Dominion: Exorzist - Der Anfang des Bösen

Exorcist: The Beginning was an ineffective film that contains everything I hate about current genre films: impatient editing and storytelling, lines of dialogue that stop just when some characters are about to actually say something, bombardment of CGI visuals and some seriously unnecessary gore effects that are akin to the movie-makers hitting the audience over the head with a Warner Brothers iron anvil normally reserved for their cartoon characters. What a nice surprise it was to finally see DOMINION on it's (unfortunate) limited run. Here is a movie that doesn't assume the audience is too stupid to actually sit down and take a story in without excessive music video stimuli. Here is a movie who's build-up is effective and will have many working hard to shake the uneasy feeling that, indeed, evil IS everywhere. There were some story elements from "The Beginning" that made no sense whatsoever. In this film - all is presented clearly, thoughtfully and much more unsettling (but it really hits you when the film comes to its climax). There is a scene in "The Beginning" where some crazed hyenas savage a character to shreds. Their appearance was curious and not presented as necessarily crucial to the film other than for one scene. In this film, just one look from them and you know right away they add to the whole atmosphere of the film. They are an ever present danger not only to the surrounding location but the always present evil watching humanity just out of sight and ready to attack when one is most vulnerable and alone. Another sequence featuring Father Merrin and Nazi soldiers is given a very clever, diabolic twist and adds MUCH to the notion of how the Devil deceives and tricks. In the other film, it's a scene where you know only that "this is what torments Father Merrin" - and that's it. Which is how this movie plays against Renny Harlin's "The Beginning" - an easy sell to the masses (it STILL didn't work). "Dominion" is a crafted piece where one single shot holds more story information than a 30 second sequence rife with vulgar, over-the-top digital effects. See this version - especially if believe that The Exocist story is actually more effective today than it EVER was.

I was among the lucky ones to see this film in Brussels too. Are you going to like this film or not ? Well it all depends on what you expect. As a horror film fan, for me there is no doubt : no one will ever make a better Exorcist film as William Friedkin's original. They can make 100 more exorcists, the 1st will remain the reference, it was innovating in many ways. Exorcist 2 took its best horror sequences from the first one. Number 3 was a cop movie. Now we have numbers 4 and 5 with the same story and even the same actors sometimes. So where is the difference ? I saw them both but I did not expect to see a better movie than the first. It is probably why I liked them both. So if you prefer horror, well see Harlin's one, it is a decent successor. And if you like Paul Shrader' s movies, I don't think you will be disappointed with his version, witch is softer but deeper. But please, as he said to the public before the film : forget everything you have seen about the exorcist movies before and watch the film with a open mind.

Many of you probably know the story behind this movie: the studio hired Paul Schrader to make a prequel of "The Exorcist" and once he finished it the executives decided that the audience wouldn't like it. So, the hired a mercenary and made him filmed the whole movie again and change the most of the cast. Obviusly the final product was nothing but rubbish and the takings weren't that good. Now, many of us wanted to see the Schrader version, and let me tell you that it's no big deal. It's actually darker and more dramatic than the one they released for the cinemas, but it's nothing to write home about. It's not even a horror movie, for it deals with the inner fight of Father Merrin and his doubts about the existence of God and stuff.

What's more remarkable about "Dominion" is the presence of Stellan Skarsgaard (what a voice!!) and the photography of Vicente Storaro (although some effects at the end of the film are not very classy). In short: it's a better film than the one the producers re-made, but still it's not what I expected from Schrader. It looks that he copes better with urban stories than with angels, demons, etc.

*My rate: 5/10

It's interesting that WB finally released this title - although a limited release - after shelving it then shelling out the money to have another director (an arguably lesser director) do it all over again. What did they thing Renny Harlin would give them that Paul Schrader hadn't? And if WB wanted a summer kid-flick-hit, what would make anyone with the power to sign a cheque think Harlin could do it? This Paul Schrader version is wonderful. It's intelligent, and probably the only follow up in The Exorcist franchise that succeeds on more than a monetary level. I'm not a Harlin fan - he directs without vision. But I think from a purely academic stand point, it will be interesting to pair up both versions - Paul Schrader's and Renny Harlin's - of this movie on DVD and see the differences of where an insightful director will go and how a limited director doesn't even how to get there.

