Hunting Party - Wenn der Jäger zum Gejagten wird

It's good to see Richard Gere again. And his co-star is a fine actor. The story is good, the direction is good, you wont be disappointed - in fact you might wonder why you didn't hear about this movie before. Hollywood produces some good things and some dross; this is one of the good ones and politics must have dictated the release date, not the quality of the product, because it leaves many of the seasonal releases in the dust. This movie is about Bosnia, which most people find easier to forget. I was there in the early 90s and liked it a lot - and then the criminals came. Watch the movie - you wont regret it. I gave it a 7 and it might appeal more than that.

The best part of this movie is that it keeps your interest. It overdoes the language and gets a bit preachy here and there but overall does what you ask a movie: it entertains. If you're looking for a fairly intense 100 minutes of diversion, you'll get it here. However, I wouldn't watch it twice.

Terrence Howard as "Duck" and Richard Gere as "Simon" are both very interesting. Jesse Eisenberg as "Benajamin" was a bit annoying because he looks stupid and has a whiny voice. Since this is a man's movie, Howard and Gere fit the bill better.

The movie has a good mix of suspense, action, intrigue, war, politics and even a couple of doses of humor, which was a nice touch. The minor characters, like "Boris" (Mark Invanir) were as interesting as the leads, and the camera-work and scenery were worth watching, too. Boris doesn't get much billing here but he has several scenes and they are good.

Are a hundred f-words and a 10-20 blasphemes really necessary in telling this story? In a word: no. I was surprised, only because Gere has been in a number of entertaining films over the years and I don't ever recalling him anywhere near this profane in any of his roles. An f-word out of his mouth almost every other sentence seemed out of place, especially for an outspoken Buddhist, wouldn't you think?

As soon as Howard spoke, his voice was familiar. I couldn't remember where I'd heard it but knew it wasn't long ago. I looked it up here on IMDb and now remember hearing/seeing him in "The Brave One," another 2007 movie. Anyway, he and Gere make a good "buddy act" in this film and didn't really need the kid with them.

The "message" of the movie, as they say several times during the movie and in print at the conclusion, is that these Bosnian war criminals are still out there and no one seems to really want to capture them.

Based on a true story of a trio of Journalists looking for a war criminal in the former Yugoslavia. The Original group included Jon Krakauer, in the movie we have Terrence Howard and Richard Gere. Where originally it started as a bunch of journalists getting drunk and deciding to go out and find the bad guys, here we have Gere as a washed up TV reporter convincing his old camera man and a network executive (who got the job because of nepotism) that he can get an interview with "the Fox" if they are willing to go along with him. They go and things instantly begin to go side ways as nothing is as it seems and no one believes they aren't with the CIA. Not to put too fine a point on it I really liked this film a great deal. Its witty intelligent with lots of likable characters and a real sense of both humor and reality.Its probably three quarters of one of the most enjoyable films of the year (even with the nastiness.) What can I say I'm a sucker for great buddy films and Terrence Howard and Richard Gere have an ease when together that makes you certain that they have been friends for decades. Its magical. If there is a problem with the film its that the film kind of loses steam toward the end. Somewhere the need for an "ending" kind of gets in the way of things and the film begins to be a bit less...I don't know, fun. Don't get me wrong its still better than many other recent films, but its just disappointing that things have to be "neat". Of course the pre-final credits explanation of whats real and what isn't a scream. See this movie, thats all I have to say. See it and go with its vibe and I think you'll have a good time.

And forgive me for being spotty about things since I'm trying not to say too much since not knowing what happens is part of the joy.

This film is about a disgraced journalist trying to hunt down the most wanted war criminal in Bosnia.

I understand that a topic like this would attract rather polarised opinion. Putting aside the historical facts or political opinion, I think this film is well made and acted. It has thrilling and comedic elements. Just as things start to get slow, there are gunshots, car chases and road blocks to pump up the action. And just when the thrill gets too much, there are fun and relaxing scenes. The ending is strong and affecting, and it sends out a strong political message (or protest) about how the West is not doing their job. Jesse Eisenberg's role as Benjamin is a little redundant, but still I thought "The Hunting Party" was a good film.

Just got back from the premiere at Venice, where a huge round of applause acknowledged the film's quality as well as Richard Gere's enduring star status.

As society and modern youth get serious again, so Hollywood follows the trend, as movies tackle war corruption and hypocrisy following Clooney, Gore et al's lead. Shephard manages to combine thriller with humour and quips without it becoming a cheesy Lethal Weapon type ride. That's due mainly to sterling performances from Gere, reinvigorates after The Hoax, and Howard, showing a comic side after the intensity of 'Crash' Jesse Eisenberg also looks like this role was written for him personally, and the remaining cast are appropriate. The crisp, realistic docu-direction, mainstreamed by Paul Greengrass, has exerted its influence and fits neatly into this film without looking forced.

Therefore, it works - it brings a serious issue to attention with humour, compassion and enough adrenaline to remind one of the risks some people take with their lives for their causes, when most of us take the cosy path of least resistance.