1947 ist Jackie Robinson der erste Afroamerikaner, der Baseball in der Major League spielt. Als Spieler bei den Brooklyn Dodgers ist er erheblichem Rassismus ausgesetzt.1947 ist Jackie Robinson der erste Afroamerikaner, der Baseball in der Major League spielt. Als Spieler bei den Brooklyn Dodgers ist er erheblichem Rassismus ausgesetzt.1947 ist Jackie Robinson der erste Afroamerikaner, der Baseball in der Major League spielt. Als Spieler bei den Brooklyn Dodgers ist er erheblichem Rassismus ausgesetzt.
- Auszeichnungen
- 3 Gewinne & 21 Nominierungen insgesamt
André Holland
- Wendell Smith
- (as Andre Holland)
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Greetings again from the darkness. After some soul searching, I have decided to turn off the critical side of my brain and concentrate on what is good about this movie. As a baseball and movie fanatic, a bit of trepidation creeps in when the two come together. However, this really isn't a baseball movie, though the story focuses on what may be the most critical turning point in baseball history. In fact, this turning point was much bigger than the American Pasttime ... it was also key to the Civil Rights Movement. The movie is a reminder of how different things could have been with the wrong man rather than the right one ... Jackie Robinson.
Writer/Director Brian Helgeland (s/p for L.A. Confidential and Mystic River) takes a look at what occurred in 1945-47, when Brooklyn Dodgers President and GM Branch Rickey (played by Harrison Ford) made the business decision to integrate baseball. We see his selection process ... Roy Campanella "too nice", Satchel Paige "too old". He settles on Jackie Robinson after their infamous 3 hour meetings where Rickey confronts Robinson with his need for a black player "with the guts NOT to fight back".
Chadwick Boseman portrays Jackie Robinson as a man thoroughly in love with his wife Rachel (played by Nicole Beharie), and one who says he just wants to "be a ballplayer", while at the same time taking pride in his world-changing role. We see his evolution from his stint as shortstop for the Kansas City Monarchs of Negro Leagues to his time with the Dodgers' AAA minor league team in Montreal and finally to his introduction to the Major Leagues in 1947.
This is an earnest and sincere movie that removes the complexities of the times and the main characters. Much of it is portrayed as good guys versus bad guys. The good guys are really good and the bad guys are really bad. Alan Tudyk has the unenviable task of portraying Philadelphia Phillies manager Ben Chapman, who famously unleashed a verbal assault of vile racism on Robinson. Mr. Rickey credited Chapman's small-mindedness as the single biggest factor in unifying the Dodger team around Robinson. The other famous moment given time in the movie is when beloved shortstop Pee Wee Reese (Lucas Black) put his arm around Robinson, shushing the Cincinnati fans. Of course as a baseball fan, I enjoyed the all too brief antics of Brooklyn manager Leo Durocher (Christopher Meloni) whose place in the Robinson story would have been much more profound had he not succumbed to the weakness of the flesh (so to speak).
Filmmaker Helgeland provides a tale of morality and social change, and provides a glimpse at the character and strength required by those involved. The story has much more to do with demonstrating how the times began to change than it does with how Jackie Robinson, an unpolished ballplayer but superior athlete, transformed himself into a perennial all-star and league MVP. And that's as it should be. As Rickey stated, acceptance will only occur if the world is convinced Robinson is a fine gentleman and a great baseball player. That burden must have weighed heavily at times, but it's very clear that Robinson was the right man at the right time.
Writer/Director Brian Helgeland (s/p for L.A. Confidential and Mystic River) takes a look at what occurred in 1945-47, when Brooklyn Dodgers President and GM Branch Rickey (played by Harrison Ford) made the business decision to integrate baseball. We see his selection process ... Roy Campanella "too nice", Satchel Paige "too old". He settles on Jackie Robinson after their infamous 3 hour meetings where Rickey confronts Robinson with his need for a black player "with the guts NOT to fight back".
Chadwick Boseman portrays Jackie Robinson as a man thoroughly in love with his wife Rachel (played by Nicole Beharie), and one who says he just wants to "be a ballplayer", while at the same time taking pride in his world-changing role. We see his evolution from his stint as shortstop for the Kansas City Monarchs of Negro Leagues to his time with the Dodgers' AAA minor league team in Montreal and finally to his introduction to the Major Leagues in 1947.
