Town Creek

I'm surprised at the lackluster ratings for this one. Joel Schumacher does have a reputation as a bit of a Hollywood hack (based chiefly on the abominable Batman Forever and Batman & Robin), but has actually turned out a surprising number of well-crafted films (Phone Booth, The Client, Flatliners, etc.) Thematically, Blood Creek is a departure even for him, but it's an excellent new spin on the usual horror-by-night formula.

Blood Creek starts out looking like a sequel to Texas Chainsaw Massacre (or the similarly named Australian film Wolf Creek). But it quickly veers off, taking us through a Night of the Living Dead zombie scenario, then spinning into the more gruesome supernatural elements of Hellboy. The shifts are somewhat disconcerting, but also highly entertaining. In hindsight, all the elements do hang together, so you won't feel cheated on a logical level.

No, this isn't a 'classic' film in any sense. But it's got good performances, excellent visual design, all the blood and gore you could ask for, and a whole bunch of solid action that could almost make a film on its own. I enjoyed the weird mix from end to end, and I can't see why any horror aficionado wouldn't.

I give a big applause to Joel Schumacher, the director. He's 70 years old when he directed this, imagine that. Joel is known for a few blockbusters like Batman and Robin and Batman Forever or even for 8mm. This supernatural tale was for me a big surprise on the blood content. I didn't really knew this flick but I've seen some of his efforts and really, this I would put into the horror label (with a supernatural twist of course). You could say that it could be compared with Jeepers Creepers (the way the killer acted, I mean). But I was a bit disappointed on the fact that it never was really scary or even frightening. Again, if you haven't seen creeps with white eyes than you surely will be frightened but I think people who will watch this are into the horror genre. But it's the use of gore and the special effects that really up-scaled my vote. The decapitation, the hitting with some kind of crowbar is really well done. CGI is used but in a very good way. It doesn't distract you from the screen. The acting was believable, let's face it, Fassbender is the biggest name and casted as a German nazi, great because he's German and does well on the accent. I had this DVD a lot of time in my hands at the shops and a few times I put it back on the shelves, but I'm glad that I picked it up again recently...

Who knew Joel Schumacher had a horror movie in him? Let alone a good one? Blood Creek takes the Nazi fascination with the occult and uses it as the springboard to an exciting, suspenseful scarefest. The absolutely brilliant cast--including Michael Fassbender, Dominic Purcell, and Henry Cavill--does a stalwart job all round, and where some other directors and their performers would have allowed a picture like Blood Creek to succumb to low camp, everyone involved with the film plays it razor straight. The atmosphere is dark and malevolent, and the limited setting--primarily an isolated farm somewhere in West Virginia--used to great effect. This is a gory film, and while some of the on screen mayhem should have probably been left to the imagination, the copious bloodletting is realistic and certainly holds viewer attention. The only reason this isn't a minor classic is because of the numerous plot holes--lots of things happen that even within the context of the very bizarre plot don't make a lot of sense, and other plot threads are left frustratingly unexplained. Otherwise, if you can take the graphic carnage in stride, this is a superior horror film that would see several of its stars go on to bigger and better things.

I hadn't heard anything about this movie prior to today, but checking IMDb to see what the local cheap theater had to offer came up with this. Having no desire to see anything else that was playing, my wife and I decided to drop a couple bucks on it and we were not disappointed.

In general, I am not a fan of WW2, Holocaust, or Nazi related films simply due to the obvious nature of nearly every plot line related to them. Even Inglorious Basterds irritated me because of this. Thankfully, Blood Creek takes itself not very seriously and throws in lots of other random plot devices (Viking runes, zombies, the occult, the war in Iraq, etc.) that make little to no sense but serve the film well.

If you like crappy modern B style horror films (I saw another commenter mention Drag Me To Hell, which I also enjoyed more than just about any other "big" release I've seen this year), then you can't really go wrong here. Iffy acting, senseless plot, and bad CGI are not enough to defeat the high entertainment value of this fast-paced flick. If I had expectations for this, or had I paid $10 to see it, I would probably be pretty irritated. But if you can catch it at your cheapo second run theater, I can think of far worse ways to spend an hour and a half.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A few years before the outbreak of World War 2, the Third Reich send a professor to live with a poor German family who've relocated to Virginia in America. He reveals himself as a practitioner of the dark occult arts, who takes over their home and takes on a venomous blood lust to survive. Years later, two brothers are driven back to the house he stayed at on a mission of personal revenge, only to find the real perpetrator come back to life and try to exact his venom on them.

This is the 'latest' Joel Schumacher film that it would seem has actually been held back for two years and appears to have arrived straight to DVD on these shores. His last (and most recent) foray into the horror genre The Number 23 with Jim Carrey was a rockety, shambolic road indeed that showed a pretty decent (if never great) director veering off course a bit, but Blood Creek is sadly evidence of a past it hack who's gone over the hill.

An unfathomable mess, the story is a ridiculous, convoluted mess, opening in a pretentious black and white film noir style before flitting the story to the present day and back into colour again, with a plot that's lost you about twenty minutes in, marred with a blurry, slap shot filming style that's even with the even more shambolic story, before finally revealing a villain that seems like Freddy Kruegger with a liver problem.

It's all just a nonsensical, sad revalation of a director who's deteriorated into what could at best be called senility and at worst madness. *