Einige der hartgesottensten Bürger der Sin City kreuzen Pfade mit einigen der verunglimpften Bewohner.Einige der hartgesottensten Bürger der Sin City kreuzen Pfade mit einigen der verunglimpften Bewohner.Einige der hartgesottensten Bürger der Sin City kreuzen Pfade mit einigen der verunglimpften Bewohner.
- Auszeichnungen
- 4 Gewinne & 6 Nominierungen insgesamt
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I got to see an advance screening last night. If you're a fan of the first Sin City, you won't be disappointed. It's more of the same, but that's a good thing: hyper-stylized visuals, intense violence, plenty of splattered blood. Film Noir cranked up to 11.
Jessica Alba doing her stripper grind? CHECK. Mickey Rourke causing much harm? CHECK. Josh Brolin is new to the franchise and he is GREAT! JGL is new to the franchise and he is GREAT! But the film really belongs to Powers Boothe. He is just pure evil. If you liked him as Cy Tolliver in Deadwood you'll love him in this.
The only drawback is that the original Miho (Asian female killer) was apparently pregnant at the time of the filming of the sequel, so they had to replace her. That's kind of a bummer.
Fans of the comic / graphic novel will be happy. Fans of Robert Rodriguez will be happy. GO!
Jessica Alba doing her stripper grind? CHECK. Mickey Rourke causing much harm? CHECK. Josh Brolin is new to the franchise and he is GREAT! JGL is new to the franchise and he is GREAT! But the film really belongs to Powers Boothe. He is just pure evil. If you liked him as Cy Tolliver in Deadwood you'll love him in this.
The only drawback is that the original Miho (Asian female killer) was apparently pregnant at the time of the filming of the sequel, so they had to replace her. That's kind of a bummer.
Fans of the comic / graphic novel will be happy. Fans of Robert Rodriguez will be happy. GO!
Let me begin by saying that the first Sin City is one of my favorite movies of all time. I thought it was an absolute blast to watch, and the filming style blew me away.
A Dame to Kill For is the same type of movie as the first, but it is not executed quite as well. It may just be be cause the style lost some of its original appeal, but I thought it didn't live up to its predecessor. With that said, I still thought A Dame to Kill For was a great time at the movies. Everything about it was solid. It continued the action from the first and did not fail to keep me at the edge of my seat. And, Marv was his normal, b.a. self.
A Dame to Kill for consists of two story lines that are prequels to those of the first Sin City and one that is a sequel. I felt that it delivered very well in its attempt to support what happened in the first movie. I would recommend re-watching the first one so that you're fresh for this. Sometimes you can forget the names if you haven't seen it in a while.
Overall, this movie was great. If I had not seen the first Sin City, I would have been blown away.
I give it a 8/10. A definite must-see.
A Dame to Kill For is the same type of movie as the first, but it is not executed quite as well. It may just be be cause the style lost some of its original appeal, but I thought it didn't live up to its predecessor. With that said, I still thought A Dame to Kill For was a great time at the movies. Everything about it was solid. It continued the action from the first and did not fail to keep me at the edge of my seat. And, Marv was his normal, b.a. self.
A Dame to Kill for consists of two story lines that are prequels to those of the first Sin City and one that is a sequel. I felt that it delivered very well in its attempt to support what happened in the first movie. I would recommend re-watching the first one so that you're fresh for this. Sometimes you can forget the names if you haven't seen it in a while.
Overall, this movie was great. If I had not seen the first Sin City, I would have been blown away.
I give it a 8/10. A definite must-see.
Sin City: A Dame to Kill For is not a bad idea on paper. Frank Miller's Sin City universe is a rich and interesting setting, and as the first Sin City film proved, it translates to the silver screen beautifully. Unfortunately they decided to stick all the best stories into the first film, thus guaranteeing its success, but leaving the possible sequel without much material to use. Not that the stories used here are bad, they're just not as great as the ones used in the first one. Tellingly Miller was actually called back to write two new stories exclusively for the film. It shows.
