Scott Pilgrim gegen den Rest der Welt

I guess I am not the age demographic that this film is based at but I liked it. My daughter loves it, she even made me by her the DVD.

Scott Pilgrim is a magical realism/fantasy teen comedy with pop art video game visuals. Deep in its heart its just a hip, flashy teen romantic comedy.

Edgar Wright better known as the director of the Cornetto Trilogy adapts this comic book series like it was an edgy fast paced pseudo Japanese video game.

Scott Pilgrim (Michael Cera) plays bass in his garage rock band Sex Bob-omb who meets his dream girl Ramona Flowers (Elizabeth Mary Winstead) who is new in town. However he is soon pursued by Ramona's seven evil exes who all challenge Scott Pilgrim to a duel and Scott needs to keep them in check with his zaps and zingers Streetfighter style.

Cera has the right balance of geeky, slacker dude, Canadian hipster charm as Scott Pilgrim who is very likable even though he quickly ditched High School student Knives for Ramona.

The Evil Exes are a colourful bunch with some star names amongst them. Chris Evans is a skateboarding movie star whose entrance is accompanied with the Universal Pictures theme tune. Jason Schwartzman is a megalomaniac record producer. Brandon Routh is a pretentious vegan rock star with the ability to fly just like Superman.

There is a lot of scene stealing in this film like Kieran Culkin as Scott's sneaky gay roommate, Anna Kendrick as Scott's sister and particularly Ellen Wong as Knives the slightly too young ditched girlfriend who is still loyal to Scott.

I actually found this to be a fast moving, quirky, rocking, enjoyable comedy drama.

I was lucky enough too see this film during a test preview to an audience that weren't told what we were about too see. I was honestly expecting some odd film that really needed a lot of help but i was pleasantly surprised with how great this movie was.

The movie had everyone laughing, and i mean everyone, I've been too almost every Wright film and somehow the audience wasn't as amused as i was, but this time everyone loved it. I've never heard so much laughter in one cinema.

The jokes were fast and although silly, they weren't stupid which made for quite an enjoyable film. Wright's trademark quick cuts, and simple comedy made this film, i personally think if it were directed by anyone else it wouldn't have had the same effect.

The characters were well written and performed, every individual character fitted perfectly. The film had many scenes that were quite pointless but still quite funny for example the Seinfeld scene.

Apparently its based on a comic book series? I've never heard of them before but i certainly will look out for them now. If you're a fan of Edgar Wrights films or just good silly humour you will love this film.

Great comedy, definitely the best of 2010 8/10 Morgan

Scott Pilgrim vs. the World is probably as close as we'll come to having an experimental film released in theaters nationwide. This is one of the most innovative, original movies to come out in years. It's unlike anything I'd seen before. And yes, it is good, very good. I could not stop laughing the whole time.

Onto the plot. Scott is something of a loser. He's socially awkward. He shares a mattress in a bunker-like apartment in Toronto with a sarcastic gossip king. He's in a band called the Sex Bob-Ombs, but they're really not that great. He also has a clinging, hyperactive girlfriend, "Knives" who's only 17- kind of a big deal when he's 22. All this changes when he dreams of a purple haired girl on roller blades. The very next day he finds out that she's real; that her name is Ramona flowers and she's the cool new girl in town. His first attempt to hook up fails miserably. His second attempt, although even more lamed brained, actually works, and they're soon an item. But now comes the bad news; to win her love, Scott must defeat her seven evil ex's. He also has an evil ex of his own. Plus, there's the matter of breaking up with Knives, and the battle of the bands is coming up!

That's the setup, what follows is a hilarious romantic comedy punctuated by a series of completely over-the-top video game style fight scenes. Stylistically, I'd have to call them a cross between Sin City, Street Fighter and Viewtiful Joe. Each of the ex's has their own unique fighting style and their own super powers, such as vegan-powered telekinesis or summoning an army of stunt doubles. Often you hear martial arts movies criticized because the action is obviously computer aided. Here, that's the whole point.

The movie's humor comes not only from the sheer ridiculousness of the situations, but also from the characters' reactions to them. After one of the ex's has flown in through a brick wall and battled Scott in the middle of a concert, everyone is just kind of weirded out. They don't act like nothing has happened, which would make it hard for the audience to suspend their disbelief, nor do they run screaming for the police, which would only complicate matters.

Comedic effect is also generated through the use of deadpan dialog. For instance, when Knives confesses that she's never kissed a boy before, Scott replies, with a straight face "It's okay, neither have I." Or the band's self-introduction, "We're the Sex Bob-Ombs and we're here to make you all sad and depressed and stuff.

The movie also pokes gentle fun at hipster subculture with the way that Ramona has thirty plus flavors of tea, or how Scott's roommate is always texting. There are also quirky touches like one girl who can bleep herself out, much to Scott's amazement, and a scene when the intro from Seinfeld plays after the characters enter the apartment, and canned laughter follows every line.

The editing and structure are highly non-traditional, with heavy use of dreams, daydreams, montages, animated flashbacks and asides, and chapter titles introducing segments. The visuals are impressive and very imaginative, such as the way that flashes of color accompany the playing of any musical instrument, allowing you to see the sound. Speaking of which, the sound is another high point, not only the energetic, rock fueled sound track, but also the sound effects taken from classic games like Mario and Zelda.

