Zwei Bostoner Detektive untersuchen die Entführung eines Mädchens, was letztendlich beruflich und persönlich zu einer Krise führt.Zwei Bostoner Detektive untersuchen die Entführung eines Mädchens, was letztendlich beruflich und persönlich zu einer Krise führt.Zwei Bostoner Detektive untersuchen die Entführung eines Mädchens, was letztendlich beruflich und persönlich zu einer Krise führt.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 33 Gewinne & 32 Nominierungen insgesamt
- Bubba
- (as Slaine)
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The opening credits start with the camera showing close ups of people's faces. The close ups are a recurring theme throughout the movie. It's because this is not just a film about a child kidnapping. It is a film about people and that is what lifts this film above so many others.
Director Ben Affleck shows confidence and style in his first film. After this, he does not need to perform in any more films. He is a much better writer and director than he is an actor.
All the performances in the film are superb. Casey Affleck has to carry the film and he does a great job. He is a stoic, deadpan, detective. But unlike the Noir detectives of the past, he is not a loner. He has a lot of friends and he has his girlfriend played by Michelle Monaghan help with the investigation. He uses his connections to find out things the police cannot.
Beyond that, the less you know the better.
If you like crime dramas that also work as character studies, you should run out and see "Gone Baby, Gone."
The performances are outstanding. All of the characters- including the city itself - are filled with depth and ambiguity. Like a previous post mentioned, Amy Ryan did a phenomenal job as Helene, not only do I know many people like her, I'm related to some. I didn't even recognize her from her wonderful performance in the Wire.
The questions that this movie asks as it unfolds do not get answered in by the closing credits, and they still aren't answered as I type. Who was right? Is there a right answer? Morgan Freeman- the greatest actor alive- and Ed Harris give standard upper echelon performances. But I was surprised by Michelle Monaghan and especially Casey Affleck. He didn't flinch, and he didn't compromise his ideals, but in the end compromised nonetheless. I hope he gets a nomination.
Ben Affleck lost my favor somewhere around the time he began to cry in Armageddon, and I haven't taken him seriously since. But his achievement here, the pace, the mood, the spot on capturing of the desolate neighborhood, and the overall story leads me to anxiously await his next directorial effort.
The best film I've seen in years.
As far as the story goes I'd never spoil it for you but it's complex, not confusing. There is a lot going on and it's so real. I don't know what's happened in this area but people have become so lousy. So lousy that if you're a good person you just don't know what can be done anymore. There seems to be no answer sometimes and this film is set in that world. If you have the brains and heart to try you don't even know what will come of it.
Who should see this? Intelligent people. People who want to come out of a movie thinking about what they just saw. People who want to see an incredibly well made film. And anyone who ever liked Ben Affleck even for half a second. He should be very proud of this movie. As far as content there are loads of curse words, some drug use, but no nudity that I can remember, and there is some gun violence, but nothing too bad. Put it high on your movie going list.
Based on the book by Dennis Lehane (Mystic River), Gone Baby Gone marks the directorial debut of Ben Affleck, who also penned the screenplay in tandem with Aaron Stockard, and easily puts him at the front of the line for Oscar contention.
Casey Affleck and Michelle Monaghan star as a pair of private investigators based in the rough working class Dorchester district of Boston. The two are hired by the family of a missing four-year-old girl to assist the police investigation because of their street connections and ability to get people to talk who otherwise would never open up to a cop. As they navigate through the neighborhood's seamy underbelly of pimps, drug dealers and crack whores they uncover an ever-expanding mystery that takes on the added dimension of provoking the question of just what is right and what is wrong, firmly pitting both story and viewer in a struggle between situational ethics and moral absolutes.
Morgan Freeman and Ed Harris round out an impressive cast, but it's the younger Affleck who takes this movie on his back and runs with it, easily surpassing his director brother in terms of acting breadth and range. This is no slight to Ben, however. It's been a long time since I was this impressed with a directorial debut, and even longer since I was given cause to reflect upon the values that we hold dear as individuals and a society, and the moral foundations upon which they are based. Gone Baby Gone manages both, and wraps it up in a hard-hitting detective story that serves as much to satisfy the baser urges of bar fights and gun play, as it does tackling bigger issues.
It's also one of those rare movies in which it can easily be said that the less you know about the story going in, the richer the experience. There's no clear twist ending to give away, but rather a layered story that unfolds like a Russian stacking doll with a moral dilemma at its core.
One thing I do feel comfortable revealing, however, is that this movie comes about as close as any can to being a bonafide lock come Academy Award time. Congrats Ben, you may well have redeemed yourself from your J-Lo/Gigli reputation at last.
Wusstest du schon
- WissenswertesAmy Ryan looked and sounded so convincing as a working-class Dorchester mom that a security guard mistook her for a fan on the first day of location filming and wouldn't let her on the set. One of the producers finally noticed her on the other side of one of the barricades and said she should be let through. The incident made Ryan twenty minutes late, but convinced her the Boston accent she'd prepared was realistic.
- PatzerWhile Dottie talks to the press, she uses the word "vigual" when she means "vigil." This was because her lines were being fed to her by director Ben Affleck and she misheard this particular word. Affleck noticed her mistake but thought it sounded natural, and thus left it alone.
- Zitate
[first lines]
Patrick Kenzie: I always believed it was the things you don't choose that makes you who you are. Your city, your neighborhood, your family. People here take pride in these things, like it was something they'd accomplished. The bodies around their souls, the cities wrapped around those. I lived on this block my whole life; most of these people have. When your job is to find people who are missing, it helps to know where they started. I find the people who started in the cracks and then fell through. This city can be hard. When I was young, I asked my priest how you could get to heaven and still protect yourself from all the evil in the world. He told me what God said to His children. "You are sheep among wolves. Be wise as serpents, yet innocent as doves."
- Crazy CreditsIn the credits, Ben Affleck gives special thanks to Manny Ramirez and David Ortiz, both members of the Boston Red Sox World Series championship teams of 2004 and 2007.
- SoundtracksYou're Crazy
Written by Axl Rose, Slash (as Saul Hudson), Duff McKagan (as Michael McKagan),
Izzy Stradlin, Steven Adler
Performed by Guns N' Roses
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Desapareció una noche
- Drehorte
- Murphy's Law - 837 Summer Street, Boston, Massachusetts, USA(bar at the end)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.292.962 $
- Eröffnungswochenende in den USA und in Kanada
- 2.299.000 $
- 21. Okt. 2007
- Weltweiter Bruttoertrag
- 34.612.443 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1