Dance! Jeder Traum beginnt mit dem ersten Schritt

There are so many good films being released and so many formulaic films like these are released that it seems like we can do without a film like TAKE THE LEAD.But guess what,this ain't your average coming-of-age inspiring story.This is rather more fun and effective drama powered by fantastic dance sequences,with the aid of Benderas who leads the kids.

The entire film depends on Benderas' energy and wit.He fills the film with energy and wit and excites everyone in the film.I really enjoyed the superbly choreographed dance sequences as it brings about different cultures together and shows how much fun it could be.It's really enthralling.

A finely made entertaining film with a different treatment to an old formula.Surprise is on their side.

This is a feel-good movie. You will enjoy it, laugh, maybe even cry, despite being able to predict what is going to happen. Banderas does a nice, understated job and the actors portraying the urban kids are outstanding. I didn't like some of the camera angles and chafed at the dance shots often being too close up to really see what the moves were, but the choices in filming undeniably added to both the realism and the energy of the scenes.

Altho based on a true story, one has to wonder how much was added for dramatic effect. Some of the relationships/developments seem just too trite and stereotyped -- and yet the portrayals are enjoyable enough that ultimately you don't care. After the number of times audience members laughed or exclaimed over scenes or lines in the movie, I was surprised that they didn't clap at the end -- it's that kind of movie. It reminded me of both Strictly Ballroom and Stand and Deliver. You won't be sorry you've seen it.

This movie is "inspired by" the story of Pierre Dulaine, who started a ballroom dance school program in New York. But "inspired by" seems to equal "use a real person's name," because this movie feels utterly false in every detail, from its "cute meet" with a thuggish (but good-hearted) student through its two cardboard bad guys to a final ridiculous finale that pushed absurdly unrealistic to new heights. It felt so unlikely, and I remembered that Mad Hot Ballroom, about that same dance program, had featured younger kids, so I googled around and found an excellent review on some website called Townhall by Megan Basham that pretty much said everything I felt, and also pointed out that in fact the program was created not by one person but by two and did in fact start in two schools with younger kids of various backgrounds.

But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.

This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.

When people complain about Hollywood movies, this is exactly what they're complaining about.

In New York, the polite dance instructor Pierre Dulaine (Antonio Banderas) sees a black teenager vandalizing the car of the director of a public school and on the next day he volunteers to teach dance to students to give respect, dignity, self-confidence, trust and teamwork. The reluctant director Augustine James (Alfre Woodard) offers the troublemakers that are in detention expecting Pierre to give-up of his intentions. Pierre struggles against the prejudice and ignorance of the students, parents and other teachers, but wins his battle when the group accepts to compete in a ballroom dance contest.

Movies of dance are usually attractive, and the entertaining "Take the Lead" is no exception. However, this feature is more important because it is based on a true story of a man that has decided to make a difference, helping poor students to see life with another perspective. Antonio Banderas shows again that he is a "complete" actor, capable of performing the most different roles. The real Pierre Dulaine deserves this homage for the importance of his gesture and action. Jenna Dewan, from "Step-up" and the sexy Katya Virshilas are stunning dancers and the actors and actresses present wonderful choreographic dances. My vote is seven.

Title (Brazil): "Vem Dançar" ("Come to Dance")

I just returned from seeing this film at a preview/test screening.

This film was much better than I had expected. The story brings to mind movies such as Mad Hot Ballroom or Dangerous Minds, but is different enough that it is able to stand on its own.

Overall I thought the acting was well done. The dancing was great (both the hip hop dancing and the ballroom). And while I am not a huge Antonio Banderas fan, I thought he was excellent, and I really liked him. He was able to be the star of the movie, but not the center of attention at all times. He looked good and seemed to provide a different element to what could have been the same old "help the inner city kids find hope" story.

The script and dialogue had nothing too cheesy or corny, which is usually found in "feel good" films, or movies about highschool students. There are plenty of funny parts, as well as enough drama and interesting character conflicts to keep everything interesting.

My only complaint was that the ending didn't seem to wrap up everything - there were some back story lines and issues that weren't resolved. But a few unanswered questions can sometimes be better than a cheesy, unbelievable ending where suddenly all is right in the world. I'll be curious to see if they make any changes before it is released in theatres.

I give it an 8 out of 10, because I was genuinely entertained.