Set in 1947, after surviving an encounter with Nazis in occupied Holland during World War II where he was forced to decide who would live and die (shattering his faith in the process), Father Lankester Merrin (Stellan Skarsgard) is on sabbatical from the Church having spent the intervening years as an archeologist at various digs in Africa. As Merrin excavates the remains of a Byzantine Christian church in the Turkana region of British Kenya, he is reluctantly directed by Major Granville (Julian Wadham) the overseer of the region to take along Father Francis (Gabriel Mann) to ensure the religious aspects of the find are respected. As the dig proceeds Merrin begins sparking the ire of the Turkana elders who are adherents of the old ways and believe the Church is cursed. Merrin also helps a physically deformed and mute outcast named Cheche (Billy Crawford) who has been shunned by the Turkana and hopes to help him with doctor Rachel Lesno's (Clara Bellar) assistance. As the site gets further excavated, an air of evil becomes to overtake the atmosphere.

Following the critical and commercial disappointment of the troubled production of Exorcist: The Beginning (in which nearly all of original director Paul Schrader's work was scrapped so Renny Harlin could produce an allegedly more "commercial" product), Morgan Creek met with Schrader about allowing him to assemble his own cut of the movie so it could be given a limited release. The studio only allocated $35,000 for the cut which meant that scoring, ADR, and the cinematographer couldn't be brought back meaning finding workarounds. The film was given a limited release of just only 100 theaters with little marketing, and went largely ignored at the box office making around $250,000. While critical reception was slightly improved from the Harlin version (with the exception of Exorcist author William Peter Blatty who warmly received it) many critics had the issue of a lack of fear from the film with its focus being more on a character piece. Dominion is a very flawed film undeniably, but it's also an ambitious one that for my money is worth a viewing.

With Schrader at the helm, the opening sequence where we see Merrin's encounter with the Nazis rather than the over the top crusader massacre of Exorcist: The Beginning is a much stronger opening as it creates a dramatic throughline for Merin as he struggles with the nature of evil as a grounded real-life presence in the world rather than an abstract demonic entity. This allows Merrin's experiences to come through more completely as he finds himself confronting a similar type of situation later in the film that helps build his arc in comparison to Exorcist: The Beginning where it was just sprinkled throughout randomly without much thought. The movie also features some different approaches to the supporting cast which make them feel more fully rounded as characters in comparison to Harlin's cut. Father Francis for instance (this time played by Gabriel Mann) is now something of a counterpoint to Merrin's character as we see him shaken in his faith from the same evil that drove Merrin away and he conveys that sense of tragedy quite nicely. We also have Billy Crawford as Cheche who wasn't in the Harlin cut and he gives much more emotional investment to the film than a character who served a similar purpose.

In many ways you can see Dominion as a complete flipside to Exorcist: The Beginning including the fact that where The Beginning was filled with over the top excess trying (and failing) to scare you, Dominion really is more of a slow burn drama that has a supernatural undercurrent rather than overt horror. Given the time the film was made in horror history where the output consisted of new "extreme" horror, polished Platinum Dune remakes, and Americanized remakes of Asian Horror popularized by The Ring, Dominion simply wouldn't have flown with mainstream audiences in a pre-A24 enviroment. That's not to say Dominion is on the level of an A24 film because it does have some undeniable issues such as the very flat "economical" post work that often makes the film feel more like an HBO 90s TV movie rather than a proper theatrical film which is no doubt a result of Morgan Creek refusing to authorizing funds to polish the end result. And while Dominion features less of the terrible CGI work in Exorcist: The Beginning, it still does rear its head even if there's less of it.

Dominion: Prequel to the Exorcist is a flawed film that doesn't reach the level of The Exorcist or even Exorcist III, but if audiences are willing to forgive the more sparing approach to its take on horror, fear, and evil they'll find an ambitious if lowkey character study with some actual ideas that makes up for its lack of polish. A marked improvement from the bombastic and empty excess of Exorcist: The Beginning.