This is an earnest and sincere movie that removes the complexities of the times and the main characters. Much of it is portrayed as good guys versus bad guys. The good guys are really good and the bad guys are really bad. Alan Tudyk has the unenviable task of portraying Philadelphia Phillies manager Ben Chapman, who famously unleashed a verbal assault of vile racism on Robinson. Mr. Rickey credited Chapman's small-mindedness as the single biggest factor in unifying the Dodger team around Robinson. The other famous moment given time in the movie is when beloved shortstop Pee Wee Reese (Lucas Black) put his arm around Robinson, shushing the Cincinnati fans. Of course as a baseball fan, I enjoyed the all too brief antics of Brooklyn manager Leo Durocher (Christopher Meloni) whose place in the Robinson story would have been much more profound had he not succumbed to the weakness of the flesh (so to speak).
Filmmaker Helgeland provides a tale of morality and social change, and provides a glimpse at the character and strength required by those involved. The story has much more to do with demonstrating how the times began to change than it does with how Jackie Robinson, an unpolished ballplayer but superior athlete, transformed himself into a perennial all-star and league MVP. And that's as it should be. As Rickey stated, acceptance will only occur if the world is convinced Robinson is a fine gentleman and a great baseball player. That burden must have weighed heavily at times, but it's very clear that Robinson was the right man at the right time.
I remember seeing Jackie Robinson as a retired man and walking with a cane, being applauded before World Series games in 1972. Was wondering who was that man. My mother told me he did something important in baseball, better than a winning home run.
Thank God what he did was open the doors to talented black and other ethnic players to play baseball, it changed the game forever.
This movie depicts this feat done by this man as well as the audacious Branch Rickey, general manager of the Dodgers. Well photographed, story well written and good characters. I noticed there were a lot of barriers that the Dodgers itself had to suffer (bigotry, banned from hotels, possible strike by players, white people booing). But that did not move Jackie on the field.
Sad that the producers did not shot a local scene regarding Montreal where he played for the "Royals". There was an anecdote that Robinson was ran over on the streets, not for bigotry, but for heroism on the field. And of course at the time, French-Canadians were subject to some bigotry by the English Canadian majority (until a certain Maurice Richard gave them courage to stand up, there was a movie about it...). Jackie Robinson is well honoured here with a statue near Olympic Stadium. However, the jersey said it all, and the former "Expos" did made a replica in 1992.
For the rest, a movie to see. To remember that there a place for all, and all can succeed, despite the hatred and bigotry...
Thank God what he did was open the doors to talented black and other ethnic players to play baseball, it changed the game forever.
This movie depicts this feat done by this man as well as the audacious Branch Rickey, general manager of the Dodgers. Well photographed, story well written and good characters. I noticed there were a lot of barriers that the Dodgers itself had to suffer (bigotry, banned from hotels, possible strike by players, white people booing). But that did not move Jackie on the field.
Sad that the producers did not shot a local scene regarding Montreal where he played for the "Royals". There was an anecdote that Robinson was ran over on the streets, not for bigotry, but for heroism on the field. And of course at the time, French-Canadians were subject to some bigotry by the English Canadian majority (until a certain Maurice Richard gave them courage to stand up, there was a movie about it...). Jackie Robinson is well honoured here with a statue near Olympic Stadium. However, the jersey said it all, and the former "Expos" did made a replica in 1992.
For the rest, a movie to see. To remember that there a place for all, and all can succeed, despite the hatred and bigotry...
You probably think this film is completely focused on the story of Jackie Robinson. That is definitely not the case, as this film finds balance between the story of Robinson, baseball, and segregation. And this film succeeds in depicting all three aspects to bring a powerful, heartwarming, humorous film. The casting is great. Every actor fits his or her character perfectly. Harrison Ford does an amazing job portraying his character with his no- nonsense humorous attitude. He has a good chance of grabbing an academy award nomination for this roll. This is one of those movies that takes you for an emotional thrill ride. You feel for the Robinson. You want him to win. And you rejoice when he does. So sit back and let the film drag you in; it's worth your time.
I'm a big baseball fan, so I was excited to see this movie as soon as I heard about it. The release date of April 12th coinciding with the start of the baseball season, as well as Jackie Robinson Day on April 15th (when every MLB player sports #42 in his honor), felt appropriate and was clever marketing.
