Füge eine Handlung in deiner Sprache hinzuA chronicle of gay culture in New York during the post-Stonewall, pre-AIDs era.A chronicle of gay culture in New York during the post-Stonewall, pre-AIDs era.A chronicle of gay culture in New York during the post-Stonewall, pre-AIDs era.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Robert Alvarez
- Self - Hand in Hand Film Productions
- (as Bob Alvarez)
Lawrence Mass
- Self - Addiction Specialist, Writer
- (as Lawrence Mass M.D.)
Ken Unger
- Self - Internist
- (as Ken Unger M.D.)
Joseph F. Lovett
- Self
- (Nicht genannt)
Bette Midler
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
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There are very few movies that dispense with the coyness and cleverness of a catchy title, and simply tell you flat out what you can expect to see. This is one of them.
Director Joseph Lovett's documentary is kind of like one of those retrospectives you see on VH-1 or the E! Network, only with more naked men, hot explicit sex (well, explicit for a documentary), and snapshots frozen in time that show us visions of a bygone decade, where the Gay Wide World went from draconian repression, to sexual liberation of Bacchanalian proportions, to the next chapter where "the bill came due" for all that excessive indulgence.
No one clucks their tongues or passes judgment, as the interviewees regale us with tales of just how things were back in those days, (although you have to consider that there was some extravagant embellishments here and there.) I was only privy to a taste of the lifestyle of which the subjects speak in this film, and I guess I should be grateful for it, because more than likely it saved my life and the lives of more than a few other people I know. Even back then, in my younger days, I only knew of the stories about Fire Island, the New York-based bars, baths and clubs and the infamous Piers and Trucks through hearsay, and it all sounded fabulous, hedonistic and legendary even as it was happening.
There are touches of the ominous, though, and it certainly doesn't shy away from the dark side of all that "jazz." There were risks other than STD's, and in pursuit of ultimate bliss, there were some who still paid the ultimate price, and that was way before AIDS came to call.
Funny, touching, shocking and sobering all at once, the only drawback is that it isn't the fully rounded account it could be. Maybe Lovett can find a way to extend this into a series and capture more accounts of the shock waves that spread out into other parts of the country, from the "epicenter of the gay universe" as someone in the doc describes the Big Apple. New York and San Francisco were important touchstones of gay culture, but they were not the 'Alpha and Omega' of the Seventies' sexual revolution.
At the very least, it is an important historical record that a new generation can learn from, for those who think that "Stonewall" is just another place in the mall where you can buy acid-washed jeans.
And on a sadder note, maybe the reason why it hasn't been possible to film a more complete history of "Gay Sex in the Seventies," is because many of the eyewitnesses to this remarkable time in history are no longer here to tell about it. I certainly hope that isn't the case.
Director Joseph Lovett's documentary is kind of like one of those retrospectives you see on VH-1 or the E! Network, only with more naked men, hot explicit sex (well, explicit for a documentary), and snapshots frozen in time that show us visions of a bygone decade, where the Gay Wide World went from draconian repression, to sexual liberation of Bacchanalian proportions, to the next chapter where "the bill came due" for all that excessive indulgence.
No one clucks their tongues or passes judgment, as the interviewees regale us with tales of just how things were back in those days, (although you have to consider that there was some extravagant embellishments here and there.) I was only privy to a taste of the lifestyle of which the subjects speak in this film, and I guess I should be grateful for it, because more than likely it saved my life and the lives of more than a few other people I know. Even back then, in my younger days, I only knew of the stories about Fire Island, the New York-based bars, baths and clubs and the infamous Piers and Trucks through hearsay, and it all sounded fabulous, hedonistic and legendary even as it was happening.
There are touches of the ominous, though, and it certainly doesn't shy away from the dark side of all that "jazz." There were risks other than STD's, and in pursuit of ultimate bliss, there were some who still paid the ultimate price, and that was way before AIDS came to call.
Funny, touching, shocking and sobering all at once, the only drawback is that it isn't the fully rounded account it could be. Maybe Lovett can find a way to extend this into a series and capture more accounts of the shock waves that spread out into other parts of the country, from the "epicenter of the gay universe" as someone in the doc describes the Big Apple. New York and San Francisco were important touchstones of gay culture, but they were not the 'Alpha and Omega' of the Seventies' sexual revolution.
At the very least, it is an important historical record that a new generation can learn from, for those who think that "Stonewall" is just another place in the mall where you can buy acid-washed jeans.
And on a sadder note, maybe the reason why it hasn't been possible to film a more complete history of "Gay Sex in the Seventies," is because many of the eyewitnesses to this remarkable time in history are no longer here to tell about it. I certainly hope that isn't the case.
