Füge eine Handlung in deiner Sprache hinzuProfessor Bernard Quatermass' manned rocket ship returns to Earth but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth but two of the astronauts are missing and the survivor seems ill and unable to communicate.
Andrew Tiernan
- Victor Carroon
- (as Andy Tiernan)
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The original TV series and movie were ground breaking in Sscience fiction. Why BBC remade this as a 90 minute film , is a mystery. The story line, sets and especially the acting were all atrocious. Good actors appeared to be embarrassed in their attempt to utter their lines from an appalling script. The BBC should be censured for this nonsense and I doubt Nigel Kneale, the original author (mentioned as a consultant) had anything to do with this travesty. I could go on using all the derogatory adjectives in the English language but who really cares, but I have to to make this submission the required length. I sincerely hope they do not attempt a remake Quatermass and the Pit. probably one of the best ever science fiction series.
But I just couldn't believe that this was really happening. Where were the isolation chambers? Where were all the medics? Where were the police and the politicians?
If it had been set in the 50s I might have been able to tolerate it, but it had been updated to 2005 and as a result it just looked lame. My suspension of disbelief lasted about five minutes before I started to get annoyed with it. The presence of Indira Varma kept me watching a little longer until I was forced to hit the fast-forward button after about half an hour.
If this had happened today, the crashed rocket would have been surrounded by troops, police, scientists, stripey red and yellow tape, covered with a tarpaulin with filtered air, and no-one would have been allowed near it for at least a week until all possible biohazard and radiation tests had been made.
Just too frustratingly unrealistic for me. Oh - and the soft focus effect all the way through - puhlleeze!!
If it had been set in the 50s I might have been able to tolerate it, but it had been updated to 2005 and as a result it just looked lame. My suspension of disbelief lasted about five minutes before I started to get annoyed with it. The presence of Indira Varma kept me watching a little longer until I was forced to hit the fast-forward button after about half an hour.
If this had happened today, the crashed rocket would have been surrounded by troops, police, scientists, stripey red and yellow tape, covered with a tarpaulin with filtered air, and no-one would have been allowed near it for at least a week until all possible biohazard and radiation tests had been made.
Just too frustratingly unrealistic for me. Oh - and the soft focus effect all the way through - puhlleeze!!
The idea of a modern version of Quatermass is an intriguing one, but unfortunately this poor effort is a wasted opportunity.
The decision to transmit the programme live is ultimately a gimmick that damages the project. It would appear that the budget was quite low, which, when combined with the live aspects make this look like a you tube video.
Jason Flemyng is arguably miscast as Quatermass, although it might be argued that this incompetent production doesn't give him a fair chance.
David Tennant fares a little better , but of the rest of the cast the females are the only ones who seem to be even trying. Isla Blair and Indira varma bring a bit of much needed credibility to the proceedings.
The really big problem is Richard Fell's awful script which is amateurish in every imaginable way. When listening to the dialogue one imagines of the writer or director have ever heard real people speak. Fail.
The decision to transmit the programme live is ultimately a gimmick that damages the project. It would appear that the budget was quite low, which, when combined with the live aspects make this look like a you tube video.
Jason Flemyng is arguably miscast as Quatermass, although it might be argued that this incompetent production doesn't give him a fair chance.
David Tennant fares a little better , but of the rest of the cast the females are the only ones who seem to be even trying. Isla Blair and Indira varma bring a bit of much needed credibility to the proceedings.
The really big problem is Richard Fell's awful script which is amateurish in every imaginable way. When listening to the dialogue one imagines of the writer or director have ever heard real people speak. Fail.
I'm an old fan of Quatermass and the Pit (watching the DVD now actually...) but I'm a bit surprised by the BBC4 experiment I saw a few late nights back. Not great, not bad, not much actually - it was very much all theatrics and really lacked any real bearing. Plus the ending just completely fizzled out..I sat there thinking "Huh? What have I missed?"
Jason Flemyng, as good an actor as he is, was just not Quatermass material. As the head of a space program, sorry - he's just too damn young. He lacks gravitas and bearing and just seems as if he's always catching up rather than leading.
Fun - to a degree - but ultimately disappointing
Jason Flemyng, as good an actor as he is, was just not Quatermass material. As the head of a space program, sorry - he's just too damn young. He lacks gravitas and bearing and just seems as if he's always catching up rather than leading.
Fun - to a degree - but ultimately disappointing
The original BBC version of THE QUATERMASS EXPERIMENT shocked a nation way back in 1953 but this remake barely caused a ripple when broadcast three years ago and it's not too difficult to see why . Nowadays television audiences are much more sophisticated and television in the 21st century is more of a bastard child of cinema than theater , but it would be both churlish and incorrect to state that the failings and the lukewarm reception of this remake are down to the audience because the fault lies entirely with the production team
A lot of people have complained about the anachronistic feel of the production . Indeed it doesn't really feel like it's set in the present day despite the scenes set at the Tate Modern and having BBC News 24 giving away exposition . Perhaps the most startling thing are the large number of characters who smoke , something both television production teams and government have cracked down on and I'm possibly correct in saying if this had been made in the Autumn of 2008 none of the actors would be allowed to smoke on screen by law
Director Sam Miller usesa countless number of medium shots . In order to generate tension and atmosphere wouldn't close ups have been more effective ? Of course Miller is directing a live broadcast where anything or everything can go wrong so perhaps we should be more forgiving because of the amount of pressure he was under . Unfortunately any tension and atmosphere is diluted with the amount of clichéd POV shots and over head filming of London which outstay their welcome very quickly . There's also a lack of internal logic to these shots . If you're a mutating monster walking around London dressed in a cloak wouldn't someone call the police , and wouldn't the police be going out of their way to hunt down the mutating monster ? Are we to believe the monster hasn't been picked up on CCTV cameras ? Apparently the story is set in a world where we can send astronauts into deep space but no one has invented the close circuit TV camera . Do you understand the anachronistic criticisms now ?
