Town Creek

Blood Creek is a solid if unspectacular genre effort from Joel Schumacher, of all people. Touting a great premise and intriguing cast, the film moves at a breakneck pace after a short prologue that takes place just before WWII. Henry Cavill (Stardust, Tristan + Isolde) and Dominic Purcell (Gravedancers, Blade Trinity) are fine as brothers forced to battle some serious evil in an undead Nazi occult agent played by the always great Michael Fassbender (Eden Lake, Inglorious Basterds). In addition, Emma Booth (The Boys Are Back, Clubland) and Shea Wigham (Splinter, Tigerland) both do well enough in supporting roles. The only major problem with the movie is that it ends up being not as awesome as you would think it'd be. Granted, it's still pretty fun, but the setup leads you to believe something much more intense and epic is about to take place. The possibility of a sequel is set up without coming off as crass and the ending doesn't make you feel like you've wasted your time, like a lot of other horror movies succeed in doing. All the effects work and blood/gore are well done and there's a memorable scene involving Fassbender controlling zombie horses. Yeah, you read that right. Zombie horses. Anyway, with every decent film Schumacher makes, the bad taste of his Batman whoopsies seem further and further away. Almost...

Who knew Joel Schumacher had a horror movie in him? Let alone a good one? Blood Creek takes the Nazi fascination with the occult and uses it as the springboard to an exciting, suspenseful scarefest. The absolutely brilliant cast--including Michael Fassbender, Dominic Purcell, and Henry Cavill--does a stalwart job all round, and where some other directors and their performers would have allowed a picture like Blood Creek to succumb to low camp, everyone involved with the film plays it razor straight. The atmosphere is dark and malevolent, and the limited setting--primarily an isolated farm somewhere in West Virginia--used to great effect. This is a gory film, and while some of the on screen mayhem should have probably been left to the imagination, the copious bloodletting is realistic and certainly holds viewer attention. The only reason this isn't a minor classic is because of the numerous plot holes--lots of things happen that even within the context of the very bizarre plot don't make a lot of sense, and other plot threads are left frustratingly unexplained. Otherwise, if you can take the graphic carnage in stride, this is a superior horror film that would see several of its stars go on to bigger and better things.

I'm surprised at the lackluster ratings for this one. Joel Schumacher does have a reputation as a bit of a Hollywood hack (based chiefly on the abominable Batman Forever and Batman & Robin), but has actually turned out a surprising number of well-crafted films (Phone Booth, The Client, Flatliners, etc.) Thematically, Blood Creek is a departure even for him, but it's an excellent new spin on the usual horror-by-night formula.

Blood Creek starts out looking like a sequel to Texas Chainsaw Massacre (or the similarly named Australian film Wolf Creek). But it quickly veers off, taking us through a Night of the Living Dead zombie scenario, then spinning into the more gruesome supernatural elements of Hellboy. The shifts are somewhat disconcerting, but also highly entertaining. In hindsight, all the elements do hang together, so you won't feel cheated on a logical level.

No, this isn't a 'classic' film in any sense. But it's got good performances, excellent visual design, all the blood and gore you could ask for, and a whole bunch of solid action that could almost make a film on its own. I enjoyed the weird mix from end to end, and I can't see why any horror aficionado wouldn't.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A few years before the outbreak of World War 2, the Third Reich send a professor to live with a poor German family who've relocated to Virginia in America. He reveals himself as a practitioner of the dark occult arts, who takes over their home and takes on a venomous blood lust to survive. Years later, two brothers are driven back to the house he stayed at on a mission of personal revenge, only to find the real perpetrator come back to life and try to exact his venom on them.

This is the 'latest' Joel Schumacher film that it would seem has actually been held back for two years and appears to have arrived straight to DVD on these shores. His last (and most recent) foray into the horror genre The Number 23 with Jim Carrey was a rockety, shambolic road indeed that showed a pretty decent (if never great) director veering off course a bit, but Blood Creek is sadly evidence of a past it hack who's gone over the hill.

An unfathomable mess, the story is a ridiculous, convoluted mess, opening in a pretentious black and white film noir style before flitting the story to the present day and back into colour again, with a plot that's lost you about twenty minutes in, marred with a blurry, slap shot filming style that's even with the even more shambolic story, before finally revealing a villain that seems like Freddy Kruegger with a liver problem.

It's all just a nonsensical, sad revalation of a director who's deteriorated into what could at best be called senility and at worst madness. *

Joel Schumacher seems to have fallen. I didn't expect him to be doing low budget Horror thrillers anyway. But then again, the guy knows a bit about filmmaking, so this movie is pretty solid (and has a very good cast, not only Mr. Fassbender).

While it seems uncertain and not tonally correct at times, has a few script flaws here and there, it does flow quite nicely (if you let it and you're not interrupting it with questions that is). The story is kinda nice, the ending more or less predictable. Some nice scenes of gore and suspense. I guess if you don't have high expectation, it's the best way to watch the movie.