A no holds barred look back at a hedonistic time of freedom for sexual awareness and discovery... it can almost make this thirty something long for a time pre AIDs. It posed a lot of questions for me like, which came first, the gay sexual carnivore, or the backlash against sexual persecution. At a screening, an audience member wished they had been old enough to have enjoyed in the decadent madness that seemed pervasive by the movie's content... and I was left to wonder, how different it was then (men having sex with strangers in bathhouses and the back of trucks and piers) to how it is now (men arranging sex dates with others online). What a wake up call to reality.
It was almost deja vu for me, watching what lifestyle was like in those heady days of Gay sex in the 70's.
The thing about it was that it really happened just like that - not only in NYC but around the world! I lived in Perth, Australia and it was all happening here as well! This is a very good archive of a time in history and valuable in today's world.
It was fun to see all the pretty young things in their heyday who are all past middle age, yet knowing that they'd come a long way to get here.
I enjoyed it and highly recommend it to anyone who was around at the time.
The thing about it was that it really happened just like that - not only in NYC but around the world! I lived in Perth, Australia and it was all happening here as well! This is a very good archive of a time in history and valuable in today's world.
It was fun to see all the pretty young things in their heyday who are all past middle age, yet knowing that they'd come a long way to get here.
I enjoyed it and highly recommend it to anyone who was around at the time.
For those unfamiliar with the topic, this documentary offers good information. For those already familiar with, or who lived through or participated in it, the film's a trip down memory lane.
Joseph Lovett has assembled some period footage and photo stills to help depict his subject. But the film mostly consists of "talking heads": men in their 60s, sharing personal experiences on the atmosphere, attitudes and action from the 70s. A couple of women in their 30s also offer reflective remarks.
What a rare opportunity for people in the Northeast area of the country to be able to see this film locally, at Cleveland's unique Cinematheque. Not yet available on video or DVD, and rarely shown outside of New York, these Ohio screenings are all the more valuable.
The diverse and appreciative audience was very interested in the subject, and reacted to the humor audibly. While all this is now history, the 70s represents for many a time of liberation, experimentation, exploration and fulfillment. --h/76
Joseph Lovett has assembled some period footage and photo stills to help depict his subject. But the film mostly consists of "talking heads": men in their 60s, sharing personal experiences on the atmosphere, attitudes and action from the 70s. A couple of women in their 30s also offer reflective remarks.
What a rare opportunity for people in the Northeast area of the country to be able to see this film locally, at Cleveland's unique Cinematheque. Not yet available on video or DVD, and rarely shown outside of New York, these Ohio screenings are all the more valuable.
The diverse and appreciative audience was very interested in the subject, and reacted to the humor audibly. While all this is now history, the 70s represents for many a time of liberation, experimentation, exploration and fulfillment. --h/76
Excellent and to the point.
The topic is interesting and shows a clear contrast between the pre-AIDS world and the post-AIDS world. As I grew up, AIDS was already a factor, so to me the notion of random unsafe sex seems quite the gamble. It made me think about what could be discovered in years to come to make our present lifestyle seem like a game of Russian roulette. I enjoyed a short cameo by Swedish musician Sebastian Utbult! Also, anyone who is interested in the scene needs to see this movie. It's a definite trip to retrotown :)
Thank you for the eye opener, Mr. Lovett!
The topic is interesting and shows a clear contrast between the pre-AIDS world and the post-AIDS world. As I grew up, AIDS was already a factor, so to me the notion of random unsafe sex seems quite the gamble. It made me think about what could be discovered in years to come to make our present lifestyle seem like a game of Russian roulette. I enjoyed a short cameo by Swedish musician Sebastian Utbult! Also, anyone who is interested in the scene needs to see this movie. It's a definite trip to retrotown :)
Thank you for the eye opener, Mr. Lovett!
Wusstest du schon
- WissenswertesThe film was awarded the GayVN Award for Best Alternative Release of 2006.
- VerbindungenFeatured in SexTV: Andre Williams/Gay Sex in the 70s/Jen Davis (2005)
- SoundtracksDo You Wanna Funk?
Written by Sylvester (as Sylvester James) and Patrick Cowley
Published by Sequins at Noon Music & Blue Image Music (BMI)
Performed by Sylvester
Courtesy of Unidisc Music, Inc.
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- 男.性70
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Box Office
- Bruttoertrag in den USA und Kanada
- 249.565 $
- Eröffnungswochenende in den USA und in Kanada
- 17.357 $
- 6. Nov. 2005
- Weltweiter Bruttoertrag
- 249.565 $
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