However, there is one exception. The story named A Dame to Kill For. Considered to be one of the better stories in the original comic books, it's a good thing they still had one such story to wrap their movie around. And it is awesome. Just as good as the stories in the original film with same great quality acting, hardcore action and brutal visuals. No complaints.
The second adaptation story, Just Another Saturday Night, is really nothing more than an Ode to Marv (Mickey Rourke), and that's okay in my books. It doesn't have much of a plot, and the supporting characters are nonexistent, but it's a good opening piece.
The Long Bad Night, the first of the new stories, works because of its actors. Both Joseph Gordon-Levitt and Powers Boothe have amazing screen presence and as they're pitted against one another throughout the night the stakes keep getting higher and higher, with satisfying results. A fine story and I could see this as an original Sin City story.
Nancy's Last Dance, our last story, is unfortunately the weakest story by far. They clearly wanted to give Jessica Alba something more to chew with her character, but it just doesn't have that edge. You don't buy it. Still not awful, merely average.
Aside from the material, the biggest problem is the common sequel problem where they want to do the same that worked so well in the original, but with more oomph. Here it means more colour spliced into the black-n-white, and it's very distracting. The original used colour carefully, for emphasis, for popping up important details. Here it seems that every single frame has a splotch of colour in it, usually for no reason, they just wanted colour in their frames. And thus the distinct visual style of Sin City is shattered.
All in all Sin City: A Dame to Kill For is not a bad film by any means. It's disappointing, certainly, but only because I love the first film so much, and wanted more of that greatness, no matter how impossible it is to achieve. Still, a great movie to check out if you're a fan, but don't expect miracles.
However, there is one exception. The story named A Dame to Kill For. Considered to be one of the better stories in the original comic books, it's a good thing they still had one such story to wrap their movie around. And it is awesome. Just as good as the stories in the original film with same great quality acting, hardcore action and brutal visuals. No complaints.
The second adaptation story, Just Another Saturday Night, is really nothing more than an Ode to Marv (Mickey Rourke), and that's okay in my books. It doesn't have much of a plot, and the supporting characters are nonexistent, but it's a good opening piece.
The Long Bad Night, the first of the new stories, works because of its actors. Both Joseph Gordon-Levitt and Powers Boothe have amazing screen presence and as they're pitted against one another throughout the night the stakes keep getting higher and higher, with satisfying results. A fine story and I could see this as an original Sin City story.
Nancy's Last Dance, our last story, is unfortunately the weakest story by far. They clearly wanted to give Jessica Alba something more to chew with her character, but it just doesn't have that edge. You don't buy it. Still not awful, merely average.
Aside from the material, the biggest problem is the common sequel problem where they want to do the same that worked so well in the original, but with more oomph. Here it means more colour spliced into the black-n-white, and it's very distracting. The original used colour carefully, for emphasis, for popping up important details. Here it seems that every single frame has a splotch of colour in it, usually for no reason, they just wanted colour in their frames. And thus the distinct visual style of Sin City is shattered.
All in all Sin City: A Dame to Kill For is not a bad film by any means. It's disappointing, certainly, but only because I love the first film so much, and wanted more of that greatness, no matter how impossible it is to achieve. Still, a great movie to check out if you're a fan, but don't expect miracles.
Visually is more of the same and that's good because Sin City visuals are amazing. When it comes to the story itself I personally didn't enjoyed it as much as the first movie especially that with Joseph Gordon-Levitt, that one seemed really pointless. The main story and the one that gives this movie his name was acceptable and the last story gave closure about a previous story. It lacks the brilliant narration of the characters thoughts that the first one had, this still has it but in a minor quantity and without the poetry that the first one had that should be also due to the change of writers because the overall writing in this one felt worst. The action scenes were good but again not as enjoyable as in the first movie and not as violent too. Not a bad movie by any means but when you have that first masterfully done Sin City to compare this doesn't feel as god as it could.
