IMDb-BEWERTUNG
7,4/10
19.920
IHRE BEWERTUNG
Der Kleinkriminelle Bruno und seine Freundin Sonia bekommen ein Kind, für das Bruno keine Gefühle empfinden kann. Nachdem er das Neugeborene verkauft, begreift er allmählich sein Vergehen.Der Kleinkriminelle Bruno und seine Freundin Sonia bekommen ein Kind, für das Bruno keine Gefühle empfinden kann. Nachdem er das Neugeborene verkauft, begreift er allmählich sein Vergehen.Der Kleinkriminelle Bruno und seine Freundin Sonia bekommen ein Kind, für das Bruno keine Gefühle empfinden kann. Nachdem er das Neugeborene verkauft, begreift er allmählich sein Vergehen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 21 Nominierungen insgesamt
Anne Gerard
- Commerçante
- (as Anne Gérard)
Leon Michaux
- Policier Commissariat
- (as Léon Michaux)
Empfohlene Bewertungen
Dramatic, realistic, proposing honest portrait of an age, generation, near reality. A film about parenthood. Bitter, cold, well made. And about the build of responsability. All - gived in wise manner. With admirable force. A father. His son. A decision. And the transformation. And the price of option.
L'Infant is extraordinary surprising. I never had seen a Belgian movie so I was very curious about this when I was in the theater.
The script is about 2 young youths that aren't yet mature already carrying the burden of taking care of their own baby. Unemployed, without any good prospect of a real future, school droppers and not having reached maturity, they went on living just for the moment. The father is just a young, dull and irresponsible teenager that lives thru schemes and small petty crimes. The mother, looking as a 12 years old girl, thrives to support the child and don't discourage the way of living of her "husband", seen by her as fair and needed to aid their life.
The film focuses also on the illegal and dark commerce of adoption and selling of children, which is by the way what the boy will do to gain a load of money...
The movie then runs to decadence, regret, awareness of childish mistakes and bad options that, without surprise, would lead to an expected nightmare... jail.
Great acting, fair dialog(Due to the content of the story) and a voyage to the sorrow for the misfortunes of these 2 child-parents.
The script is about 2 young youths that aren't yet mature already carrying the burden of taking care of their own baby. Unemployed, without any good prospect of a real future, school droppers and not having reached maturity, they went on living just for the moment. The father is just a young, dull and irresponsible teenager that lives thru schemes and small petty crimes. The mother, looking as a 12 years old girl, thrives to support the child and don't discourage the way of living of her "husband", seen by her as fair and needed to aid their life.
The film focuses also on the illegal and dark commerce of adoption and selling of children, which is by the way what the boy will do to gain a load of money...
The movie then runs to decadence, regret, awareness of childish mistakes and bad options that, without surprise, would lead to an expected nightmare... jail.
Great acting, fair dialog(Due to the content of the story) and a voyage to the sorrow for the misfortunes of these 2 child-parents.
When the single mother Sonia (Déborah François) returns home with her newborn son, she finds that the baby's father Bruno (Jérémie Renier) had rented her apartment for a couple. She seeks out Bruno, who is a small time young thief that has a gang with two other teenagers, on the streets and they go to a shelter to stay during the cold night. On the next morning, they register the child with the name of Jimmy. When Bruno receives a proposal from his dealer for selling Jimmy for adoption for five thousand Euros, he steals the baby and sells him to his contact. However, when Sonia discovers what Bruno did, she faints, goes to the hospital and reports the transaction to the police. Bruno calls off the transaction and retrieves Jimmy, but has to pay to the dealers another five thousand Euros, in the beginning of his descent to hell and final redemption.
The low-budget "L'Enfant" is actually the realistic story of Bruno, an indifferent and alienated young scum originated from the upper class but without job for option that steals, lies, manipulates, wanders on the streets and seems incapable of displaying love, remorse or any other human feelings. Sonia is not well developed and the viewer never knows who she actually is and why she felt in love for Bruno. Jérémie Renier and Déborah François have awesome performances in the lead roles. The conclusion is disappointing since the final redemption of Bruno is inconsistent with his character. Maybe the intention of the writers and directors Jean-Pierre and Luc Dardenne is to give some hope to the audience instead of the expected dark and credible ending. My vote is eight.
Title (Brazil): "A Criança" ("The Child")
The low-budget "L'Enfant" is actually the realistic story of Bruno, an indifferent and alienated young scum originated from the upper class but without job for option that steals, lies, manipulates, wanders on the streets and seems incapable of displaying love, remorse or any other human feelings. Sonia is not well developed and the viewer never knows who she actually is and why she felt in love for Bruno. Jérémie Renier and Déborah François have awesome performances in the lead roles. The conclusion is disappointing since the final redemption of Bruno is inconsistent with his character. Maybe the intention of the writers and directors Jean-Pierre and Luc Dardenne is to give some hope to the audience instead of the expected dark and credible ending. My vote is eight.
Title (Brazil): "A Criança" ("The Child")
10Dengoku
Earlier this evening, I was attending the premiere of "L'Enfant" in Belgian theaters.
