Nach einem seltsamen und unsicheren Flugzeugabsturz gelangt ein ungewöhnlicher giftiger Virus in eine malerische Bauerndorf. Ein junges Paar wird unter Quarantäne gestellt, aber sie kämpfen ... Alles lesenNach einem seltsamen und unsicheren Flugzeugabsturz gelangt ein ungewöhnlicher giftiger Virus in eine malerische Bauerndorf. Ein junges Paar wird unter Quarantäne gestellt, aber sie kämpfen mit Hilfe von ein paar Leuten ums Überleben.Nach einem seltsamen und unsicheren Flugzeugabsturz gelangt ein ungewöhnlicher giftiger Virus in eine malerische Bauerndorf. Ein junges Paar wird unter Quarantäne gestellt, aber sie kämpfen mit Hilfe von ein paar Leuten ums Überleben.
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The overall story and theme reminded me of the classic thrillers of the 70s, so it came as no huge surprise when I learned that this was a remake of a 70s George Romero flick. By comparing it to 70s thrillers I mean to say it's the story of a lone protagonist or small group fighting against a grossly overpowering enemy. This sort of "hopeless underdog" theme was probably a result of the political climate of the 70s, when people were waking up and realizing that our beloved guv'meant and friendly corporations were sucking us dry like a 2 hour old wad of Bazooka Joe bubble gum. So this distrustful awakening spawned excellent conspiracy flicks like "Coma", "The China Syndrome", "The Andromeda Strain" and "The Stepford Wives" which flew in the face of the traditional tale of a superhero good guy vs. a clear and present danger, instead showing a more disturbing scenario of a protagonist at the mercy of a far more insidious and often faceless enemy.
What, you're saying? Then who's the dude with the pitchfork? Well broadly speaking, again as you might guess from the title, the enemy is an entire town gone crazy. That's what makes this hit home. With the enemy being our neighbors and friends, it's not like we're threatened by a fantasy 2-headed space beast. Instead the threat is something that exists around all of us. As the actors mention in the "behind the scenes" DVD feature, this is the terror of something safe & familiar which is turned upside down.
In that respect it reminded me of another excellent thriller, "The Strangers" about an ordinary couple terrorized by ordinary people in very un-ordinary ways. Again, no supernatural monsters or (as my title says) no "zombies" are required to instill perfect fear. This is the sort of movie that'll leave you thinking "wow, that really COULD happen." That's the mark of a truly terrifying story.
The acting is fantastic, and although I had never seen any of these people on screen before, I instantly liked every one because they seemed so real and personable. My favorite character was "Russell" who plays a harmless sheriff's deputy, but as the film gets darker, he too becomes more fidgety and cynical to the point where you're not sure what's going on in his head.
Special effects are really good. No obvious cgi garbage. Yes, the film crew really did roll a few trucks and trash a few streets to make the carnage authentic. Makeup also is really convincing, so much that it's more disturbing than the actual gore (which surprisingly there isn't a whole lot of; most of the violence is handled quickly from creative angles that pump up your imagination).
Entertainment value: 10/10. This flick hits you from the very first scene and keeps the suspense rolling through the whole thing. The scares are well placed. Things remain tense without the need for unnecessary kitschy horror clichés... although there's at least one scene where the movie isn't afraid to make fun of itself a little. I'm talking about the over- the-top bone saw scene which was as much comedy as it was horror. Lots of reasons to see this movie so go out and rent it already. You'll never see your neighbors, or pitchforks, the same way again.
I usually hate remakes, but "The Crazies" (2010) is a rare case when the remake is better than the original film of George Romero. The tense plot is slightly different from the original story of 1973 that reflected the paranoia of those years of Cold War. Further, the plot focuses in the personal drama of David and Judy and not in the military action like in the 1973 movie. The screenplay, direction and performances are above average and this film worth watching. My vote is seven.
Title (Brazil): "A Epidemia" ("The Epidemics")
Usually, in zombie movies or "OMG it's a horrible disease that spreads quickly!" movies, the characters wait around until the story forces them to act. But not in this movie! This movie's protagonist takes the initiative, he isn't waiting around to be killed once he gets the gist of things. He starts off trying to help legally, and then resorts to the illegal.
He was & is a well written character, his actor was fine as well but not something too amazing or interesting.
Pros:
Well written protagonist & support Cool and somewhat realistic plot Well done action scenes
Cons: It takes a bit of time 'till the story kicks in, but I believe it's worth the wait
If you've seen the other remake of George A Romero's 'Dawn of the Dead (2004)' then you should kind of know the 'look and feel' of the Crazies' remake. It sort of feels like a compendium piece to Dawn's remake, even down to having a Johnny Cash song over the opening credits.
We have a place crashing a toxic chemical which gets in a small American town's water supply, making everyone start killing each other. Naturally the Government is on hand to generally mess things up for the hapless townsfolk who have already started to murder each other in various grisly ways.
The story follows the sheriff, his doctor wife, his deputy and another girl as they desperately try to flee the town while being pursued by nut-jobs, the government and the paranoia that one or more of them may well be infected.
It's not the most mind-blowing of premises, but it does the job. It's not original enough to really stand out. I suppose the most different aspect to it is that the 'infected' or 'non-zombies' (or whatever you want to call them) do still retain enough intelligence to generally act a little difference to your average undead menace (you don't get too many zombies driving cars and firing shotguns at our heroes!).
If you're generally into your zombie movies then this one will do the job. It has enough of a budget to raise it above the bucketload of B-movies who are using the 'zombie craze' to sell itself and the cast, although nothing out of the ordinary, do enough to make us root for them.
Nothing too memorable, but nothing too awful and will certainly entertain any horror fan for an hour and a half.
Wusstest du schon
- WissenswertesLynn Lowry: Co-star of Crazies (1973), of which this film is a remake, is an infected local riding a bicycle through the deserted center of town.
- PatzerMunicipal drinking water isn't used for massive irrigation in a farm community. The Mayor refused to allow the drinking water to be shut off, in part because he says it would kill the crops.
- Zitate
David Dutton: Don't ask me why I can't leave without my wife and I won't ask you why you can.
- Crazy CreditsA scene concerning the fate of Ogden Marsh appears during the closing credits.
- VerbindungenFeatured in Trailer Failure: The Tooth Fairy, Crazies and New Moon (2009)
- SoundtracksWe'll Meet Again
Written by Ross Parker and Hugh Charles
Performed by Johnny Cash
Courtesy of American Recordings and The Island Def Jam Music Group
Under License from Universal Music Enterprises
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- El día del apocalipsis
- Drehorte
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Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 39.123.589 $
- Eröffnungswochenende in den USA und in Kanada
- 16.067.552 $
- 28. Feb. 2010
- Weltweiter Bruttoertrag
- 54.806.823 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1