Auf einem Ausflug in eine mexikanische Grenzstadt stolpern drei Studienfreunde über einen Menschenopferkult.Auf einem Ausflug in eine mexikanische Grenzstadt stolpern drei Studienfreunde über einen Menschenopferkult.Auf einem Ausflug in eine mexikanische Grenzstadt stolpern drei Studienfreunde über einen Menschenopferkult.
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Three young guys go down to Mexico one summer, where they experience that one of them disappears. One of them is kidnapped by humans believing in human sacrificing to the spirit Nganga. The cult leader is based upon The story of Adolfo de Jesus Constanzo! The so-called Godfather of Matamoros. They found more than fifty corpses where brains and spinal cords had been removed. Well, that's the true story, of a case which still isn't closed, as several members of the cult still is on the run.
The film is technically good, and well done in all aspects. The colors are gritty, made with color filters, like many Latin American film has been lately. In this film it's very suitable. Sometimes maybe a bit too much, as it is sometimes difficult to see clearly, outdoors in the sun. Indoors it's better.
The film is made terrifying, as it should be. many actors are doings terrific job. Maybe not so much Brian Presley and Jake MuxWorthy as Rudef Strong. But the Mexicans are doing great, and I always admire Damian Alcazar (amazing in 2004-film Chronicas/Chronicles). The crook Marco Bacuzzi is amazingly terrifying as a violent evil man. One of the scariest I've seen on film ever. The bad guys here are really disgusting all of them. Well played.
I find this a very good film, Though I don't like this kind of violence. I hate watching it, and definitely more do when it is a true story. This is of course it's not everyone's porridge. If you trouble with graphic films, this is no film for you. It's no constellation "this is just film", 'cause it isn't just. It is based on a true happening, found in the insanity of some human's religion. Embrace yourself.
It follows the (familiar) story of X good-looking young Americans, travelling to X and running into trouble in the form of X. Sometimes these packs of good-looking young Americans are girls, sometimes boys, other time a mixed group. Sometimes they travel to a remote town in America, sometimes a remote town in Europe. Once they get to where they're going, they run into trouble in the form of zombie/vampires/ghosts/rednecks/cannibals - choose your 'nasty.' In this instance, three lads travel to Mexico and get mixed up with... well, you'll have to watch it to find out.
Like I say, the story is pretty generic. I've seen plenty of these sorts of movies (you can probably tell by my cynical tone), but this one is pretty reasonable. The protagonists aren't (completely) unlikeable, don't do (too many) stupid things and you can basically root for their plight.
If you like this sort of film, give it a go. Trust me, there are many worse than this (and I've sat through almost every last one of them).
The opening scene of this movie deceives, situating it firmly in Hostel territory, with grotesque violence and intense claustrophobic action. In the main action of the film, however, it seems as if the horror movie element of this is compromised by the fact that two of those involved are still alive. If safely dead foreigners can be depicted as the victims of graphic bloodletting, living and dead Americans cannot be. To be blunt, this film cops out. It is selective in what the audience are permitted to see entire and what is merely implied or suggested, presumably with relatives' and survivors' sensibilities in mind. There is nothing wrong with this, if this were packaged as a real life story, but as a horror movie it is a cheat. Instead of becoming more involving or thrilling as the action unwinds, it becomes increasingly distant, chilly and mechanical.
I can't help thinking it would have been far more successful to have taken the basic premise of the story and to have gone down the road of complete fiction, to sustain the energy and darkness of the opening scene, instead of the patchy and undigested amalgam it becomes. That way, it would have been a terrific horror. Instead, it's neither fish nor fowl, and unsatisfactory stuff.
Borderland is based on the true story of ritual sacrifice killings conducted by a group of drug dealers in Mexico a few years back. The story centers around Phil, chillingly played by Rider Strong (Boy Meets World, Cabin Fever). Phil and two of his college buddies are spending some quality time just across the Mexican border before shipping off to grad school. Strong is one of those actors who, having started very young, has such a naturalistic acting style that his performance here was frightening on many levels.
