clip wiedergeben4:33
Director Park Chan-wook on Weaving Violent and Erotic Themes into 'Oldboy' ansehen
Nachdem sie dreizehn Jahre zu Unrecht inhaftiert und ihr Kind weggenommen wurde, sucht eine Frau mit immer brutaleren Mitteln nach Rache.Nachdem sie dreizehn Jahre zu Unrecht inhaftiert und ihr Kind weggenommen wurde, sucht eine Frau mit immer brutaleren Mitteln nach Rache.Nachdem sie dreizehn Jahre zu Unrecht inhaftiert und ihr Kind weggenommen wurde, sucht eine Frau mit immer brutaleren Mitteln nach Rache.
- Auszeichnungen
- 13 Gewinne & 14 Nominierungen insgesamt
Young-ju Seo
- Yang-hee Kim
- (as Yeong-ju Seo)
Kumsoon Kim
- Prisoner 1
- (as Geum-Seon Kim)
Kim Jeong-nam
- Won-mo's Relative
- (as Jeong-nam Kim)
Empfohlene Bewertungen
10emmily87
i usually don't enjoy movies that contain gore, suspense, and violence. still, sympathy for lady vengeance was undoubtedly, a movie worth watching. even for those who actively dislike movies in this certain genre, sympathy for lady vengeance is an absolute must. out of the trilogy, this one was the one i enjoyed most. there was nothing overly-excessive and/or gratuitous (which i honestly found oldboy and sympathy for mr vengeance had a bit of), and it definitely cannot be considered a brain-candy film. with an extremely intelligent and interesting plot, and visually stunning cinematography, it was a spectacular piece of art, from the start to the finish, and had me thinking about it and talking about it for days afterward.
"Sympathy for Lady Vengeance" is a surprisingly poetic finale to Park's excellent Revenge Trilogy. The film fuses the relatively low-key style of "Sympathy for Mr. Vengeance" with the jet-black humor of "Oldboy," while adding welcome moments of poignancy and sentiment. The film is nowhere near as violent as its predecessors, although a good deal of mayhem takes place offscreen.
Yeong-ae Lee is outstanding as the troubled protagonist Geum-ja, the ex-convict who is seeking redemption as much as revenge. Although the supporting actors -- including several from Park's earlier films -- are uniformly fine, Lee's performance is the heart of the film.
"Lady Vengeance" is difficult to describe without revealing major plot points, as the most memorable scenes come at revelatory moments in the story. Suffice it to say that the climax blends tragedy and hilarity with a degree of success that few directors could hope to match.
9/10. Bravo.
Yeong-ae Lee is outstanding as the troubled protagonist Geum-ja, the ex-convict who is seeking redemption as much as revenge. Although the supporting actors -- including several from Park's earlier films -- are uniformly fine, Lee's performance is the heart of the film.
"Lady Vengeance" is difficult to describe without revealing major plot points, as the most memorable scenes come at revelatory moments in the story. Suffice it to say that the climax blends tragedy and hilarity with a degree of success that few directors could hope to match.
9/10. Bravo.
The final instalment of Park's Revenge Trilogy concluded well. In fact, I personally feel that it is the best out of the three film, excellent cinematography and beautiful classic music that blended perfectly well into the story. Lee Youngae gives fantastic performance in her role, a complete impression from her previous kind-hearted and sweet looking role in "Jewel in the Palace". Cold and filled with vengeance , yet she exudes fine elegance with her subtle body language and facial expression. The soundtrack works well at suitable moments, infusing classic into this art-house film. It was a pity the film didn't win any grand awards in the Venice Film Festival, Park definitely deserves recognition for his excellent works.
Revenge is a dish best served cold, in this case some 17 years old, as Geum-ja Lee plots, ways that Mr. Baek rots, it's a beautiful thing to behold.
Cinematic poetry in motion, a sensual blast of emotion, such fortitude and drive, such cunning to contrive, the passion, the focus, intense devotion (can also be said of Woo-jin Lee in Old Boy).
Cinematic poetry in motion, a sensual blast of emotion, such fortitude and drive, such cunning to contrive, the passion, the focus, intense devotion (can also be said of Woo-jin Lee in Old Boy).
I had the luxury of watching this last night and was awed by it's sheer brilliance. I don't want to delve into the story, as you must see it for yourself to savor the fantastic story like a glass of red wine.
The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.
The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.
If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.
The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.
If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
Wusstest du schon
- WissenswertesThe snow during the closing scene is not real. They brought two trucks of salt and scattered it all over the street; the falling snow is CGI.
- PatzerAlle Einträge enthalten Spoiler
- Zitate
Geum-ja Lee: Listen carefully. Everyone make mistakes. But if you committed a sin, you have to make an atonement for that sin. Atonement, do you know what that means? Big Atonement for big sins. Small Atonement for small sins.
- Alternative VersionenThere are two different versions of the film. One is full color. The other, called "Fade to Black Version", shifts from color to B&W over the course of the movie. Like Sin City, there are color highlighted, even in the B&W scenes. The second version is what the director intended, but he was not able to complete it properly until the Korean DVD (which includes both versions).
- VerbindungenFeatured in MsMojo: Top 10 Best Female Revenge Movies of All Time (2022)
- SoundtracksMareta no'm faces plorar
Composed by Jordi Savall
Vocal by Montserrat Figuera, Arianna Savall
Baroque Guitar by Xavier Diaz-Latotte
Baroque Flutes Traversieres by Mare Hantai
Bass Viola da gamba by Jordi Savall
Courtesy by Alia Vox
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Details
Box Office
- Budget
- 4.200.000.000 ₩ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 211.667 $
- Eröffnungswochenende in den USA und in Kanada
- 9.850 $
- 30. Apr. 2006
- Weltweiter Bruttoertrag
- 23.835.242 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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