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Black Christmas

  • 2006
  • 18
  • 1 Std. 35 Min.
IMDb-BEWERTUNG
4,7/10
32.223
IHRE BEWERTUNG
Michelle Trachtenberg in Black Christmas (2006)
Theatrical Trailer from Weinstein Co.
trailer wiedergeben2:06
1 Video
99+ Fotos
Horror bei TeenagernSchwarze KomödieSlasher HorrorEntsetzenFeiertag

Am Heiligabend kehrt ein entflohener Wahnsinniger in sein Elternhaus zurück, das heute ein Verbindungshaus ist, und beginnt, die Verbindungsschwestern einzeln zu ermorden.Am Heiligabend kehrt ein entflohener Wahnsinniger in sein Elternhaus zurück, das heute ein Verbindungshaus ist, und beginnt, die Verbindungsschwestern einzeln zu ermorden.Am Heiligabend kehrt ein entflohener Wahnsinniger in sein Elternhaus zurück, das heute ein Verbindungshaus ist, und beginnt, die Verbindungsschwestern einzeln zu ermorden.

  • Regie
    • Glen Morgan
  • Drehbuch
    • Glen Morgan
    • Roy Moore
  • Hauptbesetzung
    • Michelle Trachtenberg
    • Mary Elizabeth Winstead
    • Lacey Chabert
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,7/10
    32.223
    IHRE BEWERTUNG
    • Regie
      • Glen Morgan
    • Drehbuch
      • Glen Morgan
      • Roy Moore
    • Hauptbesetzung
      • Michelle Trachtenberg
      • Mary Elizabeth Winstead
      • Lacey Chabert
    • 371Benutzerrezensionen
    • 204Kritische Rezensionen
    • 22Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Videos1

    Black Christmas
    Trailer 2:06
    Black Christmas

    Fotos232

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    Topbesetzung36

    Ändern
    Michelle Trachtenberg
    Michelle Trachtenberg
    • Melissa
    Mary Elizabeth Winstead
    Mary Elizabeth Winstead
    • Heather Fitzgerald
    Lacey Chabert
    Lacey Chabert
    • Dana
    Katie Cassidy
    Katie Cassidy
    • Kelli Presley
    • (as Katie Cassidy)
    Kristen Cloke
    Kristen Cloke
    • Leigh Colvin
    Andrea Martin
    Andrea Martin
    • Barbara 'Ms. Mac' MacHenry
    Yan-Kay Crystal Lowe
    Yan-Kay Crystal Lowe
    • Lauren Hannon
    • (as Crystal Lowe)
    Oliver Hudson
    Oliver Hudson
    • Kyle Autry
    Karin Konoval
    Karin Konoval
    • Billy's Mother
    Dean Friss
    • Agnes - 16 & 22 Years
    Robert Mann
    Robert Mann
    • Billy Lenz - 20 & 35 Years
    Jessica Harmon
    Jessica Harmon
    • Megan Helms
    Leela Savasta
    Leela Savasta
    • Clair Crosby
    Kathleen Kole
    • Eve Agnew
    Cainan Wiebe
    Cainan Wiebe
    • Billy Lenz - 5 & 12 Years
    Christina Crivici
    Christina Crivici
    • Agnes - 8 Years
    Howard Siegel
    • Lover…
    Peter Wilds
    • Frank Lenz
    • Regie
      • Glen Morgan
    • Drehbuch
      • Glen Morgan
      • Roy Moore
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen371

    4,732.2K
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    Empfohlene Bewertungen

    5alanmora

    Yet another VERY disappointing "Re-make"

    I had very high expectations for this film. I thought that this might be the one "Re-make" that is the exception because of the involvement of the original film maker, Bob Clark, serving as assistant producer. BOY was I wrong!!! There are some exceptional murder sequences in this flick but that is not enough. Once again, as is the case in so many "Re-makes" the storyline has been almost completely changed! The producers do not seem to realize the elements that made the original film scary in the first place which are now missing! Such as the fact that, in the original you were never quite sure who the killer was and they never revealed it. Now not only do they reveal it, but they add an entire background that is so laughably unbelievable that it dilutes the film's ability to frighten the viewer. The over-the-top gore sequences alone do not make for a frightening movie and the "twist" ending is quite laughable! What they add to the ending of this movie is utterly ridiculous and absolutely unnecessary! Aside from exceptional gore effects, the only other saving grace is the presence of Andrea Martin from the original film as Mrs. Mack but they should have really tried harder to make the characters from the original more like those in the original...and the phone calls, a crucial element to the terrifying experience of the original, are absolutely laughable! Skip this one and watch the original.
    7kevin_crighton

    enjoy, but don't take seriously!

    Earlier this year, I tore the re-make of When A Stranger Calls apart, and said at the time, that if Hollywood won't bother making new horror movies, but instead simply re-make old or foreign ones, then just stop. I stand by that.

    However...

    Black Christmas actually surprised me. First, it was actually a lot more brutal and violent than I was expecting, considering it's 15 rating (UK). The other, was the way it re-worked the original.