The Q&A with director Zev Berman and cast members Rider Strong and Brian Presley ended close to 3 AM, about as long as any I can remember, and could have gone on all night. It was amazing how much of a stickler Berman was for being faithful to the story. It's hard to believe that some of the torture scenes really took place. But that's what makes it so gripping. It's one of the most gruesome films I've seen, and would be right up there with some of the most shocking horror/slasher/thrillers to come out lately, if not for the fact that it all really happened. There have been many films at recent festivals which have been very hard to watch, and this was no exception. It was an intense experience. But it absolutely has to be known going in that it is a true story, because otherwise some of the scenes would strain credulity.
I hope it can find an audience, because it might be too tough for the highbrow crowd yet not as darkly comedic as most slasher flicks are to satisfy the horror crowd. I did see one film similarly horrific this year, An American Crime at Sundance. It also plays out a shocking true story without pulling any punches. But Borderland is more "entertaining," if that makes sense, because there is at least a genre that it falls into neatly. Anyone who loves a good gory thriller will enjoy it. But once they are aware it all really happened, they will be chilled to the bone.
Three guys take a trip to Mexico that goes all wrong when they run into a cult of violent murderers. That's pretty much the gist of things.
The acting is actually rather decent and the story is well told and even believable to some degree and it kept my attention all the way through and proved to be one of the better films I've seen in this genre. I actually had to remind myself half way through that this was supposed to be a gore-filled horror film. There was nothing new in terms of blood, guts, and gore, and there really wasn't a whole lot of it given the length of the movie, but what's there gets the point across well.
Some people have referred to it as "goreporn" also which it really isn't. I'm glad at least some writers feel that gratuitous sex/nudity take away from a story when unnecessary.
Bottom line: If you go in expecting the same garbage this genre pumps out yearly, you'll be quite pleasantly surprised. If you go in expecting a masterpiece in horror theater, you'll likely be disappointed.
Wusstest du schon
- WissenswertesLoosely based on actual events which occurred in Mexico in 1989. A group of "narcosatanicos" were discovered to have killed at least 20 people and used their body parts in ritual sacrifices. Cult members lead by Adolfo Constanzo and Sara Aldrete were responsible for the abduction and murder of Mark Kilroy, a Texan pre-med student who disappeared in March 1989 during a spring break in Mexico.
- Zitate
Drunk Man in Strip Club: Hey, wait a minute. This is for you. $400. But you already know that. I'm talking to you!
Valeria: Let me go!
[Valeria slaps him]
Drunk Man in Strip Club: Fucking bitch!
Ed: Why don't you chill, man? She's no pro.
Valeria: It's okay. I can handle it. It's okay.
Drunk Man in Strip Club: This dickless faggot more your type, Valeria?
Valeria: Fuck off, Gilberto.
Drunk Man in Strip Club: You think you have the balls for this girl? I ask you something. You deaf?
Ed: What the fuck's your problem, man?
Ed: [pulls out a knife and cuts Ed] oh shit!
[Valeria gets a bat and hits Drunk Man in the head and knocks him out]
Valeria: [Valeria now tends to Ed's wound in the back of the bar] That was pretty stupid. At least now you have a great story to tell your friends.
Ed: What? That I got my ass kicked?
Valeria: No. How you came to the aid of a poor and defenseless woman.
Ed: Yeah, right. If it ever gets boring around here, you could bat cleanup for the Astros.
Valeria: You know, my ex-husband, he hated the fact that I could handle myself.
Ed: Let me guess. That's why he's your ex.
Valeria: I left him and I moved here to Manzanita.
Ed: Can I buy you a drink later?
Valeria: So you're not afraid of strong woman?
Ed: Only if she's not swinging a bat at me.
- Alternative VersionenIn order to secure the "not under 18" rating from the FSK, the German release was cut by approx. 9 minutes overall, most of the violence is either reduced or removed entirely. The movie in its uncut form is SPIO/JK indexed.
- VerbindungenFeatured in WatchMojo: Top 20 Horror Movies Inspired by True Events (2021)
- SoundtracksConvéncete
Written by César Mora
Performed by César Mora
Published by Big Tiger Music
By Arrangement with Ocean Park Music Group
Courtesy of LoveCat Music
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 97.182 $
- Eröffnungswochenende in den USA und in Kanada
- 512.000 $
- 11. Nov. 2007
- Weltweiter Bruttoertrag
- 703.399 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1