Penny Dreadful - Per Anhalter in den Tod

PD misses a lot of opportunities to scare or even freak you out. It has a great set-up, a devilishly simple set (mostly one car) and a bad guy who likes people-ka-bobs... so the scares are a sure thing...right? Nope. Unfortunately for the stellar cast, the movie makes every necessary effort to ruin surprises, cut to the wrong camera shot at the climactic moment, and follow every scary movie cliché there is. We have the "anybody there" moments, the "is that you" line every time the character speaks, the lovers doing it in the back and the great supporting cast that has no use but to fill body bags. Horror for horror sake is a good thing, but this film doesn't capitalize on its confined claustrophobic space, nor does it keep the tension that it could have. Camera shots are cool, but over used and usually not in the right spaces. Even the final scary sequence fails to deliver, ending mid-scene as if the writer forgot to finish it. There is no bang. Mimi Rogers is wasted, as is most of the cast. The main character Penny does a good job, reacts wonderfully... even when there is nothing scary even going on. Without any offense to the actors, or movies in which are set in one location (I love those) this movie is not worth the full price. I saw it to support the Horror fest national film festival... a suggestion for next year... how about a group rate (all 8 movies for one admission?).

This is the first time I summarized a movie. I thought that this may have gone under the radar and I would be the first. Still, the movie made enough of an impression so that I would write a review anyway.

I think the better horror movies are those that are closer to reality and Penny Dreadful is much more real than most in the genre. I really liked the tension and suspense and cat-and-mouse game. I ran into this on the Sci-Fi channel and was pleasantly surprised that it wasn't the run-of-the-mill shock schlock. I think the writer(s) should be applauded for a pretty original script rather than the pure gore we receive so much today. If you're a horror fan, I'm sure this would make your top 50 list, if not 40.

Horror happens always at night, in abandoned places, when no one is around to help, to see, to witness. Horror happens to only a few of us, the ones who are innocent already, the ones who are weak, the ones who are helpless. It seems that evil is a coward-entity, chickens out on places with many people and strong people and real adversaries. Evil is simply afraid, mushy, and has no integrity whatsoever. May that be how it is, Penny Dreadful is a film where this happens exactly by the book. By this I don't mean to put the film down. In the contrary. PD is an awesome story about to helpless women caught in the darkness, alone, and exposed to evil, or en evil entity. I had a great time watching this film and it scared the crap out of me. I love Mimi Rogers and felt the whole cast was doing a great job. I recommend this film to anyone and hopefully it will come out on DVD and I'll get me a copy of it. Go see it, it is scary!

Quite a large number of people recommended "Penny Dreadful" to me recently, and even though it's definitely not a terrible little film, I sure wished the descriptions of the story would have been a bit more accurate and the film itself would have been a tiny bit better. It's really not a horrific thriller in the tradition of "The Hitcher" simply because it features a maniacal hitch-hiker and it's definitely not reminiscent of "Wrong Turn" because it is set in the woods. "Penny Dreadful" is not much more than a simplistic backwoods slasher with a couple of ambitious themes (like the childhood traumas & phobias) and a couple clever and effective low-budget cinema tricks, like a minimum of filming locations. Adorable young Penny witnessed her parents dying in a car crash at young age. Ever since that day she's petrified of cars and that phobia prevents her from building up a normal life, for example dating the hunk in her apartment block. When the movie starts, she and her psychiatrist (Mimi Rogers) are driving towards the place where the accident happened, to get therapeutic closure once and for all. But Penny's fear for cars will get a lot worse before it gets better, because the two women pick up a sinister and uncanny hitch-hiker. The individual behaves odd but harmless at first, even offering the ladies a tasty-looking kebab, but pretty soon Penny is locked inside the car and trapped between two trees, and with her phobia of cars that is really not a nice place to hang out. "Penny Dreadful" benefices from an overall unsettling atmosphere and a couple of nail-biting suspense sequences, but the film is too long and it's impossible for director Richard Brandes to hold the viewer's attention throughout the entire playtime. Perhaps the film, and particularly the scares, would have worked better in a short format, like an episode of "Masters of Horror" or something. Now several scenes feel dragged and tedious. The denouement is rather stupid and only confirms that "Penny Dreadful" is just an average by-the-numbers slasher, because all the mystery surrounding the murderous hitcher has suddenly vanished. It's not a very gory movie, but the few make-up effects are competently achieved and quite freaky. The cinematography is probably the best aspect of the entire movie, as Joplin Wu's camera makes the ominous woods at night look even more menacing and inescapable than they already are.

Penny Dreadful is an interesting film. It's simplistic and executed for most of it's 98 minute running time intensely. But it drops the ball so drastically in it last quarter that the film almost falters completely. No doubt the most entertaining of the three it tells the story of a young girl named Penny whom witnessed her parents dying in a car accident. Growing up some years later she has a fear of cars and is taken by her psychiatrist up to the mountains to confront this fear head on at the place it happened. However upon reaching their destination they accidentally hit a grotesque hitchhiker and upon dropping him off are left stranded in the middle of nowhere after he attacks the car. With a blown off tire, no cell phone reception and a busted ankle Penny is left to fend for herself against the homicidal maniac. The concept is simple and scary imagined being entrapped in such a small space and terrorized. People of course come to help and are brutally slain. Some of the suspense sequences work wonderfully well from the camouflaging of the killer, to noises and sounds in the night. Rachael Miner's performance as Penny is multi layered and award worthy. The film has some nice supporting nods to from Mimi Rogers and others. The Direction is decent and promising while the score and cinematography are top notch and quite impressive. The films problems are simple pacing, it gets a little long in places, the killer he should never be aloud to speak and the final act. What seems to be racing towards a crazy finale ends up reaching it boiling point early and never erupts. The finale is weak and predictable and because this is such a simplistic movie it's hard to understand why they couldn't have executed a standard finale with the same intense gusto they had been demonstrating throughout. In the end Penny Dreadful is engaging, entertaining and delightfully creepy but with further tweaking we could've had a horror classic on our hands.