In case you live under a rock and/or you happened to go to one of the few elementary schools that didn't require its students to write a report on a famous black person for Black History Month, Jackie Robinson was the first African American Major League Baseball player, who played first and second base with the Brooklyn Dodgers from 1947 through 1956. After doing a little research about Robinson, I discovered that one detail that was left out in those grade school reports was that he wasn't really the first black player in the majors, only of the of the modern era. What I mean by "the modern era" is after the Negro Leagues, which existed for about 60 years, starting in the 1880s. There were actually some black players in the major leagues before the Negro League started. However, this does not make Robinson's accomplishments any less impressive.
I have a whole new respect for Jackie Robinson after actually seeing and hearing the racism that he had to endure. In one scene, a Pittsburgh Pirates pitcher even hits him in the head. (Speaking of which, it made me wonder what the hell took so long for helmets to be made mandatory.) Some of the behavior and racial slurs coming from the crowd, coaches from other teams, and umpires was truly disgusting to watch for someone who was brought up in a generation where it's no longer socially acceptable to be blatantly racist. Sure, racism is unfortunately still alive and well in America, but it exists on a more underground level, compared to 60 years ago when it was considered the norm.
Newcomer Chadwick Boseman did a fantastic job. I'm glad the producers cast an unknown because it made it easier to believe that he really was Jackie Robinson. It would be cool to see him be recognized with an Oscar nomination, but even more importantly, I hope this will be the start of a long career. The supporting actors were great as well, particularly Lucas Black as Pee Wee Reese, the Dodgers shortstop who supported and stood up for Robinson the most during his rough first years on the team, and Alan Tudyk as Ben Chapman, the unapologetically racist Phillies manager who was one of Robinson's worst tormentors. Tudyk was so convincing in the role, it was hard not to hate him. Then of course, there's the legendary Harrison Ford as Dodgers general manager Branch Rickey, the man who helped break the color barrier by deciding to sign Robinson. I didn't realize just how old Harrison Ford is until I saw him in this. He was almost unrecognizable, and really disappeared in his role. At 71 years old, he still looks good for his age though.
It was great to see how his teammates went from signing a petition against him playing with them to gradually accepting and respecting him. The only problem I had with the film was that it ended very abruptly. I was shocked when the concluding notes of what happened to all the characters started rolling, as they typically do in films based on true stories. I felt like they stopped telling his story too early. Aside from that, I was very impressed with the film's authenticity and honest portrayal of the characters and time period.
"42" has already proved to be a hit. It opened at number one at the box office, and it broke some records for baseball-themed movies. At $9.1 million, it had the best opening day ever, and at $27.3 million, it had the best opening weekend. This will undoubtedly go down as one of the greatest baseball movies of all time. In my book, it's right up there with "The Sandlot" and "A League of Their Own." What's great about "42" is that it's far more than just a baseball movie. It's a movie about overcoming obstacles, staying strong during difficult times, believing in yourself, and standing up for what is right.
In case you live under a rock and/or you happened to go to one of the few elementary schools that didn't require its students to write a report on a famous black person for Black History Month, Jackie Robinson was the first African American Major League Baseball player, who played first and second base with the Brooklyn Dodgers from 1947 through 1956. After doing a little research about Robinson, I discovered that one detail that was left out in those grade school reports was that he wasn't really the first black player in the majors, only of the of the modern era. What I mean by "the modern era" is after the Negro Leagues, which existed for about 60 years, starting in the 1880s. There were actually some black players in the major leagues before the Negro League started. However, this does not make Robinson's accomplishments any less impressive.
I have a whole new respect for Jackie Robinson after actually seeing and hearing the racism that he had to endure. In one scene, a Pittsburgh Pirates pitcher even hits him in the head. (Speaking of which, it made me wonder what the hell took so long for helmets to be made mandatory.) Some of the behavior and racial slurs coming from the crowd, coaches from other teams, and umpires was truly disgusting to watch for someone who was brought up in a generation where it's no longer socially acceptable to be blatantly racist. Sure, racism is unfortunately still alive and well in America, but it exists on a more underground level, compared to 60 years ago when it was considered the norm.
