IMDb-BEWERTUNG
6,4/10
71.704
IHRE BEWERTUNG
Ein britischer Schriftsteller kämpft darum, bei einem renommierten Magazin in New York City unterzukommen.Ein britischer Schriftsteller kämpft darum, bei einem renommierten Magazin in New York City unterzukommen.Ein britischer Schriftsteller kämpft darum, bei einem renommierten Magazin in New York City unterzukommen.
Janette Scott
- Sidney's Mother
- (Archivfilmmaterial)
Thandiwe Newton
- Thandie Newton
- (as Thandie Newton)
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Sidney Young runs a small alternative culture magazine in London dedicated to popping the bubble of celebrity. He hits the big time when he gets a call from Clayton Harding, the editor of Sharps magazine a glossy celebrity magazine based in New York City. Sidney goes into the job thinking he can be different from the puff pieces the magazine is famous for and somehow has been employed as part of Harding's darker streak and longer for more. Sadly this instinct is dead wrong and Sidney finds himself a joke within the office and a failure within the world of celebrity and movie stars that he needs to work.
HTLF&AP (it's easier) is in the mould of The Devil Wears Prada as it is written as an insider's exposé of celebrity culture from someone who discovered it firsthand. Like that film, this one also struggles to tell this tale within a narrative structure that engages. It is helped though by having the central character be a major part of his own discovery, ie not only do we see the world of superficiality that is the celebrity scene but Sidney is more than a pair of eyes as he fails so impressively to assimilate himself into it. The problem is though that it is not savage enough on the celebrity culture and instead tries to draw a lot more humour from Sidney's various pratfalls and failures. This produces some moments of amusement but at the same time it robs the material of the teeth it really should have had. What is left is a reasonably funny comedy that goes where you expect it to, right down to the pat ending that was always going to be there.
Pegg has enough about his performance to be funny even though this is far below the films he has made with Wright. He makes it work better than it should at times but then he cannot bring out an edge that isn't there in the script. The starry supporting cast may be part of the reason that it doesn't tear at the hand that feeds it and indeed there are some solid turns here. Bridges, Anderson, Fox, Huston and others all do reasonably good work around Pegg. Dunst is at her best when in the "hate" part of her "love/hate" relationship with Pegg and I liked her until the film gradually started to use her character to turn the way we all knew it would go.
Not a brilliant film by any means then but still one that is amusing as it treads familiar paths to a weak ending. Should have been better but is still just about good enough to distract as a comedy.
HTLF&AP (it's easier) is in the mould of The Devil Wears Prada as it is written as an insider's exposé of celebrity culture from someone who discovered it firsthand. Like that film, this one also struggles to tell this tale within a narrative structure that engages. It is helped though by having the central character be a major part of his own discovery, ie not only do we see the world of superficiality that is the celebrity scene but Sidney is more than a pair of eyes as he fails so impressively to assimilate himself into it. The problem is though that it is not savage enough on the celebrity culture and instead tries to draw a lot more humour from Sidney's various pratfalls and failures. This produces some moments of amusement but at the same time it robs the material of the teeth it really should have had. What is left is a reasonably funny comedy that goes where you expect it to, right down to the pat ending that was always going to be there.
Pegg has enough about his performance to be funny even though this is far below the films he has made with Wright. He makes it work better than it should at times but then he cannot bring out an edge that isn't there in the script. The starry supporting cast may be part of the reason that it doesn't tear at the hand that feeds it and indeed there are some solid turns here. Bridges, Anderson, Fox, Huston and others all do reasonably good work around Pegg. Dunst is at her best when in the "hate" part of her "love/hate" relationship with Pegg and I liked her until the film gradually started to use her character to turn the way we all knew it would go.
Not a brilliant film by any means then but still one that is amusing as it treads familiar paths to a weak ending. Should have been better but is still just about good enough to distract as a comedy.
Pegg has had a few hits in the past few years, starting with "Shaun Of The Dead" in 2004, movie on to "Hot Fuzz 2007", early 2008 he came out with "Run Fat Boy Run" and now comes this, "How To Lose Friends And Alienate People" which is in many ways one of my favourite comedy's of the year.
The film is about Sidney Yound, a man who writes a failing magazine who makes fun of celebrity's mostly because he is not one of them. Anyway, one of the most successful magazine owners (Played By Jeff Bridges) invites him (Out of nostalgia) to work at his magazine. Sidney is of course excited and moves to America, there he meets a girl currently writing a book, and hilarity ensues.
This film is great and I hope more come out like it in the near future. Pegg has once again given people everywhere another good film and I cant wait to the see the third part of the blood and ice cream trilogy "Paul". I Rate this film 81%.