Some of the problems with the script actually lie at the door of Nigel Kneale . The original version of THE QUATERMASS EXPERIMENT was written as a suspenseful mystery . Alas however it was constructed very much as a whodunnit . Once you know what is happening to Victor Carroon etc there's little mystery involved . It's similar to watching a whodunnit unfold when you already know who did it so there's no surprises . Kneale did construct his story in an episodic form to be broadcast over a period of six weeks which leaves Richard Fell's adaptation very disjointed . In some places it's very slow and in other places so rushed you find yourself thinking if there's been a hitch in the production that stopped a scene being transmitted . We also have to endure a ridiculous scene where an art lover bleats " If you destroy beauty then we don't deserve to go on living " Oh please !
All in all this version of a Nigel Kneale classic is more of a nostalgic gimmick than anything else . If the BBC are thinking of doing a live version of QUATERMASS AND THE PIT then my advice is don't . It'd be terrible to see the greatest SF drama in the history of television turned in to something like this
A lot of people have complained about the anachronistic feel of the production . Indeed it doesn't really feel like it's set in the present day despite the scenes set at the Tate Modern and having BBC News 24 giving away exposition . Perhaps the most startling thing are the large number of characters who smoke , something both television production teams and government have cracked down on and I'm possibly correct in saying if this had been made in the Autumn of 2008 none of the actors would be allowed to smoke on screen by law
Director Sam Miller usesa countless number of medium shots . In order to generate tension and atmosphere wouldn't close ups have been more effective ? Of course Miller is directing a live broadcast where anything or everything can go wrong so perhaps we should be more forgiving because of the amount of pressure he was under . Unfortunately any tension and atmosphere is diluted with the amount of clichéd POV shots and over head filming of London which outstay their welcome very quickly . There's also a lack of internal logic to these shots . If you're a mutating monster walking around London dressed in a cloak wouldn't someone call the police , and wouldn't the police be going out of their way to hunt down the mutating monster ? Are we to believe the monster hasn't been picked up on CCTV cameras ? Apparently the story is set in a world where we can send astronauts into deep space but no one has invented the close circuit TV camera . Do you understand the anachronistic criticisms now ?
Some of the problems with the script actually lie at the door of Nigel Kneale . The original version of THE QUATERMASS EXPERIMENT was written as a suspenseful mystery . Alas however it was constructed very much as a whodunnit . Once you know what is happening to Victor Carroon etc there's little mystery involved . It's similar to watching a whodunnit unfold when you already know who did it so there's no surprises . Kneale did construct his story in an episodic form to be broadcast over a period of six weeks which leaves Richard Fell's adaptation very disjointed . In some places it's very slow and in other places so rushed you find yourself thinking if there's been a hitch in the production that stopped a scene being transmitted . We also have to endure a ridiculous scene where an art lover bleats " If you destroy beauty then we don't deserve to go on living " Oh please !
All in all this version of a Nigel Kneale classic is more of a nostalgic gimmick than anything else . If the BBC are thinking of doing a live version of QUATERMASS AND THE PIT then my advice is don't . It'd be terrible to see the greatest SF drama in the history of television turned in to something like this
Wusstest du schon
- WissenswertesDuring the rehearsals for the film, David Tennant was offered the role of the Tenth Doctor in Doctor Who (2005). This casting was not announced to the public until April 16, 2005, two weeks after the broadcast, but his fellow castmembers, and crew, became aware of the speculation surrounding Tennant. In the live broadcast, Jason Flemyng changed Quatermass' first line to Tennant's character Dr. Gordon Briscoe from "Good to have you back, Gordon" to "Good to have you back, Doctor" as a deliberate reference.
- PatzerWhen they show Victor the film in the hospital, we are looking through the transparent screen towards Victor. But the countdown numbers at the start of the film appear the right way round to us so they'd be the wrong way round for those watching from the other side of the screen.
- Alternative VersionenThe 2005 Simply Home Entertainment DVD release contains over 50 small or major differences, notably Adrian Bower's line-drying being replaced with the tech rehearsal sequence prerecorded from the previous night (52:02), and the removal of a loud offscreen crash following an exit from Adrian Dunbar (1:07:49). The strapline "Major news announcement on BBC NEWS 24 now" (alerting viewers to the death of Pope John Paul II) is another noticeable if understandable omission.
- VerbindungenFeatured in Doctor Who Confidential: The Writer's Tale (2006)
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