Sukeban gerira

Well, it might not always make sense and it certainly does have far too much going on - but Girl Boss Guerilla is yet another excellent and extremely entertaining dose of Pinky Violence that is sure to delight anyone in love with this bizarre genre. The chief thing that makes this films so enjoyable is simply the fact that the focus is always on entertainment and while this is sometimes at the expense of coherency, that's really not too important. As usual, the film is peppered with various plot and sub-plots - some connected and some not - and writing out a complete plot summary for this film would take some time! The basic plot, however, focuses on an all-girl group of bikers that move into a new town and take on the local bike gang, eventually muscling in on their rackets and pinching their money. It's not long before the girls' actions catch the attention of the local (male) Yakuza and they're none too happy about having the biker girls in town! A war between the two is broken out, eventually leading to a bloody showdown.

The film is extremely violent as you would expect, but director Norifumi Suzuki clearly has a sense of humour also and some of the scenes in the film are delightfully funny. This does provide some entertainment, although it also means that the film can be a little hard to take seriously - for example, the lackadaisical nature of the Japanese Yakuza shown in this film doesn't exactly correspond with their reputation or actions. The film utilises the talents of two of the genres finest actresses in Miki Sugimoto and Reiko Ike. The two provide amicable and believable leads and do actually manage to cut imposing figures. One of the things I liked most about this film is the trademark of the girl biker gang - a tattoo over the left breast, which is just the sort of thing I'd like to come into fashion these days! The violence is all very comic book styled and way over the top, which is sure to please; although it's not actually quite as graphic as some of the other Pinky flicks. Overall, this is a great example of the genre - its fun and entertaining all the way through and never gets boring for a second - which is exactly what is needed from a film like this. HIGHLY recommended!

... because of the moments that are supposed to be funny, but just come off as juvenile instead. If those parts were taken out, this could be a great film. Stick with "Criminal Woman: Killing Melody" instead.

The idea of a Japanese biker gang comprised of females is a good one, but they don't do enough "criminal" activity to be believable, though their attempts at blackmailing are pretty fun to watch. The soundtrack is good (except for that song by that awful hippie singer), and the fashions are top notch, but that humor kills it. I'd expect that in some bland Hollywood comedy, but not from this genre.

If you do like this, you'll love "Criminal Woman: Killing Melody." That's almost a guarantee.

Admittedly the Japanese exploitation cinema of 70's, and then particularly the so-called "Pinky Violence" movie trend, wasn't my personal biggest area of cinematic expertise but I've learned a lot in one week through watching a handful of classics. I even learned some Japanese, like I know that the term "Sukeban" means 'delinquent boss girl' and refers to a series of films revolving on untamed all-girl biker gangs and their fierce adventures. Less impressive than the contemporary WIP efforts (like the "Female Prisoner: Scorpion" series) and less virulent than the Yakuza flicks (like "Sex and Fury"), but definitely great entertainment and quintessential cult cinema!

"Girl Boss Guerrilla" introduces the bad-ass Red Helmet gang, led by the self-assured and insanely luscious Sachiko. The girls proudly expose their sexily tattooed left boobs and fill their days by making illegal money, like through blackmailing religious monks and stealing charity money meant for the victims of the Hiroshima bomb. See, it's little details like that what make films like "Girl Boss Guerrilla" so provocative, scandalous and shocking for the time & spirit in which they came out. The girls head from Tokyo to Kyoto, where Sachiko promptly takes over the leadership of a local girl biker gang. This is naturally settled through a cat-fight where shirts are torn to shreds and eyes are nearly scratched out. Halfway through the film, Sachiko falls in love with an amateur boxer and the gang runs continuously in conflict with the male Yakuza criminals until war and deadly vengeance become inevitable.

This is another terrific Pinky Violence "classic" that has it all. There's plenty of kinky sex and turbulent violence, but particularly the demented sub plots and bizarre flashes of (unintentional??) slapstick make "Girl Boss Guerrilla" such a fascinating and compelling experience. There's the priest with an STD, sentimental guitar singing by a long- haired Japanese hippie and the random kidnapping of a boxing instructor's daughter. Excellent acting performances from the stunning Miki Sugimoto, the even more stunning Reiko Ike – who strangely enough keeps her clothes on throughout the whole film – and a whole lot of other unscrupulous Japanese beauties.

I'm really torn between this movie and Criminal Woman: Killing Melody, both of which are in the Pinky Violence box set. They're both really good, with the stories being similar (gangster girls go for revenge against the Yakuza who did them wrong) and they both have Miki Sugimoto and Reiko Ike. But I think this movie gets an edge, 'cause in this one the girls are part of a BIKER GANG. And the all have TATTOOS OVER THEIR LEFT BOOBS. Which is so effing cool.

Here we get Miki as the leader of a biker gang from Shinjuku who go to Kyoto and end up taking over the girl gangs there (the scene where the girls face off and do their gangster "who I am" speeches is really cool). Reiko Ike is running around as the sister of one of the local Yakuza and won't align herself with Miki and her crew but serves as kind of a "big sister"/authority figure to the girl gangs of Kyoto.

Eventually Miki and the girls get on the bad side of the local Yakuza boss and the girls hit the road to meet up with Miki's boyfriend, a boxer in training down the coast. He gets himself murdered by the Yakuza as a result and it becomes time for Miki and her crew to make up with Reiko and get down with some revenge.

What I really dig about these movies (as opposed to the "Battles Without Honor and Humanity" movies my boyfriend is always bringing home) is that the female leads have some dimension to them that you wouldn't normally expect in an "exploitation" film. I didn't really like Miki's character at first (she was bratty) but I actually felt it when her boyfriend got killed. Up till then she seemed kind of a like a one dimensional power junkie bitch with cool sunglasses, but watching her meet and fall for Michitaro Mizushimi and her grieving at his death filled her out and made her feel like an actual woman. You know, complicated and conflicted.

In fact, as an exception to "action" movies the one-dimensional characters in this film are all men. They're simply greedy or sadistic or horny. Which I'm not saying is a good thing. It's just a nice change of pace.

And did I mention the tough-ass tattoos?

This movie begins with four young women who belong to a gang known as "the Red Helmets" riding motorcycles from Tokyo to Kyoto with the idea of making a few bucks by pulling a few con jobs here and there. However, once they finally get to Kyoto they encounter an assembly of the female gang members living there who tell them to get out of town. This prompts the leader of the Red Helmets, "Sachiko Kiyami" (Miki Sugimoto) to challenge the leader of the Kyogoku Group named "Rika" (Ryoko Ema) to a fight--with the winner taking over everything. Although Sachiko wins the fight, she soon finds out that being a girl boss in Kyoto is much more difficult than than anything she expected. Now rather than reveal any more I will just say that this movie was pretty much a standard "Pinku Eiga" film made during this particular time in Japan but with the added benefit of having several attractive actresses like Emi Jo (as "Yuki"), Miwako Onaya ("Tatsumi"), Kyoko Tsukasa ("Kazuko") and the aforementioned Miki Sugimoto thrown in for good measure. In any case, all things considered I found it to be somewhat entertaining and I have rated it accordingly. Slightly above average.