The film is about Sidney Yound, a man who writes a failing magazine who makes fun of celebrity's mostly because he is not one of them. Anyway, one of the most successful magazine owners (Played By Jeff Bridges) invites him (Out of nostalgia) to work at his magazine. Sidney is of course excited and moves to America, there he meets a girl currently writing a book, and hilarity ensues.
This film is great and I hope more come out like it in the near future. Pegg has once again given people everywhere another good film and I cant wait to the see the third part of the blood and ice cream trilogy "Paul". I Rate this film 81%.
Sidney Young (Simon Pegg) is a boorish, unlikeable, annoying, inappropriate, douche idiot A-hole. He crashes parties and ridicules famous celebrities in his London magazine. He gets noticed by Clayton Harding (Jeff Bridges) and hired onto the glitzy "Sharps" magazine as the cultural editor. He tries to befriend co-worker Alison Olsen (Kirsten Dunst) and win over starlet fame-whore Sophie Maes (Megan Fox).
Simon Pegg doesn't fit this character that well. Even in 'Spaced', he had a streak of likability. He's an adorable guy. It's a little better when he shows some vulnerabilities later in the movie. For a guy trying to show how shallow everybody is, he's the most shallow of them all. I wish they wade through some of his depths earlier in the movie. The other problem is that he has no chemistry with Kirsten Dunst. She's almost as hopelessly uncompelling as a character. The movie really struggles to find its way in this rom-com formula.
Simon Pegg doesn't fit this character that well. Even in 'Spaced', he had a streak of likability. He's an adorable guy. It's a little better when he shows some vulnerabilities later in the movie. For a guy trying to show how shallow everybody is, he's the most shallow of them all. I wish they wade through some of his depths earlier in the movie. The other problem is that he has no chemistry with Kirsten Dunst. She's almost as hopelessly uncompelling as a character. The movie really struggles to find its way in this rom-com formula.
Oh dear we don't like it when our super-hero love interest develops a brain do we?
Something has happened to people, they have lost the ability to enjoy, a simple feel-good, love story/comedy? Kirsten Dunst is a revelation - funny, sexy and real. I laughed out loud ooh at least five times and I'm not ashamed to say had a tear in my eye a couple of times too. The cast, acting and script is great, I watch a lot of films right across the board and I haven't seen one in this genre that has been as successful. Those who disagree please tell me where I can find some! I'm sure the book is good too but I think you have to judge it on its own merits.
Something has happened to people, they have lost the ability to enjoy, a simple feel-good, love story/comedy? Kirsten Dunst is a revelation - funny, sexy and real. I laughed out loud ooh at least five times and I'm not ashamed to say had a tear in my eye a couple of times too. The cast, acting and script is great, I watch a lot of films right across the board and I haven't seen one in this genre that has been as successful. Those who disagree please tell me where I can find some! I'm sure the book is good too but I think you have to judge it on its own merits.
This movie at its heart is basically a romantic comedy, but it made me laugh out loud several times and typical rom coms rarely make me do that. Simon Pegg is definitely usually the funny guy in the movie, but Megan Fox steals a ton of the funny lines and even Kirsten Dunst has some moments that are legitimately funny as well. This movie won't win any awards and the idea (even if it is loosely based on a true story) isn't original, but if you want a good laugh I'd say watch it.
Wusstest du schon
- WissenswertesToby Young, the man around whom the film is based, was banned from the set, as he was reportedly annoying cast members, and interrupting Robert B. Weide as he tried to direct scenes.
- PatzerWhen we first meet Sophie Maes (Megan Fox), she says she is a vegetarian and would never wear fur, yet we see her at the party towards the end of the movie wearing what looks like a real fur shawl. However, this is most likely a testament to how movie stars sell out their beliefs when they become famous.
- Zitate
Sidney Young: [to his father] You thought Brad Pitt was a cave in Yorkshire.
- VerbindungenFeatured in Film '72: Folge vom 23. September 2008 (2008)
- SoundtracksThe Drinks Taste Better When They're Free
Written by Liam Howe, Ian Mack & Hannah Robinson
Performed by Electrovamp
Courtesy of Universal-Island Records Ltd
Under licence from Universal Music Operations
Published by Copyright Control/Right Bank Music UK Ltd/Native Songs
Produced by Ian Mack & Paul Middleton for Right Bank Productions Ltd
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Cómo perder a tus amigos
- Drehorte
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Box Office
- Budget
- 28.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.778.752 $
- Eröffnungswochenende in den USA und in Kanada
- 1.430.294 $
- 5. Okt. 2008
- Weltweiter Bruttoertrag
- 19.152.009 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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