movie without too much political agenda, then this is the one. It takes you right on the ground, on the streets and in the houses of Iraq. It showcases the torment and mistrust that has grown in the hearts of people there. It has the look and feel of an indie, at the same time it is very well made. The acting is very good, at all the levels. The movie needs a careful viewing. It is NOT an action movie. It is a well spun out drama with very good character building and a superbly evolving storyline. This is my pick from all the movies on Iraq, along with No End In Site.

The stunningly beautiful and cool blonde, Connie Neilson, contrasts vividly with the dark and passionate Iraqis she meets in this journey through occupation hell in Iraq. This fine drama delivers many wrenching moments on a modest budget, and depicts a serious mess in Iraq that compares negatively with the former regime of Saddam Hussein, who was so vilified to their own peoples by the lawless invaders, while many of the Iraqis on balance welcomed having a strong man in power. All the ambiguities are portrayed here, except the most salient and disgusting: the American occupiers' orgy of torture in the very prisons that Saddam used for the same purpose. Only towards the climax is there an interrogation scene that hints of the possibility of brutality, but the action pulls away and fails to confront the most urgent issue confronting American jurisprudence today. However, despite this important flaw, THE SITUATION is to be highly recommended as a courageous dramatisation of a state slipping towards failure while under the occupation of the US empire.