    The original, which I haven't seen for awhile was as much a whodunit as anything else. Here we're spared that. We know pretty much from the start who is killing here.

    What the makers have done, is simply turn the story into a stalk and slash movie, which as I said is quite brutal in areas. For me a movie of this type stands or falls not on the killer or how they kill, but on the potential victims in the story. If you care about them, then you feel bad they are killed. If you don't, then give me an axe, I'll do it myself!! Black Christmas does enough to make you care about each character, by making each one a little different, but yet, having enough in character to make you believe they could get along normally. So when the killing starts, you do care about them, and begin to wonder who, or how many will make it to the end alive.

    The death scenes are well set up and done, which isn't surprising considering the makers also did Final Destination 1 & 3. If I have a problem with them is that the film is maybe a little over-edited so at times, you aren't sure if certain characters have been killed or not.

    This movie has been getting a critical mauling in certain areas. But I found on watching it, that it's fun, enjoyable, with a black(!) sense of humour, some very nice looking actresses in it!, and for it's (admittedly short) running time very entertaining. And when I go to see a movie like this, that's what I want.

    Enjoyable late-night fun.
    6reeceicy

    Put On Your Safety Glasses!

    Whoa. This is one of the gnarliest, nastiest, most gratuitous displays of violence I have ever seen! And I loved every minute of it! Going into this I was expecting very little due to the piss poor ratings, but the original is one of my favorite slashers of all time so I had to watch it. They absolutely nailed the Christmas vibe with the glowing lights, the booze, and the constant downpour of fake snow. As messed up as it is, I've always found the houses in both movies to be very cozy/comforting. The mid 2000's are on full display here as the blood and guts are amped up to highest degree. This movie has some of the most brutal, bloodiest, gruesome deaths put to screen. Unfortunately the ambiguity element is absent from this version and everyone involved knows who's on the other end of the killings. Did the backstory of billy need to be explained? Did he need to be yellow? Can we chill on the eye gouging? No, but I thought they did a decent job for what they were working with. From a film standpoint there are obvious gripes, but from a slasher perspective what's not to love?!
    6gavin6942

    A Modestly Flawed Remake of the Bob Clark Classic

    Many years ago, a mistreated boy named Billy Lenz slaughtered his family in a one-house killing spree. Not surprisingly, this had him committed to an asylum. Since then, his house has been converted into a sorority house. And this Christmas, Billy wants to be home with his family to celebrate.

    Let me say a few nice things before I start venting. First, I have to say I must have been a very good boy this year because I can't recall such an attractive cast in the recent past. Three of my all-time favorite young ladies show up here: Michelle Trachtenberg ("Eurotrip"), Lacey Chabert ("Pleasure Drivers"), and Mary Elizabeth Winstead (numerous recent horror films, including "Final Destination 3"). It was quite the visual feast!

    I also enjoyed the inclusion of Andrea Martin as Ms. MacHenry, the house mother. Martin was one of the college girls from the original film and I think it's important to pay some sort of tribute like this (as well as the use of "Clark Sanitarium"). She was a good pick, better than Margot Kidder.

    And the use of incest and cannibalism is always a plus (both of which were absent in the original)... and the gore was decent (though not great) with the constant eye-gouging thanks to a glass unicorn. I do love unicorns, as my embroidered unicorn pillow might suggest. While I do not think it was intentional, I appreciate how the unicorn reminded me of another great classic, "The Abominable Dr. Phibes".

    But let's start the ripping: Glen Morgan was probably the wrong guy to direct this. He brought along cast members from his prior films (again, such as "Final Destination 3") which was fine, but seemed to put very little thought into any of this. And his films have more of a teenager quality to them, making even the gore, incest and cannibalism seem very youth-oriented, if that makes any sense. R-Rated or not, this was meant for teens to watch. He could have really stepped it up a dozen notches.

    The girls get little or no personalities. I don't think I learned half of their names and had difficulty keeping them straight. Maybe reduce the number by one or two so we could at least see them for ten minutes? On the flip side, the film focused almost entirely on Billy Lenz, providing his entire back story. The original never touched on this at all, which made him creepier and more mysterious. Here, there's nothing strange about him (besides the yellow skin and eyes, which play no importance). Obviously, Morgan never learned the secret of good horror: don't show the killer.

    Furthermore, they wasted the character of the boyfriend Kyle (who was named Peter in the original). Here, he is briefly thought by the girls to be the killer, but the audience knows the whole time that he's not. In the original, you never know whether or not Peter is the killer (in fact, many people who watched all the way to the end still aren't sure). If Kyle isn't a red herring, and his only purpose is to bring up some sex tape which was not important to the story (despite being shown again and again), then what the hell was he doing in the movie at all?

    Other great elements from the original were toned down: the police station scenes, the drunk girl (who now passes out right away). And a shower scene was added, but no explicit nudity, making it almost a complete waste of time.

