G8 auf Wolke Sieben

Lawrence, an aide to the Chancellor of the Exchequer, appears to be a confirmed bachelor. This is a man that lives for his job that evidently keeps him away from the realities of life. Lawrence gets more than what he bargains for when he enters the cafe, at the beginning of the film, and asks Gina, who is minding her business, whether he can share her table to drink his tea.

Thus begins this romantic comedy with political overtones directed with great flair by David Yates and based on a screen play by Richard Curtis, a writer who knows a thing, or two, about human relations, as demonstrated by his previous work.

Lawrence and Gina, for all appearances are a mismatched pair. He comes from a different world, but has no social graces. She, on the other hand, seems to know a lot more about life than he does. It's easy to see why Lawrence falls head over heels in love with this shy and decent girl who surprises him, and the diplomatic team attending the G8 conference in Reykjavik, Iceland. Lawrence, on an impulse, decides to invite her to come along.

The only thing that Mr. Yates and Mr. Curtis haven't prepared us is for the way Gina, a shy and quiet woman, will raise to the occasion to tell her views to people that couldn't care less, much less would have asked her for her opinion of what's being negotiated in the summit.

Bill Nighy gives a splendid performance as the repressed and reserved Lawrence, a man who can't see beyond of the international diplomacy that consumes his life. Kelly MacDonald makes a wonderful and sweet Gina, a poor girl who has a lot to give. Both actors are wonderful playing together. They made us believe in their love and we are happy they found one another.

Highly recommended for viewers that appreciate a subtle comedy with its heart in the right place.

A beautiful and moving film. I didn't know what it was about as the trailer didn't reveal much other than the relationship between Nighy and McDonald so I was thinking it was just a gentle love story, a British 'Lost in Translation'.

But what transpired was so much more than that. I thought the way the enormous issue of global poverty and the few people who hold the political power to affect change was dealt with intelligently and sensitively and interwoven poignantly with the strange romance developing between the two leads.

I'm not too familiar with the background of the film but I would hazard a guess that the seeds of the project were sown when Richard Curtis wrote 'Love Actually' which included a subplot where the British PM (Hugh Grant) publicly opposed policies brought forward by the American president (Billy Bob Thornton).

Since 'Love Actually' was a light-hearted romantic comedy, the politics were never elaborated on but I'm sure that 'The Girl in the Cafe' was the opportunity for Curtis to put this topical issue into terms that anyone could understand and empathise with. The timing, of course, is impeccable, with the G8 summit to be held in Scotland within 2 weeks and widespread attention of the summit brought to the masses by Sir Bob Geldof and the simultaneous Live 8 series of concerts.

It goes without saying that the performances of the two leads are spot-on, Bill Nighy is the king of understated pathos as Lawrence and Kelly McDonald is gracious as the mysterious but steely Gina.

The film is shot in (literally) cool locations and makes a fantastic ad for the chilled aloofness that is Reykjavik.

But at the heart of this love story are the nameless, faceless millions who suffer daily and the ease with which this fact is taken as statistic. Africa has never before been on the forefront of social issues as it is today and to anyone who might be under the impression that poverty is an issue for politicians to sort out around the conference table, 'The Girl in the Cafe' is a potent reminder that the power to affect change is more immediate than we might think. Superb.

Make Poverty History

This movie is all about plot and character development. The two principal characters have a lot of depth. We learn more personal information about them and what motivates them as the story unfolds. The main male character was profoundly lonely and the enigmatic young woman was quite fascinating. The plot has a very compelling message about severe poverty and the toll it takes on some of the world's population.

This film resonated with me. I am still naive enough, at 45 years of age, to think that people or a person can make a difference. In spite of the daily realities we all face, I think it is important for people to at least feel that what they do matters. This movie sold that message in a way that had no hint of being superficial or patronizing.

The only criticism of the movie is the pace. It is a slow pace, but I found the plot interesting enough that it didn't detract. I am interested in global politics, and I found that part of the movie interesting in spite of the pace. My wife was bored with the pace and doesn't share my enthusiasm for the movie.

If you are interested in global politics and like movies with a strong character focus, this is a good one. If you need an energetic pace to your film, this movie suffers a bit.

Written to coincide with the Africa Lives series on the BBC and also the current Make Poverty History campaign, 'The Girl in the Cafe' is a superlative TV drama that makes its political points without resorting to grandstanding or heavy-handedness.

Played to absolute perfection by Bill Nighy and especially Kelly MacDonald, and written by Richard Curtis with his usual wry wit, this drama places a socially aware Everywoman in the same room as the world's most powerful politicians at a fictional G8 Summit in Reykjavik.

The blossoming romance of the two leads and the politics of the summit develop in perfect tandem, neither allowed to undermine the other. It is to Curtis's credit that he does not seek to provide an easy way out for any of the characters, nor does he wrap everything up in a neat bow at the climax.

This is one of the most accomplished TV dramas I have ever seen, and I can only hope that it achieves the profile elsewhere that its creative team and, more importantly, its message deserves.

Two films in one Jekyll and Hyde package. A marvellous performance by Bill Nighy well supported, or rather, accompanied by Kelly Macdonald. The rest of the cast seemed just right with their supporting 'pattern' characters.

The dialogue of the romance must have seemed odd to read but is made utterly believable by the main players. Great writing.

The bad part is the moral message. Clumsy, lumpen, mawkish. If it were possible to put on film the sentiment behind the 'humanity' interest as well as was done with the love interest then it would have really been something. It was a sledgehammer trying to move a continent - with about as much of a lasting effect on those who were actually taken in by it in the first place.

Switching from a beautiful and believable story of two lonely people to Sesame Street mentality scenes at a G8 conference doesn't spoil it completely, it's well worth seeing. You just know when to zone out to avoid the PC bits second time round.

Marvellous but flawed and not marvellously flawed, which is a pity.

Well worth several viewings.