Zozo

The story of a boy who's living in Beirut during the war, He and his family are waiting for their papers in order to leave Lebanon and seek refuge in Sweden.... The horrors of war and the way it affects civilians is shown in this movie and it won't leave you untouched. But even in the most serious situations there is room for jokes and you will alternate between crying and laughing.

This is one of the strongest movies I've seen! I've never admired any director or even known that they were alive until yesterday when I saw Zozo. With three great movies (this one is the best) Joseph Fares has shown that he truly masters the art of telling a story.

I sincerely hope this movie is translated into English and other languages and if it doesn't get nominated for best foreign movie something is not right.

Don't miss this movie!

All four of my grandparents hail from Lebanon so this warm and engaging film really hit home with me. I was never able to take my grandparents back to Lebanon because the civil war was going on. This film makes it clear how horrible and wrenching that civil war was. Zozo is an 11 year old boy who lives with his parents and two siblings in an apartment in Beirut. Just as his family is able to flee Beirut tragedy strikes. Zozo finds solace in a talking chicken (trust me-- it works) and a young girlfriend. He finds peace and nurturing in Sweden with his beloved grandparents but is still in many ways an outcast. The film tells a beautiful, heartwarming story.

The young Arabian boy, Zozo lives a fairly normal life with his family in Beirut. He's got good friends, and goes to an Arabic school. His grandparents live in Sweden, and have been motivating him and his family to come too. Away from the war. To a place what they saw as a paradise. A place where there was not war. As he described it to his friends, A country with beautiful girls and pretty houses.

From that ideal life, the movie leads you through the tragedy that Zozo experiences.

Zozo is an amazingly beautiful film (but yet no where near dramatic), that shows the world from an dreaming, mature eleven year old boy's point of view. The poetic and surrealistic filming captures the emotions in an extraordinary way, and surreal chapters of his dreams bring you closer to his mind and imagination.

I've never before cried over a movie. But the thought of this movie actually only being half fictional, since there is, and always will be war, made me feel utterly selfish, and at these circumstances you must either be a rock hard sailor or an emotionally dead soldier to at least not be a little touched by this emotional and poetic filming, and feel sympathy for the people who have to go through these circumstances. When they are forced into a war they never asked for. The victims of political arguments.

An 11-year old Lebanese boy Zozo (Imad Creidi) moves to Sweden from his heavily bombed home country after a tragedy occurs in his family. In Sweden he is welcomed by his loving grandparents (Elias Gergi and Yasmine Awad) but adapting to a new environment and learning a new language aren't easy for the boy who still suffers from painful memories of his old life in Lebanon.

The first half of the film takes place in Lebanon, which the brownish, orange-tinted cinematography paints as hot but full of light. In the midst of the frequent violent incidents in the city, Zozo's family loves him and wishes to give him a better future abroad. After arriving in Sweden, the mood changes from dangerous to longing, partly due to the beautifully green and bright Swedish summer that highlights the contrast between the two countries. His grandfather's lovable antics help him to get over past traumas and lead to some comedic incidents, but a sense of loneliness lingers on and Zozo knows that there's more to life than the grandfather's simplistic teachings suggest.

Besides the realistic portrayal of Zozo's experiences at the Lebanese streets and the Swedish school, the movie spices things up by adding an extra layer of fantasy in the form of creations from Zozo's imagination. Be it a talking chicken, a God-like ball of light or an explosive reaction to school-bullies, the visualizations of Zozo's inner world provide interesting insight to his character and make the film more memorable than the average dramas about adapting to new life.

Zozo is director Josef Fares' first move into a more serious territory after the comedic Jalla! Jalla! and Kopps, and as such it succeeds effortlessly. The story is inspired by Fares' own experiences as a young immigrant in Sweden, and his insight on the subject produces an effective piece of cinema with well balanced tragic and comical aspects. Thanks to Imad Creidi's unforced performance as Zozo and the bubbling joie de vivre of his grandfather, the film can be recommended to anyone interested in immigration-related cinema, but the sense of being an outsider in a group should appeal to big audiences as well.

What can i say. Joseph Fares has managed to capture on film the experience of what it meant to be Lebanese and to be in Lebanon during the war. Away from any and all politicization, away from the savagery and brutality the film is able to project the "Human" face of what anyone of us would go through given the circumstances. I left in 1989 as well, but i was one of the fortunate ones and my family remained safe. What Joseph and Zozo (actor) were able to produce together was beyond remarkable. Beauty indeed is found in simplicity, so is power. Carmen Lebbos who plays zozo's mother in this unfolding story is also able to bring the best of her game and i wouldn't be surprised if the film is able to capture more than one home run at the Oscars. Goodluck :) Hint: in Lebanon we call Joseph --> ZoZo :)