Die Freunde des Bräutigams

I'm sure Edward Burns gets plenty of complaints about his films, and I'm probably part of the minority that has enjoyed every single film he's done so far (at least out of the films he's written and directed). I can sort of understand why. Film is meant to be a visual medium, and as much as I enjoy his work, Burns is not exactly a director whose prime concern is the visuals. But I don't care! I'm one of the few film buffs who has never checked out any of the "Lord of the Rings" flicks. Why is that? Because I don't give a damn about special effects or CGI or elaborate sets or elaborate costumes. I care about interesting characters and interesting dialogue, and Burns always delivers in those two departments. I can relate to many of the characters in his films. I can't relate to Hobbits or whatever creatures you see in those "LOTR" flicks. Having watched the film's previews, I thought this might be Burns' attempt at making a more mainstream feature. But it wasn't. It was a typical Burns flick with typical Burns characters, who all have troubled love lives and swig Heineken like no tomorrow. "The Groomsmen" has a few flaws. Some of the NY accents sounded fake and came and went. Jay Mohr is from Jersey, so he really didn't have to try so hard to fake a NY accent when his real accent sounds close enough anyway. Also, hearing John Leguizamo sing was an example of "Don't quit your day job." He sounds almost as bad as I do when I sing karaoke, and I'm pretty sure even a garage band would have a better singer than him. His voice crackles whenever he hits the high notes. Being a baritone, I know what that's like. That's why I don't sing in a band. Plus, the "faking" of the guitar playing wasn't always convincing, even to someone who's never played guitar. And finally, the payoff to the subplot involving Leguizamo's character could've been a lot stronger. I'm not going to give away the twist involving his character, even though someone else on IMDb probably will. Other than those minor flaws, I really enjoyed the film. The cast is solid, though I'm sure Brittany Murphy was put in the movie simply to add star power. I don't hate Brittany as an actress, but a better, lesser-known actress could've played the role instead. The music is great as well. Thanks to Burns, I have two of the film's songs stuck in my head...but that's a good thing. He chose to use good songs from the 70's and 80's that weren't necessarily hits. If you're not a fan of Burns' work, this film probably won't change your mind. If you are a fan like me...enjoy the show.

I can't understand why this film has not been greeted with close to raves from most of the critics; but then, it seems that lots of folks resent Ed Burns' career. He made one good film, Brothers McMullen, and then produced a series of half-baked follow ups. Plus, his good looks gave him an acting career that others must envy.

His good luck aside, Burns is back in top form with The Groomsmen, an insightful look at a group of boy/men tip toeing into middle age. His ear for the venacular, in this case Long Island/Bronx Irish, is just about perfect, he creates an inviting sense of time and place and his work with the actors is pitch perfect.

Ironically, the only weak performance in the film is Burns'. His good looking Irish poker face is not compelling enough to communicate his character's inner turmoil. Matt Dillon, could he have been afforded, would have nailed this role. That said, Burns contributes a basic sense of human decency that permeates the film; it's in his character and in his writing.

I loved the whole cast, but was particularly moved by Matthew Lilligard's portrayal of a "regular joe," a bar owner who dreams of his glory days as a garage band musician now that he is the father of two. His speech about his children, buzzed, standing on his porch in the middle of the night, is a WONDERFUL example of expressive acting and, for me, the highlight of the entire film.

Don't blow this one off if you feel you've been burned by Burns in the past (sorry about that). His ending is too pat, unworthy of some of the honest, painful material that has preceded it; but all in all The Groomsmen makes me look forward to his next film. Check this one out, probably will be great when it hits NETFLIX.

Fresh from the Seattle International Film Festival --

The Groomsmen is a poignant look at relationships and forgiveness; true friendship, spousal, sibling, parent-child, and ex's. It provides a great blend of comedy and drama to not be too heavy, yet stay truly thought provoking. At times the character development scenes were a bit long, but forgivable overall. The cast is amazing, you easily forget their previously roles and see them only as the lifelong friends that they portray in this movie. The soundtrack is an excellent trip back to the rock of the 80's with the likes of Loverboy and Eddie Money. I would recommend this movie to women and men alike. It has something for everybody!

Thank you, Matt, for visiting us in Seattle!

The new Ed Burns movie, The Groomsmen, is the seemingly simple story of friends coming together to celebrate an upcoming wedding. Paulie (Ed Burns), the soon-to-be groom/father, is the central character around whom the others revolve. The groomsmen (Jay Mohr, Donal Logue, John Leguizamo, and Matthew Lillard) gather in their home town before the big day, having decided to fore go the "traditional bachelor party" in order to relive the best time of their lives when the most important things were Beer, Baseball and the Band.

Along the way to recapturing their youth, snippets of dissatisfaction, insecurity and regret are woven into the story. With skillful editing and realistic dialogue, Mr. Burns subtly strips away the macho banter, allowing the audience to get to know and care about these life-long friends. In each scene with an individual groomsman, Paulie (the former tag-along little brother) seems to be giving, rather than receiving, advice and in doing so works through his own pre-nuptial jitters. While counseling his old friends he comes to realize he's almost lost his newest friend. The seemingly simplistic resolutions are actually testaments to lasting friendships in which a nod and a hug are all that are necessary to realize you do have the best of both worlds.

This really is such a good movie: the characters are well-developed, the acting is understated, the cinematography is beautiful and the music is not only good, but pertinent. The audience is made to feel a part of it. Thank you, Mr. Burns et al, for 90 minutes of entertainment and hours of discussion on what makes these guys tick. I'm not just going to recommend this movie to my friends, I'll be going back to see it with them! Four Cheers!!

"There's a difference between getting older and growing up." That is The Groomsmen's other, more appropriate tagline, but the one they used was "Till death do we party!". Having said that, one can say that The Groomsmen is a surprise; for one, it's not a laugh-out-loud comedy, despite starring sitcom staples and a misleadingly happy poster. It does have comedic elements but it is more dramatic than funny. The audience gets the feeling that Burns is trying to communicate honest men's points of view ala Sex in the City via such varied characters.

Paulie (the incredibly talented writer/director/producer/actor Edward Burns) knocks up his longtime girlfriend Sue (Brittany Murphy), and so they plan to get married. A week before the wedding, he meets up with his four groomsmen, each with a different take on being a thirty-something and how that affects their friendship.

Donal Logue (from TV's Grounded for Life) plays Jimbo, Paulie's older brother who is having marital and job troubles and frequents a strip bar. Mike (Jay Mohr) still lives with his father and was dumped by his hot girlfriend for being too childish. T.C. (John Leguizamo) was the one who went AWOL on them for eight years, harboring a personal secret and is finally able to come to grips with it by finally telling his childhood friends. Dez (Matthew Lillard) takes a startling turn as the responsible, got-it-together guy in the group, with the kids and the wife. Amazing that he gets this role after being typecast in such movies like Scream, Without a Paddle and Scooby Doo.

While The Groomsmen suffers from being a tad flat, largely because of misled expectations, it is earnest, and deliberately takes its time, soaking in Burns' version of suburban New York.