Füge eine Handlung in deiner Sprache hinzuWhen a 17-old boy loses his mother to suicide, he struggles with her death and the secret that plagued their family.When a 17-old boy loses his mother to suicide, he struggles with her death and the secret that plagued their family.When a 17-old boy loses his mother to suicide, he struggles with her death and the secret that plagued their family.
Fotos
Glen Powell
- Eric Turner
- (as Glen Powell Jr.)
Dora Madison
- Student
- (as Madison Burge)
Julianne Brinkley
- Extra
- (Nicht genannt)
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I first thought it was a Canadian film. I had no idea until I read the credits that it was filmed entirely on location in Austin, Texas. This film is quite a gem and treasure about the relationships between a father and son, Frank and Zak Nelson, after the suicide death of the family matriarch. Zak blames himself as does Frank for her death. The father and son moments in the film are alone worth watching. There is no glamor with this largely unknown cast. They do a brilliant job worthy of awards. Zak becomes withdrawn from his girlfriend and his friends as well as his father. He paints his room black to symbolize his mourning. It isn't until a life-changing experience that determines how to live after a family tragedy.
Few films handle the difficulties and complexities of teenager-dom as well as this one. Canlder has a unique ability to imbue her characters with depth and sensitivity without being overly sentimental or cliché. Great soundtrack. These characters are real. Lacking the false glamour and pretentious irony-filled self awareness of many teens in recent American films, Canlder's cast instantly brings you back to what it was to be in high school--the good and the not so good. The plot is wonderfully spare in its exposition, and the focus is on letting the characters stand on their own, complete with their imperfections and secrets. An excellent dialog starter for topics that many people simply don't want to go near or don't know how to begin.
...it's about suicide. So I'll call it compelling and deeply affecting instead.
I caught this a month or two back on our local PBS station's Saturday night indie movie slot, and was glad I stuck with it. Michael Emerson's presence was a pure gift, and it was so nice to see him as someone other than crazy Ben Linus, King of the "Lost" Island. He was excellent as the well-meaning but essentially clueless widower father, and the young actors were good as well.
The only character who grated on me was the young girl, Grove. She just didn't seem real or even particularly interesting, and at times I found her deeply irritating. The character, not the actress, who did a good job.
But the music. When Sufjan Stevens's "For the Widows in Paradise, For the Fatherless in Ypsilanti" played all the way through over what was all but a real-time progress from home to school, I cried like a little girl. A gorgeous, moving song, used brilliantly.
I'll be buying this on DVD.
I caught this a month or two back on our local PBS station's Saturday night indie movie slot, and was glad I stuck with it. Michael Emerson's presence was a pure gift, and it was so nice to see him as someone other than crazy Ben Linus, King of the "Lost" Island. He was excellent as the well-meaning but essentially clueless widower father, and the young actors were good as well.
The only character who grated on me was the young girl, Grove. She just didn't seem real or even particularly interesting, and at times I found her deeply irritating. The character, not the actress, who did a good job.
But the music. When Sufjan Stevens's "For the Widows in Paradise, For the Fatherless in Ypsilanti" played all the way through over what was all but a real-time progress from home to school, I cried like a little girl. A gorgeous, moving song, used brilliantly.
I'll be buying this on DVD.
This movie is not only worth seeing it is in my opinion a must see. Rarely do I see a film that tackles the topic of suicide and the aftermath of what a suicide creates like Kat Candler's "Jumping off Bridges". I have had several opportunities to view the film and I have always been amazed at how this film gets people talking. In my mind that is what a good film does; it gets your mind moving and you mouth open and your eyes a little tear filled. OK, the tears aren't a requirement for a good film but this film does all that. I can't imagine why anyone wouldn't want to see this film and to share it with others. If you are in the market for a film that will create discussion about one of societies last know taboos "suicide" then this is your movie. Watch it!
This was one of three films that I saw at South by Southwest this year (2006), and by far the least enjoyable. Didn't work for a number of reasons. First, an excruciatingly slow introduction. When the teens-dealing-with-suicide theme does finally get moving, the material is, quite honestly, embarrassing. I got the impression that the author of the material was trying to address something that was over her head. I have a teenage kid, but I have a hard time picturing him or any other teenager behaving quite the same way the characters in this film behave. It's more as if an adult psyche was being projected onto a kid. Who is this film going to appeal to? A teenager who can't relate to the main characters because of their behavior, or an adult who can't relate to these characters because of their age?
Bottom line - slow, amateurish, unbelievable.
Still, kudos to the crew of this film for completing something on a presumably small budget.
Bottom line - slow, amateurish, unbelievable.
Still, kudos to the crew of this film for completing something on a presumably small budget.
Wusstest du schon
- VerbindungenReferenced in Cinema Six (2012)
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Details
Box Office
- Budget
- 100.000 $ (geschätzt)
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
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