The Hamiltons

The Hamiltons 2005 (Theatrical "R", After Dark Horrorfest) – Directed by The Butcher Brothers, Winner of the Santa Barbara Intl Film Festival and the Malibu Film Festivals.

The Hamiltons are an unusual family that recent lost their parents. The family now consists of older brother David, who is struggling with his homosexuality and the pressures of running the household, the twins Darlene & Wendell, who are devious troublemakers, and younger brother Francis, who is coming to terms with his family and his place in the world.

The film starts out explaining that The Hamiltons siblings recently lost their parents and they have moved several times within the past couple of years. Twin Wendell soon kidnaps two young girls and it becomes apparent that The Hamiltons are not as they seem. Sensitive Francis grows weary of their ways, but is scared to be alone. Does he decide to do the right thing or stick by his family no matter what?

This is not by any means a typical horror film, but a thinking person's horror film. Those looking for gore and scares will be disappointed. It has an original story with great dialogue showcasing real problems within every family. It is ultimately a very accurate portrayal of a real family dealing with growing pains that features a slight twist at the end. During the end scene, you hear Francis giving a creepy voice-over almost giving it a documentary feel.

Cory Knauf gives a solid performance as Francis, the young man that has so much to say, but cannot. He really shows how torn Francis was in his decision and the isolation felt by many teens struggling to find their place as they hit adulthood. Mackenzie Firgens gives a great turn as twin Darlene who is vicious and sexy at the same time. You will love the scene where she chases Kitty through the house. (And maybe the one where she kisses her own brother!?!)

My only quibble is there is minimal gore and violence. During violent interactions, the camera turns away, so very little is caught on film. There is also an opening scene with Brittany Daniel that looked frightening at first, but there were some jittery camera movements and it fizzled with no pay out.

Bottom Line: The Hamiltons is a subtle "horror" film with a slow pace. This is more of a thinking man's (or woman's) horror film. Gorehounds should pass.

Rating: 7/10

Molly Celaschi www.HorrorYearbook.com MySpace.com/HorrorYearbook

... all the money (that's Greek idiom, which means that it's on the spot)! Because we're not talking about your average family (at least that's not how I imagine the US of A ;o) ). But it's best not to know anything else from this movie, just that this is a thriller/horror, with some crazy family folks. The actors might not be up to any academy award standard, but they still do fit the bill here quit nicely.

Some scenes will require the viewer to stomach a few things (although "veterans" might just only suppress a yawn), but it is necessary for the story, as you will found out. So the violence never is as over the top as some other movies (also described as gore porn, because it's too much violence), but still enough/too much for some people. After that warning, I'm leaving it up to you to decide if you want to watch this "nice" little "b-movie" ...

Without effective indulgence of the supernatural or the poetic motivating nuances of humanity, all this creative team has to hope for is effective usage of its middling, unoriginal elements. 'Party of Five' gone maniacal then genetically unescapable there's little rooting interest because the singular non-homicidal element is a second-rate bland awful-acting 'Wes Bentley' mopester. In fact, all of the acting is skin deep. Even though the dark-haired women appeal, the salaciousness is kept to a minimum. No nudity here. Also lacking are sufficient buckets of blood. All sensations are kept at a teasing, safe distance...an unfortunate fact considering the given name of the directors is 'butcher.' Only the soundtrack, the droning angsty alt-country and the tense fluctuating score provide any palpable tension. Sometimes some static storyboarded compositions add appealing low-angles that adds to the malaise...but for a film that calls itself horror, I did not even get close to flinching once. Perhaps a greater emphasis on societal rejuvenation through blood intake, scenes directed with varying geometric shapes outside the square, and a sustained focus on playfulness through the family's maliciousness or traps sympathetic characters need to escape in order to escape their dilemma would have improved my opinion, but this was not a good start to my excursion through horrorfest.

"The Hamiltons" has a great premise, and the ending of the film is inches from being extremely satisfying. On its own, an excellent ending...it's getting there that's the problem with the film.

The fundamental flaw of "The Hamiltons" is that it's caught between being a serial killer film and a family drama, and unlike "Suburban Nightmare" - which was similar, also an indie, and much better in my opinion - "The Hamiltons" refuses to commit to its characters. It wants you to empathize with them at the same time it paints them as violent sociopaths. In doing this I found the ending disingenuous, and most of the movie was simply too scattered.

There ARE strong points to the film. The main character, Francis, is easily the most well-developed character. Although he gets too whiny and, frankly, useless at times, he's able to make the transition into action with aplomb. His relationship with one of the women being held in the cellar of the house is particularly well-written and potent.

The problem is that the movie feels forced to bend to genre conventions, and in doing so it makes the other three members of the family unsympathetic in the extreme. The characters of Wendell and Darlene are written well as sociopaths, but the problem comes when the film wants you to identify with them and accept them as part of this family, and you can't imagine why anyone would love them even if they WERE family.

The film is worth watching, but the script really could've used another run through editing to work out the kinks.

This was one of the films from the After Dark Horrorfest and like most of them it was incredibly poor. The film is painfully slow. It might have worked as a 30 minute short but as a feature film it bored the hell out of me. The film tries to set up this mystery as to what it is they are doing and why they are doing it but by the time it was revealed I had already lost interest in the story.

Also, the acting in this film is incredibly poor, especially the older brother, who at times is laughable. This film was obviously made on a low budget but I can forgive the low production values. You work with what you've got, lots of great films have been made on a tiny budget (night of the living dead). However, what I can't forgive is a lack of talent. The writing and acting were downright horrible and if that's the case then the budget is irrelevant because the film is going to suck. They were clearly trying to make this an art house film but instead they just made a stinker that will put you to sleep before the first hour.