Newcomer Chadwick Boseman did a fantastic job. I'm glad the producers cast an unknown because it made it easier to believe that he really was Jackie Robinson. It would be cool to see him be recognized with an Oscar nomination, but even more importantly, I hope this will be the start of a long career. The supporting actors were great as well, particularly Lucas Black as Pee Wee Reese, the Dodgers shortstop who supported and stood up for Robinson the most during his rough first years on the team, and Alan Tudyk as Ben Chapman, the unapologetically racist Phillies manager who was one of Robinson's worst tormentors. Tudyk was so convincing in the role, it was hard not to hate him. Then of course, there's the legendary Harrison Ford as Dodgers general manager Branch Rickey, the man who helped break the color barrier by deciding to sign Robinson. I didn't realize just how old Harrison Ford is until I saw him in this. He was almost unrecognizable, and really disappeared in his role. At 71 years old, he still looks good for his age though.
It was great to see how his teammates went from signing a petition against him playing with them to gradually accepting and respecting him. The only problem I had with the film was that it ended very abruptly. I was shocked when the concluding notes of what happened to all the characters started rolling, as they typically do in films based on true stories. I felt like they stopped telling his story too early. Aside from that, I was very impressed with the film's authenticity and honest portrayal of the characters and time period.
"42" has already proved to be a hit. It opened at number one at the box office, and it broke some records for baseball-themed movies. At $9.1 million, it had the best opening day ever, and at $27.3 million, it had the best opening weekend. This will undoubtedly go down as one of the greatest baseball movies of all time. In my book, it's right up there with "The Sandlot" and "A League of Their Own." What's great about "42" is that it's far more than just a baseball movie. It's a movie about overcoming obstacles, staying strong during difficult times, believing in yourself, and standing up for what is right.
Up until this film, probably the best film about Jackie Robinson was the one in which the star played himself. This wasn't a bad film, though it seemed very over-idealized. Finally, after all these years, Hollywood has finally put a nice budget into making a lovely tribute to this baseball great. However, and this isn't a complaint, it is NOT a film about the entire life of Robinson--just a tiny portion. Of course, it's clearly the most important part--his career in the minor leagues and his first year in major league baseball. It does not discuss how his career was unfortunately cut short by diabetes--as was his life. But the movie makers clearly couldn't do EVERYTHING--and they were wise to narrow the focus. But as for me, I'd like to see a sequel--and what happened to Robinson AFTER the 1947 season. In fact, when the film ends, you see that Dodgers win the National League pennant--but you don't learn that they lost the World Series to the Yankees (that WOULD have been anticlimactic).
So what did I think of the film? Well, I thought it was terrific--and I really appreciated how the film tried to get the history correct (with a few tiny exceptions). Ben Chapman (the manager of the Phillies) really was a racist jerk. Robinson did, for a time, live in Sanford, Florida (that's a bit ironic). And, the film tried very hard to get the look right. I also appreciated seeing Harrison Ford try to stretch his range--uglying himself up and changing his voice so much to try to adequately portray Branch Rickey. All in all, a very, very inspiring and touching film--one even non-baseball players could love.
So what did I think of the film? Well, I thought it was terrific--and I really appreciated how the film tried to get the history correct (with a few tiny exceptions). Ben Chapman (the manager of the Phillies) really was a racist jerk. Robinson did, for a time, live in Sanford, Florida (that's a bit ironic). And, the film tried very hard to get the look right. I also appreciated seeing Harrison Ford try to stretch his range--uglying himself up and changing his voice so much to try to adequately portray Branch Rickey. All in all, a very, very inspiring and touching film--one even non-baseball players could love.
Wusstest du schon
- WissenswertesIn 1997, baseball commissioner Bud Selig universally retired Jackie Robinson's number, 42. The handful of players still wearing the number were allowed to keep it. As of 2014, barring special requests or approval, no major league player will wear #42 again.
- PatzerIn the film, that Leo Durocher is suspended for his affair with a married woman. In reality, he was suspended for reported links to gamblers.
- Zitate
Pee Wee Reese: Maybe tomorrow, we'll all wear 42, so nobody could tell us apart.
- VerbindungenFeatured in Jimmy Kimmel Live!: Folge #10.371 (2013)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- 42: La verdadera historia de una leyenda del deporte
- Drehorte
- Engel Stadium, Chattanooga, TN(Exterior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 95.059.709 $
- Eröffnungswochenende in den USA und in Kanada
- 27.487.144 $
- 14. Apr. 2013
- Weltweiter Bruttoertrag
- 97.510.197 $
- Laufzeit
- 2 Std. 8 Min.(128 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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