Danger Close - Die Schlacht von Long Tan

I volunteered on 28 Oct 66 and did not make Vietnam until 1967-68. I only saw a hand full of Diggers.

During the battle of Long Tran, 108 Australian and New Zealand soldiers held off a North Vietnamese force of over 2000. 18 Australians and an estimated 245 Vietnamese lost their lives.

The terrain and the artillery pieces looked quite different as they are shown in the movie. Filming Locations: Village Roadshow Studios, Oxenford, Queensland, Australia. The SLR rifles looked real, but the M16s were not E-1s or E-2s; actually, the 16 rifles were not introduced to the Australian Army until 1967. You could use the flash suppressor of the E1 to break the bands on "c-ration" cases. I still have an AR15.

However, this is a movie, and it does not have to be factual. It is the people integration that makes or breaks this movie for the viewer. Oh, yes and there is a lot of action for those that like a lot of action.

Talking about action, we get an APC charge that looks like Tarzan and the elephants at the last minute. The only problem with that is that no one would be caught in an APC. We always rode on top (usually including the driver) as one good RPG shot would burn a good two-inch hole in the aluminum hull on its way through. I had to clean up body parts from an RPG that went through the driver and into the engine compartment taking a lot of drivers with it.

The U. S. military was not as professional at the time, but they were disciplined and not arrogant as the soldiers in this movie are portrayed.

You get to hear "These Boots Are Made for Walkin'" Artist: Nancy Sinatra Release year: 1966

"He's my Blond-Headed, Stompie-Wompie, Real Gone Surfer Boy" (1964) Emmy Dougall played the singer Little Pattie

Also, you get to hear "I was only 19 (a Walk in the Light Green)" by John Schumann.

In memory of those members of D COY and 3TP IACP Sqn who gave their lives during the Battle of Long Tan on 18th August 1966.

To make the movie entertaining they added fictional characters and incidents.

Be sure to watch the credits.

The movie took a little while to get to the action, making the beginning a little boring; they also didn't add in any background story to the main characters in the film, which down graded it a little more. But Once the movie picked up and you got to the battle scenes it turned into a good war film. It was very intriguing to know that this was based off of a true event that happened. Knowing that it was true made it worth while to watch. The filming was great and the actors were extremely believable. The war scenes were greatly filmed and action packed as the explosions and gun fire looked extremely real. It's defiantly worth a watch if you like war movies.

A lot more soldiers have been killed in single battles in other wars, but not boys from a nation so young as ours was in Vietnam, August 1966. Director Kriv Stenders honed his craft in 20 years of Australian television before tackling the sticky subject of our involvement in the Vietnam war, for the big screen. The story he chose, the battle of Long Tan, eptiomises the mess Vietnam was for anti-communist allied military.

Our small number of troops had no fighting experience in the terrain and climate of south east asia. Our government instated conscription to find the troop numbers it was tasked with sending, in support of the U.S., New Zealand, and a handful of developing anti-communist asian countries. North Vietnam (communist Viet Cong) were well equipped by the U.S.S.R. and China, and knew their battle ground well. This battle of Long Tan story isn't a turning point in the war. It is a frightening reality of how close fragile human beings are to catastrophe when battlefield circumstances quickly change.

Stenders executes the story with a firm, professional hand from the outset. Ben Nott's camera work thoroughly enhances the atmosphere, character development and storyline. Visual and special effects were seriously well embedded in the action. Production values are excellent throughout. Sound and editing also deserve a special mention. While I felt he stunts got off to a slow start, once the director and cameraman found their stride, the impact of the firefights was ferocious and all too believable. This was no mean feat. A good two thirds of this movie is from the POV of young conscripts, pinned under heavy fire, surviving and surrounded by exploding artillery. Stenders manages to keep us sufficiently connected to the characters amid this deadly chaos, without resorting to usual battlefield cliche's. The result is gripping, and at times heartbreaking. And, much to Stenders credit, there isn't a wasted frame.

There are a lot of good performances rung in in this movie. Travis Fimmel nails his Majory Harry Smith role and captures the screen. This fella can act, and he knows what he gives the camera. He imbues each scene with appropriate weight and intensity. Richard Roxburgh is at the peak of his film acting powers in this one. He could have made his antagonistic Brigadier Jackson into a two dimensional character and gotten away with it. But he, too, shows his craft. He provides us solid glimpses of Jackson's conflict and humanity, trapped beneath the institution of his command.

I've said this in other reviews, and it holds true for this one. The supporting cast is uniformly good. I'm leaving many names out here that should be included, but just peruse the cast list for those not mentioned. They all equally deserve to be. Daniel Webber as the fresh faced Private Large, Nicholas Hamilton's Private Grimes,Mojean Aria's Second Lieutenant Gordon Sharp, Stephen Peacocke, Luke Bracey, Myles Pollard and Uli Latukefu, who stole scenes amid firing field artillery, show how well directed this movie is, and how much this story meant to the actors. That there was room in this film to lend the enemy a more human face is a small criticism given what is acheived. The battle of Long Tan was a frightening punctuation point in our history. While Stender's film reveals itself a study of courage under fire, it has taken Australia decades to fully understand the cost of sending these19, 20, 21 year old conscripts into battle. I hope we learn from history, this lesson is never to be repeated.

Went to the first public screening at the Sydney Film Festival tonight with members of my family and sat in the front row in a packed cinema. Director Kriv Stenders has taken a big undertaking in telling this highly recognised Australian and New Zealand battle of the Vietnam War that has however been long overdue in getting a major screen treatment. He has succeeded brilliantly. The film's relentless action and attention to detail are mixed in with moving scenes of young conscripts and volunteer soldiers grappling to stay alive in order to return to their loved ones at home. Much like Peter Weir's Gallipoli the mateship ethos shines in this movie. However, unlike that film, most of Danger Close concentrates on the battle itself, and what a technically amazing film it is in presenting and creating a visceral and tense atmosphere for the audience.The performances are excellent all round but particular mention must go to Daniel Webber as Private Paul Large, his moving portrayal of a young conscript struggling and battling courageously to help his mates and himself survive, while looking forward to returning home to his fiance and family is brilliant. As noted earlier the action in this film is relentless, from start to finish, however it never ignores the humanity and futility of war through the loss of life of many young soldiers. The roll call of ANZAC soldiers who died in the battle, noted at the end of the film with their ages, makes that abundantly clear. HIGHLY RECOMMENDED.

There's not much wrong with this film, but don't get taken in by the hyperbole in a lot of the reviews here. It certainly isn't a 10/10, and it isn't the greatest war film ever made - it's not even close to that. It's a solid, watchable film, about a real event that means a lot to Australian and Kiwi forces.

There's some decent action sequences, although I'd credit the Vietcong with slightly better tactics than simply running blindly towards automatic weapons, which seems to be the default for most of the film. You can also have fun ticking off the war film cliches - likeable character talking about what he's going to do when all this is over - check, man in desperate situation calling in fire support on his own position - check.

If you want an independent film that might actually be one of the greatest war films ever made, I'd strongly recommend Kajaki - this really isn't in the same league, good though it is.