IMDb-BEWERTUNG
6,7/10
30.797
IHRE BEWERTUNG
Nachdem die Menschen die Zombiekriege gewonnen haben, nutzen sie die Untoten als billige Arbeitskräfte und Hausdiener.Nachdem die Menschen die Zombiekriege gewonnen haben, nutzen sie die Untoten als billige Arbeitskräfte und Hausdiener.Nachdem die Menschen die Zombiekriege gewonnen haben, nutzen sie die Untoten als billige Arbeitskräfte und Hausdiener.
- Auszeichnungen
- 13 Gewinne & 15 Nominierungen insgesamt
Kesun Loder
- Timmy Robinson
- (as K'Sun Ray)
David Kaye
- Narrator
- (Synchronisation)
Andrew Parkin
- Dr. Hrothgar Geiger
- (as Andy Parkin)
Empfohlene Bewertungen
I suppose the ultimate curse of attending the Toronto Film Festival is your release date time table get messed up. Quite frankly, I'm just happy Fido got picked up for US distribution. In any case...
Ever seen Shaun of the Dead? Good. How about Lassie? Able to reconcile the two? Well, if you can your name might be Andrew Currie, Canadian helmer of the first ever family themed zombie comedy, or zomedy. (Seriously, that's what the press book in Toronto called it.) Though not as violent, dry, or British as Shaun of the Dead, Fido remains true to its roots: a devotion to old 50s black and white television including both Lassie and the infamous sci-fi pulp that was being pumped out during the period.
Fido's talented headliners (Carrie Anne Moss, Billy Connelly, Dylan Baker, and Tim Blake Nelson) stand as a testament to the brilliance of the script. The film explores all the implications of its premise: a world where zombies have been converted to servants because of the sheer number of them due to a strange accident. What would you use your new undead servant for? A butler? Manual labor? A pet? Unspeakable acts? Fido tackles all these possibilities in a sweet and surprisingly classy way, with much thanks to the work of Connelly (as one of said zombies) and young TV actor K'Sun Ray, who seems at times to be a better young Elijah Wood than the young Elijah Wood was.
If you're expecting another Shaun of the Dead, don't waste your time. There's not nearly enough gore and pokes at the genre to satisfy you and you'll just leave the theater bitter and depressed. But if you're willing to take a look at what happens to Shaun of the Dead when it jumps across the lake, you're in for a treat. Think of Fido as the sensitive, more often beaten up little brother to Shaun of the Dead's rebellious loser, and you're starting to get the drift. If you like (or at least tolerate) zombies, small children, and loads of deadpan satire, Fido's the film for you. If that's not the case....well, you know the drill. Just hit 'em square between the eyes.
Ever seen Shaun of the Dead? Good. How about Lassie? Able to reconcile the two? Well, if you can your name might be Andrew Currie, Canadian helmer of the first ever family themed zombie comedy, or zomedy. (Seriously, that's what the press book in Toronto called it.) Though not as violent, dry, or British as Shaun of the Dead, Fido remains true to its roots: a devotion to old 50s black and white television including both Lassie and the infamous sci-fi pulp that was being pumped out during the period.
Fido's talented headliners (Carrie Anne Moss, Billy Connelly, Dylan Baker, and Tim Blake Nelson) stand as a testament to the brilliance of the script. The film explores all the implications of its premise: a world where zombies have been converted to servants because of the sheer number of them due to a strange accident. What would you use your new undead servant for? A butler? Manual labor? A pet? Unspeakable acts? Fido tackles all these possibilities in a sweet and surprisingly classy way, with much thanks to the work of Connelly (as one of said zombies) and young TV actor K'Sun Ray, who seems at times to be a better young Elijah Wood than the young Elijah Wood was.
If you're expecting another Shaun of the Dead, don't waste your time. There's not nearly enough gore and pokes at the genre to satisfy you and you'll just leave the theater bitter and depressed. But if you're willing to take a look at what happens to Shaun of the Dead when it jumps across the lake, you're in for a treat. Think of Fido as the sensitive, more often beaten up little brother to Shaun of the Dead's rebellious loser, and you're starting to get the drift. If you like (or at least tolerate) zombies, small children, and loads of deadpan satire, Fido's the film for you. If that's not the case....well, you know the drill. Just hit 'em square between the eyes.
I have pass on this movie so many times because of the cover , when i looked at reviews on here and i had to see this movie.
When i was reading plot, i thinking it dose not sound that good, i so sat thinking, i don't think i would like this movie and i was think i was going waste hour and half of my life.
Soon as put on i was total shocked how different this zombie is, i thought this movie was fantastic, i could not believe not seen it before, the whole story was great idea and this movie did have some nice gory scenes however this movie more about boy being friend with zombie building connections with Fido the boy named the zombie Fido.
Great fun movie 8 out of 10
When i was reading plot, i thinking it dose not sound that good, i so sat thinking, i don't think i would like this movie and i was think i was going waste hour and half of my life.
Soon as put on i was total shocked how different this zombie is, i thought this movie was fantastic, i could not believe not seen it before, the whole story was great idea and this movie did have some nice gory scenes however this movie more about boy being friend with zombie building connections with Fido the boy named the zombie Fido.
Great fun movie 8 out of 10
Fido is a cute comedy that deserves wider recognition, especially considering the mainstream crap that is supposed to entertain us these days.
As has already been pointed out, this is hardly a real zombie film, but rather a sweet satire that employs the undead to point fingers. While there are necessarily some bloody scenes, there is almost no gore and the way this movie is presented (feel-good 50s style), I can't imagine anyone being actually scared or turned off by Fido & his fellow sufferers.
