The Night Listener - Der nächtliche Lauscher

I couldn't give this film a bad rating or bad review for two reasons: Robin Williams and Toni Collete. The film has the potential of being a thriller and there are some slight disturbing elements that lean to the psychological which was something the film could have focused a little on. Robin Williams plays Gabriel Noon, a storytelling night time deejay who is going through personal issues: his lover moves out and Gabriel is having what seems to be a case of storyteller's block. One day he receives and reads a story written by a dying 14-year old boy named Pete Boland (Rory Culkin). Pete tells the story of his life and the abuse he suffered at the hands of his parents. He lives with his adopted mother and social worker, Donna Boland (Toni Collette). Gabriel is fascinated and begins a friendship with Pete, but things seem strange when Gabriel attempts to meet him and discovers the possibility that Pete Boland may not even exist. I won't go into detail because I don't want to spoil the film, but I will tell you this: it is quite predictable. Fascinating atmosphere for telling a story and good performances from Robin Williams and Toni Collette, who I thought was the film's key character. Collette is without question one of the most talented and loveliest actresses. Her ability to tap into the psyche and personality of the characters she portrays is very uncanny and I hope to see her win an Oscar (hell, I think she might pull off getting a Best Supporting Actress nod for this one if the script were a little better). The film starts off as a psychological thriller, but a predictable one at that. If your curious to know the film's ending and twists, then see the film otherwise I would rent another predictable thriller called "Hide and Seek".

This Night Listener is better than people are generally saying. It has weaknesses, and it seems to be having a genre identity crisis, no doubt, but I think its creepy atmosphere and intriguing performances make up for this. The whole thing feels like one of those fireside "this happened to a friend of a friend of mine" ghost stories. One big complaint about the movie is the pacing: but the slow and sometimes awkward pacing is deliberate. Everything that unfolds in this movie is kept well within the realm of possibility, and real life just sort of plods along—no? So there are no flashy endings or earth-shattering revelations, no "showdown" scenes. Thank Heaven. You have to get into the zone when watching this movie, forget your reservations and your expectations of what makes a (conventionally)good movie. Williams isn't terrific, but he easily meets the needs of the story, plus his character is supposed to be somewhat generic ("No One") as he is the Everyman, the avatar by which we ourselves enter the story. Toni Collette's performance should be nominated for an Oscar (even if she maybe shouldn't win it). Give it a shot. For quality and content alone, The Night Listener is surely in the top twenty percent of movies coming out these days.

There are many illnesses born in the mind of man which have been given life in modern times. Constant vigilance or accrued information in the realm of Pyschosis, have kept psychologists, counselors and psychiatrists busy with enough work to last them decades. Occasionally, some of these mental phenomenon are discover by those with no knowledge of their remedy or even of their existence. That is the premise of the film entitled " The Night Listner." It tells the story of a popular radio host called Gabriel Noon (Robin Williams) who spends his evenings enthralling his audiences with vivid stories about Gay lifestyles. Perhaps its because his show is losing it's authentic veneer which causes Noon to admit he is no longer himself. Feeling abandoned by both his lover Jess (Bobby Cannavale) and his and best friend (Joe Morton), he seeks shelter in his deepening despair and isolation. It is here, a mysterious voice in the night asks him for help. Noon needs to feel useful and reaches out to the desperate voice which belongs to a 14 year old boy called Peter (Rory Culkin). In reading the boy's harrowing manuscript which depicts the early life and sexual abuse at the hands of his brutal parents, Noon is captivated and wants to help. However, things are not what they seem and Noon soon finds himself en-wrapped in an elusive and bizarre tale torn right out of a medical nightmare. This movie is pure Robin Williams and were it not for Toni Collette who plays Donna D. Logand, Sandra Oh as Anna and John Cullum as pop, this might be comical. Instead, this may prove to be one of William's more serious performances. ***

All of the elements of a fabulous film are in place: amazing actors, interesting true story, decent budget and set. Somehow, this movie falls flat and is quite forgettable.

I attribute this to the director. I've never seen his other movies, so I cannot compare. The movie was predictable, opportunities for some really great suspenseful moments were missed...like missing ten free-throws in basketball - painfully annoying...this director shot, and missed...a lot.

There's nothing inherently wrong with the film...it just screams, "Help me! Find me a fabulous editor to fix what this director missed!" This is the sort of movie one watches on HBO while folding laundry (since it wasn't compelling enough to see in the theater), and considers it "okay", but certainly not worthy of ones full attention...glad the laundry is done!

"The Night Listener" tells the story of Gabriel No one a radio storyteller who finds himself living his most interesting yarn yet. He is given a book to review by his publisher and strikes up a telephone friendship with the troubled young author, Pete Logand. When questions come up about the sordid events of Pete's autobiographical work Gabriel sets out to discover the truth.

The film takes a steady, sober look at its characters which avoids the pitfalls of typical "suspense" films. The characters are believable and interesting, with Toni Collette delivering a particularly fine performance. For some reason though, the story simply didn't have much of an impact on me. If I had to hazard a guess why I would say that the relationship between Gabriel and Pete wasn't given enough time to breathe in this short 82 minute film. The early repartee between Robin Williams and Rory Culkin was some of the best material in the film. I think we needed a bit more of that to feel the sense of connection that Gabriel did and to understand the need that this relationship answered in his life. At one point he asks himself, "Why am I here?" Unfortunately, we cannot convincingly answer.