"L'Enfant" shows us a socio-drama, with a story located in the southern region of Belgium, in a city called Seraing, where most movies of the Dardenne brothers are situated.
I will not go into any plot summaries, but let me make a comparison with other directors, so you might get a clue if you'd like to watch this movie or not. Socio-drama is a genre in film not only made in Belgium. Many great directors have made solid socio-drama's: Aki Kaurismaki, Ken Loach, Mike Leigh and many others.
Where you can find a twist of humor in Kaurismaki's movies, you'll have a hard time finding it in "L'Enfant". A high level of realism avoids any dramatization of the struggle-for-life the protagonists experience. This makes it for the viewer not easier to swallow. The absence of a soundtrack even increases this effect.
This movie has many strong points, and although I haven't seen many of the other films who were competing with "L'Enfant" at the Cannes film festival 2005, I think this film has fairly won the Palme d'Or because it scores very high on the essential aspects of film-making: acting, camera-work (see comment by Toon Creemers) and script (dialogues).
I highly recommend this movie, but don't expect to be visually entertained the way we are used to by big budget films from Hollywood. Movies like these don't need a lot of dialogue, fancy one-liners or historical quotes - the picture says it all, in a simple but effective way.
Enjoy,
"L'Enfant" shows us a socio-drama, with a story located in the southern region of Belgium, in a city called Seraing, where most movies of the Dardenne brothers are situated.
I will not go into any plot summaries, but let me make a comparison with other directors, so you might get a clue if you'd like to watch this movie or not. Socio-drama is a genre in film not only made in Belgium. Many great directors have made solid socio-drama's: Aki Kaurismaki, Ken Loach, Mike Leigh and many others.
Where you can find a twist of humor in Kaurismaki's movies, you'll have a hard time finding it in "L'Enfant". A high level of realism avoids any dramatization of the struggle-for-life the protagonists experience. This makes it for the viewer not easier to swallow. The absence of a soundtrack even increases this effect.
This movie has many strong points, and although I haven't seen many of the other films who were competing with "L'Enfant" at the Cannes film festival 2005, I think this film has fairly won the Palme d'Or because it scores very high on the essential aspects of film-making: acting, camera-work (see comment by Toon Creemers) and script (dialogues).
I highly recommend this movie, but don't expect to be visually entertained the way we are used to by big budget films from Hollywood. Movies like these don't need a lot of dialogue, fancy one-liners or historical quotes - the picture says it all, in a simple but effective way.
Enjoy,
I can't say that I'm a fan of the previous Dardennes' movies... Saw Rosetta and "Le fils" and... well... didn't really go INTO them as I would have liked... probably because of the way (at the time) they were filmed ... sort of "dogma inspired" way of filming... following the neck/back of the characters, moving all the time... that makes me sea-sick... That's a detail that can make you laugh but something that disturbs me a lot from the story and that must not be used all the time in a film I think...
To me, the film is first a love story between two young people, two kids in a way (more the guy than the girl) more than a social drama... a true one... but nevertheless standing in a social context that is obviously proposed from the first images, and that counts and is indissociable from the characters and what they live and are living in.
What I felt is a real empathy for those two young lovers... Their love, their strength - each one trying to find a future, a new future... with their own means... Through money, through surviving, through a baby... through tears and the rare basic things of life they know or have been taught of...
It's 1h35 you're watching a young man grow...
My great enthusiasm for the film is also because of the actors. Jeremie Renier and Deborah Francois... They shine, they tremble and they're so true... I will also add the young boy who play Steve.. The film wouldn't be as touching without them... Wonderful belgian actors !!! BEST wishes to you all, you deserve it ! (Little moment of chauvinism, sorry LOL... anyway...
This is a film I would recommend...
To me, the film is first a love story between two young people, two kids in a way (more the guy than the girl) more than a social drama... a true one... but nevertheless standing in a social context that is obviously proposed from the first images, and that counts and is indissociable from the characters and what they live and are living in.
What I felt is a real empathy for those two young lovers... Their love, their strength - each one trying to find a future, a new future... with their own means... Through money, through surviving, through a baby... through tears and the rare basic things of life they know or have been taught of...
It's 1h35 you're watching a young man grow...
My great enthusiasm for the film is also because of the actors. Jeremie Renier and Deborah Francois... They shine, they tremble and they're so true... I will also add the young boy who play Steve.. The film wouldn't be as touching without them... Wonderful belgian actors !!! BEST wishes to you all, you deserve it ! (Little moment of chauvinism, sorry LOL... anyway...
This is a film I would recommend...
Wusstest du schon
- WissenswertesJimmy is played by 40 different babies.
- VerbindungenFeatured in Smagsdommerne: Folge #3.17 (2006)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Child
- Drehorte
- Rue de la Banque, Seraing, Liège, Wallonia, Belgien(Sonia's apartment exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.600.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 651.941 $
- Eröffnungswochenende in den USA und in Kanada
- 44.537 $
- 26. März 2006
- Weltweiter Bruttoertrag
- 5.507.396 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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