    I'll stop before I start frothing at the mouth. Because, seriously, I was let down. Don't get me wrong, I really enjoyed this movie, but it was clearly the teen remake (not unlike the newer "When A Stranger Calls"). If you need a fix of girls getting strangled with a plastic bag and stabbed in the eye (and that's really all you'll see), check this out. Otherwise, you'll find plenty of great slashers out there on the video shelf. And, of course, you simply cannot beat the original "Black Christmas", one of the best horror films ever made.
    4juliamacon

    Colorful and Silly Christmas Slasher

    If Black Christmas gets anything right, it's the colorful Christmas inspired lighting and photography. It's hard not to feel a little festive as the camera moves in and around the hallways of this sorority house covered with all sorts of colored lights as jaunty Christmas music plays in the distant background. It's only a shame this well crafted atmosphere isn't in service of a better movie.

    Black Christmas is a remake of the 1974 film of the same name that involves a psychotic killer sneaking into the attic of a sorority house over Christmas break and tormenting the inhabitants with obscene and terrifying phone calls before killing them one by one. This is, more or less, the same set up for this film except, where the original featured a cast of interesting and well developed (certainly by slasher standards) characters, this film features an attractive group of young women who mostly look so much alike that you can't remember who's dead and who's not.

    The killer, Billy, is unwisely brought out of the shadows and given a full sob story about an abusive mother who loved his sister more than she loved him, which caused him to go on a homicidal rampage many years prior. For some reason, he has a thing for plastic bags and ripping eyes out so, if you're into that, you're in luck - that's how he dispatches of pretty much every character in the film except for one death where a stray shard of ice does the dirty work for him.

    It's hard to figure out what the creators of this film had in mind. It's long been rumored to have had serious studio interference, but the tone is all over the place. Is this supposed to be quite so campy? In the end, it doesn't work as a slice of slasher cheese, a full blown comedy, or a serious horror film.

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    Handlung

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    • Wissenswertes
      Andrea Martin, who played Phyllis in Jessy - Die Treppe in den Tod (1974), said in an interview that she hadn't thought about "Black Christmas" for 32 years and it "came out of the blue" when Glen Morgan offered her the role as the house mother in the movie.
    • Patzer
      Melissa explains to Heather that Billy is not a serial killer because he didn't murder for sexual thrill and is instead a spree killer because he lost his mind. She's not entirely correct, the only difference between a spree killer and a serial killer is the lack of a "cool-off" time. A spree killer is someone who kills multiple people at one time or in quick succession while a serial killer is someone who kills multiple people in distinct incidents. Although Melissa is right that Billy is a spree killer, she doesn't have the correct reasoning.
    • Zitate

      Lauren Hanon: Christmas is more about warding off evil spirits than Halloween. What Christmas shit in this room resembles anything Christian, huh? It's all neo-pagan magic. Christmas tree, a magical rite ensuring the return of the crops. The mistletoe is nothing but a conception charm. Fifth century Christians jacked a Roman Winter Festival - twelve days in December when the nights were long and the Earth was ruled by the demons of chaos. And fucking Santa Claus? This fat voyeur that watches you all year long to make sure you live up to his standards of decency before breaking into your house. And that is different from what Billy did, how?

    • Crazy Credits
      The final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release.
    • Alternative Versionen
      The European version features different and more violent kills and the complete hospital showdown has been re-cut completely.
      • In the European version Billy dies on an operating table as doctors try unsuccessfully to revive him.
      • Leigh (Kristen Cloke) is taken to the morgue to ID Agnes and finds Clair's (Leela Savasta's) remains in the body bag marked for Agnes. Leigh returns to Kelli's ('Katie Cassidy''s) room to find Agnes hiding in the bed pretending to be her. Agnes attacks Leigh and snaps her neck. Kelli returns from getting X-rays done, is attacked by Agnes and kills her by shocking her to death with a defibrillator.
      • Kelli is picked up by her parents and leaves the hospital and the camera zooms in on a PEACE ON EARTH sign hanging on a door.
      • In the US version Billy drops down through a ceiling tile after Agnes is killed and chases after Kelli. Kelli breaks the window to her room and runs out into the hallway with Billy close behind. He fights with her before ending up falling over a railing and being impaled on the star on top of a Christmas tree in the lobby below.
    • Verbindungen
      Edited into Black Christmas: Deleted Scenes (2006)
    • Soundtracks
      Dance of the Sugar Plum Fairy
      (from "The Nutcracker")

      Music by Pyotr Ilyich Tchaikovsky (as Pyotr I. Tchaikovsky)

      Courtesy of 5 Alarm Music

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. Dezember 2006 (Deutschland)
    • Herkunftsländer
      • Kanada
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Gritos en la oscuridad
    • Drehorte
      • Vancouver, British Columbia, Kanada
    • Produktionsfirmen
      • Dimension Films
      • 2929 Productions
      • Adelstein-Parouse Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 9.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 16.273.581 $
    • Eröffnungswochenende in den USA und in Kanada
      • 3.723.364 $
      • 31. Dez. 2006
    • Weltweiter Bruttoertrag
      • 21.510.851 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 35 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 2.35 : 1

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