Death Race

Now here's an exploitation film that knows what a solid B-movie is supposed to be: an action-dense, amped-up, gore-soaked killfest. It's the cinematic equivalent of eating that entire box of Red Vines you bought at the snack bar, using them as candy straws to suck down your extra-large Coke.

As a fan of the original "Death Race 2000," I was pleased to see just enough of a shadow of the original movie inhabiting the skin of the new one. Roger Corman's name on the producing credits gave me hope at the start, and his seal of approval seemed to mean something, perhaps as counterweight to Paul W. S. Anderson's track record of shooting mediocre video game adaptations. Surprisingly, Anderson rises to the occasion, effortlessly elevating a cliché-rich but fast-moving script to the level of a satisfyingly adrenalin-fueled confection aimed like a bullet at the A.D.D.-addled brains of the short-attention-span generation.

Set in an "Escape From New York"-style dystopic prison-culture (that sounds suspiciously like current American society), slaughter happens, stuff blows up, and the weak are culled like bunnies caught in the headlights of gas-sucking American muscle cars. Fans of the "Twisted Metal" video game will love the newest wrinkle in the race, the addition of weaponry – a needed bloody bump for version 2.0. And what a bump it is, with each car's chugging machine guns indiscriminately spewing hot rounds at every foe, shredding Detroit steel like it was used Kleenex. It's unabashed gun fetishism at its gleeful best, and it makes you want to strap an M60 to the hood of your Prius in order to cut your commute in half.

Jason Statham does his standard tough-guy job as the scowling Frankenstein, Joan Allen plays a ball-busting warden (perhaps a bit in the mold of Louise Fletcher's Nurse Ratched), and Ian McShane of "Deadwood" has a solid cameo as the prison-wise mechanic, Coach. Even Machine Gun Joe gets a new incarnation in the form of Tyrese Gibson, who thankfully is nothing like Stallone's blustering Italian meatball.

I loved it, and can't wait to see it again in a theater with enough bass to pump up those impact crunches to the bone-jarring level they deserve.

Yeah!

If "Mario Kart" was a movie and it had characters similar to the video game "Twisted Metal" this movie would be it. I really don't see why critics bash this movie so much, yes it isn't a Oscar worthy movie nor is it a very intelligent movie. But it sure is entertaining and was so stupid to the point it got irritating. People that decide to see this movie should know what they are getting into or else they might dislike it. Overall when I saw this movie in theater I really enjoyed it and had a blast with it, sure some of the plot holes are obvious but this is still a solid thrill ride. Personally I had a blast with this movie and Jason Statham was good in this role since he fit in with his tough guy exterior and I bought it. There is good amount of sex appeal and Ian McShane is just right as well while playing the character named Coach. This is a thrill ride that is like watching a actually entertaining video game movie. However if the script was a bit more intelligent it would have been better though although I didn't expect a solid script from Paul W.S. Anderson.

7.4/10

As many comic books, games and original movies are being remade, director Paul W.S. Anderson is not new to those remakes. He adapted Resident Evil, Mortal Kombat and AVP. Now he remakes the original movie Death race 2000. Not surprising. While watching this movie, I realised that he still has his habit of making games plots. Death race plot is quite similar to those racing or survival games plot. It reminds me of DOA (Dead Or Alive) which Paul produce.

The story: Jensen Ames (Jason Statham) is framed for murdering his wife. He is then sent to jail. Hennessey (Joan Allen) picks him to join the brutal surviving game. He has to kill the other inmates who join the game. The prize is to get his freedom. Every inmate will get his own partner. The partners are mostly some hot chicks. From there, exciting vehicles chases scenes and blood ooze out. There isn't much gore but there are blood and language. The plot is so simple but the idea and the chase scenes make my heart pound. It is like watching a survival game unfolding by itself.It just explode the screen and your time and nothing else. And you won't care about the plot, you will just care about the thrilling game.

Overall: Those expecting a move to kill time, this is one. Those who want to watch another "The Dark Knight" movie, this is not the movie. It is not bad for mindless action flick.

By the time I entered to see this movie, I knew what to expect. Jason Statham. A movie called "Death Race". A poster with spiked cars and bazookas on them. Why the hell would I expect a "Deep Sophisticated Movie"?

So, I grabbed 2-3 beers, some chips and started the movie!

Hell I enjoyed it. And I was in Home.

Don't listen to the critics. I love Sophisticated movies, I mean my favourite Director is Guy Ritchie and he tries to make every time a movie with a complicated plot. This is not Batman: Dark Night. It's a classic American Culture - Game-Like movie. Do you want pure Explosions & Guns entertainment to do something with your time? This is what you're looking for and it's good for what it is.

Definitely better than the ridiculous "Righteous Kill", that we had the doubtful honor to view today also, at the same press screening, here in Bucharest, Romania.

"Death Race" is a honest to God action movie, without any bigger-than-life pretensions. The script follows correctly an old tested and tried recipe, everything is at its place, and although you can easily plot out the whole course since the beginning, somewhat even this sounds good - you simply have the guilty pleasure of savoring again a story that you know from dozens of other movies.

The influences from the racing video games are explicit, and well mastered - me, I fully felt as while playing "Death Rally". Even certain aerial shots are obvious quotes from the computer game imagery. The narrative is nervous and thrilling, the effects professional, the violence degree precisely balanced. Maybe the main virtue of the movie is the cinematography, with admirable chromatic and plastic values. All in all, what it promises, it delivers: a cheap show, well done.