While the cast is generally good, I felt that Moss and Nelson stood out. The humor is not in-your-face, but rather subdued; there's a lot of attention to detail and I caught myself smiling benignly several throughout the movie. This is certainly no masterpiece of cinema, but it doesn't strive to be - instead, Currie succeeds in delivering a heart-warming black comedy.
As has already been pointed out, this is hardly a real zombie film, but rather a sweet satire that employs the undead to point fingers. While there are necessarily some bloody scenes, there is almost no gore and the way this movie is presented (feel-good 50s style), I can't imagine anyone being actually scared or turned off by Fido & his fellow sufferers.
While the cast is generally good, I felt that Moss and Nelson stood out. The humor is not in-your-face, but rather subdued; there's a lot of attention to detail and I caught myself smiling benignly several throughout the movie. This is certainly no masterpiece of cinema, but it doesn't strive to be - instead, Currie succeeds in delivering a heart-warming black comedy.
Set in a middle class neighborhood in the imaginary town of Willard in the 1950s, this dark comedy with a light touch toys with such American obsessions as gun mania and violence, materialism and keeping up with the Joneses, fear of others, slavery, golf, and the disposing of the dead. Yes, it all sounds a bit heavy, but trust me on this, it's nearly as light as a feather.
Zombies are featured prominently among the characters. Crucial questions arise, such as: who will become a zombie (90% of the Willard folks choose this final path, while only 10% prefer a traditional funeral)? Who owns how many Zombies to do their bidding like robots (they've become a mark of social status)? And, what is the range of possible relationships that can be worked out between the living and the sort of reincarnated dead?
Somehow, director Andrew Currie, who also co-wrote the lively screenplay (with Robert Chomiak and Dennis Heaton), keeps this improbable material percolating along for an hour and a half without once faltering for want of a good laugh. A super cast helps: Carrie-Anne Moss, Billy Connolly, Dylan Baker, Henry Czerny, Tim Blake Nelson, Mary Black and Sonja Bennett are the principals, aided by young K'Sun Ray as Timmy, the innocent kid with a good heart who acts as fair witness to all the lunacy of the grownups. (Having seen her only in "Memento" and "The Matrix," I had no idea that Ms. Moss had such fine comedienne chops.)
The production design and music are exquisitely 50s, to a tee. Maybe this one isn't for everybody. It surely will be a hard film to beat for my annual Bizarro Award. But intelligent comedies that stay funny from start to finish are among the hardest won achievements in movie-making. For me anyway, "Fido" is a hoot! My grades: 8.5/10 (A-) (Seen on 01/30/07)
Zombies are featured prominently among the characters. Crucial questions arise, such as: who will become a zombie (90% of the Willard folks choose this final path, while only 10% prefer a traditional funeral)? Who owns how many Zombies to do their bidding like robots (they've become a mark of social status)? And, what is the range of possible relationships that can be worked out between the living and the sort of reincarnated dead?
Somehow, director Andrew Currie, who also co-wrote the lively screenplay (with Robert Chomiak and Dennis Heaton), keeps this improbable material percolating along for an hour and a half without once faltering for want of a good laugh. A super cast helps: Carrie-Anne Moss, Billy Connolly, Dylan Baker, Henry Czerny, Tim Blake Nelson, Mary Black and Sonja Bennett are the principals, aided by young K'Sun Ray as Timmy, the innocent kid with a good heart who acts as fair witness to all the lunacy of the grownups. (Having seen her only in "Memento" and "The Matrix," I had no idea that Ms. Moss had such fine comedienne chops.)
The production design and music are exquisitely 50s, to a tee. Maybe this one isn't for everybody. It surely will be a hard film to beat for my annual Bizarro Award. But intelligent comedies that stay funny from start to finish are among the hardest won achievements in movie-making. For me anyway, "Fido" is a hoot! My grades: 8.5/10 (A-) (Seen on 01/30/07)
"Fido" is a movie you have to be in a certain mood to watch! If you are up for it the experience will be enjoyable! If not than the movie will be quite boring! It is a nice comedy with a special take on the zombie genre! "Fido" doesn't take it self serious,so the acting is light and acceptable! As a parody it works quite well! But it does require some knowledge about zombie movies made by George A. Romero or similar productions and "Lassie" movies! Otherwise it will be hard to understand the humor used in this movie! There is little gore and no suspense at all! So in essence there is nothing extra to be experienced! Billy Connolly as Fido is perfect! He doesn't say much and only growls at times! But even then you understand what he is trying to say (What do you mean a parody on "Lassie"?)! "Fido" is pretty entertaining even when the pace is slow at times! At least it is not a waste of time!
Wusstest du schon
- WissenswertesSir Billy Connolly was reportedly very upset that the role required him to shave his beard. He described it as, "ripping out my fuc-king personality."
- PatzerWhile washing the car with Fido and Timmy, when Helen first brings out the drinks there is a shot with Fido's eye make-up clearly missing. In the next shot the make-up has been reapplied.
- Zitate
Little Girl: Grandpa's fallen and he's getting up!
- Crazy CreditsAny similarity to actual persons, living, dead or undead is purely unintentional.
- VerbindungenEdited into Cent une tueries de zombies (2012)
- SoundtracksCompulsion Opening & Theme
Written by Trevor Duncan
Licensed Courtesy of The Music People Ltd. and Boosey & Hawkes (SOCAN)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Fido - Gute Tote sind schwer zu finden
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 304.533 $
- Eröffnungswochenende in den USA und in Kanada
- 10.203 $
- 17. Juni 2007
- Weltweiter Bruttoertrag
- 426.224 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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