After 9 years Robert Rodriguez and Frank Miller finally made a sequel to their masterpiece from 2005, Sin City, and.... no-one went to see it. One of 2014's biggest and definitely the most surprising box office bomb, critics were also fairly unkind to the film. It's not as bad as some say it is, but it's best summed up as this: The Kick-Ass 2 of 2014. An enjoyable sequel which lacks the original's impact and misses the point, and struggles to hit a peak when the scene stealer from the first is off screen. In Sin City: A Dame To Kill For, we return to the nastiest, darkest and grittiest city in comic book movies for more brutal stories of justice, sin and moral corruption. In one Marv becomes an amnesiac, in another a cocky gambler finds himself in trouble when he beats the wrong man at poker, in another Nancy Callahan takes revenge on the man who caused the death of John Hartigan and another involves Dwight's encounter with a mysterious femme fatale played by Eva Green. What's noticeable about these stories? They emphasize action and that wasn't the point of the first.
Sin City was a great film because of its emotional power and characterisation. Here, mostly we're getting black and white shapes beating each other up like some generic beat em up flash game with little subtlety or grace. The script sags in places and the film refuses to focus on developing its characters or some sort of emotional impact. It never goes into unwatchable territory, but it's just curiously flat some of the time and it's hard to understand why. All you know is you'd rather be watching the first movie. It's still visually mind blowing and has some beautiful shots. It's well acted by its ensemble cast with Mickey Rourke and Eva Green being the standouts. There are many different voice overs but the film manages never to feel pretentious. You'll likely find yourself moderately enjoying it throughout without ever being particularly interested in what's happening. It's pretty safe to say Sin City 3 will not be happening after this, but the legacy of the original has not been tarnished.
6/10
Sin City was a great film because of its emotional power and characterisation. Here, mostly we're getting black and white shapes beating each other up like some generic beat em up flash game with little subtlety or grace. The script sags in places and the film refuses to focus on developing its characters or some sort of emotional impact. It never goes into unwatchable territory, but it's just curiously flat some of the time and it's hard to understand why. All you know is you'd rather be watching the first movie. It's still visually mind blowing and has some beautiful shots. It's well acted by its ensemble cast with Mickey Rourke and Eva Green being the standouts. There are many different voice overs but the film manages never to feel pretentious. You'll likely find yourself moderately enjoying it throughout without ever being particularly interested in what's happening. It's pretty safe to say Sin City 3 will not be happening after this, but the legacy of the original has not been tarnished.
6/10
Wusstest du schon
- WissenswertesThe lead role was originally offered to Johnny Depp, but he declined due to scheduling conflicts. Joseph Gordon-Levitt later replaced him, despite offers to star in other movies such as Guardians of the Galaxy (2014) and Godzilla (2014). In 2006 when Rodriguez first started putting together ideas for "Sin City 2," he considered Depp for the part of Wallace, the lead character of "Hell and Back," which he was hoping to adapt as one of the film's three segments. The idea to adapt "Hell and Back" was scrapped, however, and Rodriguez chose to adapt "Just Another Saturday Night," "A Dame to Kill For," and the never-published "The Long, Bad Night" instead.
- PatzerNancy states that in the first Sin City (2005), Hartigan killed himself by sticking a gun in his mouth and shooting. He actually shot himself in the forehead.
- Crazy CreditsRobert Rodriguez's credit for cinematography and editing is displayed as "Shot and cut by Robert Rodriguez".
- VerbindungenEdited into Sin City: A Dame to Kill - All Green Screen High-Speed Version (2014)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Sin City 2: una dama por la cual mataría
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.757.804 $
- Eröffnungswochenende in den USA und in Kanada
- 6.317.683 $
- 24. Aug. 2014
- Weltweiter Bruttoertrag
- 39.407.616 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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