Scott Pilgrim vs. the World succeeds in telling an offbeat story, providing interesting characters, and in producing lots of laughs. Other than a couple of too-obvious puns, I honestly can't think of anything wrong with this movie. I would highly recommend it to anyone in their teens or twenties. Four stars.

Teenager problems (find yourself, get real, etc.) might not give anything to people considering themselves mayor adults, but consider this is a movie built on arcade video gaming motifs, I don't think it concerns mayor adults at all in the first place. I for one did not necessarily long for dark moral drama in this particular movie at all, I think the story was just about right for this movie, but you decide, if this is childish watch Haneke.

Now for the rest: Surprisingly, Scott Pilgrim features the best martial arts scenes in years. Every fight is choreographed and executed in the most awesome ways and the fact that it's not Jet Lee pulling off these moves makes it even more fun to watch. And you get the fights absolutely frequently which is really, really satisfying. The editing is incredibly skillful as probably the most crucial element that makes this work. It gives the movie an incredible rhythm, reaching new levels of dynamism and the use of CGI and the visual design is plain fantastic. The amount of creativity put into this part is mind- blowing, resulting genuine and most original style. The cast is cool and I don't think anyone should look for academy material here. I liked these kids and they suit the movie.

So, all together I found Scott Pilgrim being one of the most original, exciting and fun productions I've seen in my life. As a huge fan of things like fighting games, comics, or martial arts anime I felt satisfied to a point of screaming 'awesome' out loud after 30 minutes into the movie. Though people who never played Street Fighter or kept crossing fingers for Goku and friends yelling 'kamehameha' as evil bosses get pulverized by energy beams might not really get what Scott Pilgrim is about, it's very hard to deny the originality featured and the creative and professional qualities of the way it's executed.

Fantastic! 8/10

Scott Pilgrim (Michael Cera) is a twenty-something slacker living in Toronto, who basically leeches off his friends. Despite being in a "relationship" with Knives Chau (Ellen Wong), he keeps dreaming about another girl. He quickly finds out this dream girl, Ramona Flowers (Mary Elizabeth Winstead), is actually quite real, and decides to pursue her. But before they can truly become the couple Scott hopes for, he has to defeat her seven evil exes.

I did not think it was possible, but Edgar Wright has fairly successfully brought Bryan Lee O'Malley's epic graphic novel series to the big screen in the most uniquely entertaining way possible. It is his first adapted work, but it feels every bit as fresh (I use that word very loosely) as Shaun of the Dead and Hot Fuzz did upon their initial releases. It deviates from the books a bit (much like Matthew Vaughn's excellent adaptation of Kick-Ass earlier this year), but the majority of the film stays true to the series and gives the fans everything they might expect from a Scott Pilgrim film. Right after the film opening with an 8-bit Universal logo and score, you know you are in for a treat.

What propels Wright's epic and inspired vision is the editing style. All of the little idiosyncrasies, background/foreground items and ideas, everything that made O'Malley's books so revered in the graphic novel community are all in full force here. Some shots in the trailers suggest the comic book-style feel of the film, with the sounds of the actions appearing as words on-screen and the video game-related pop-ups appearing the same way they would in the game. But that is only the start. The entire film is filled with them, and with references to numerous pop culture entities (specifically video games), to the point that it looks and sounds like a ridiculously enhanced motion comic or game. Add to that the quick cuts and multiple panel style of the format, and you have the closest film representation of a comic since Robert Rodriguez attacked Frank Miller's Sin City.

Even with all the nods and references to the original work, Wright's film still feels very much his own work. He makes Scott Pilgrim's epic quest to defeat Ramona's exes into an understated work you will likely not see replicated too soon. After seeing Christopher Nolan's Inception just under a week ago, I did not think that mainstream Hollywood would release something so blazingly original and something so astonishly unique so close together. Scott Pilgrim vs. The World is not nearly as strong a film as Nolan's masterpiece is, but Wright has clearly given it his all here. He has sidestepped away from following the lead of other comic book/graphic novel-style films, and has created something he can truly be proud of. The visuals on display are simply remarkable, and are worth the price of a ticket all on their own. The musical choices are even better. If you have seen the trailers, you are merely only getting a hint for what Wright has in store for you here.

If I do have an issue, it is that the film is a little too exposition-heavy in the first half, and way too jumpy in the second. It never loses its tone or its style, but it becomes all too blatantly obvious where the books stop and the deviation begins. The pacing here is also a touch off, and on further research, thoroughly suggests there is material missing or altered from the final cut of the film. I understand that Wright and his co-writer Michael Bacall wanted to set-up the story and where it plans on going for the few who venture into the film without having read a single issue, but there is too much detail given in those early scenes, and not enough to pivotal moments later in the film.

Another gripe, although it is one I hope will be less bothersome on repeat viewings, is that a good chunk of the characters feel incredibly underused. The books are stacked to the brim with an eclectic mix of supporting characters, who are present in the film, but they feel very stunted and get absolutely no development. Kim Pine (Alison Pill) is a very important character in the books, but she merely appears in the background here and delivers some of the best dialogue. Wallace Wells (the absolutely incredible scene-stealer Kieran Culkin) is the moral centre and source of an incredible amount of exposition, but he is barely in the film after the first half. Envy Adams (Brie Larson) almost feels like an extended cameo as opposed to an indispensible figure in Scott's character development. But then, Chris Evans, Brandon Routh and especially Jason Schwartzman all deliver stunning performances as three of Ramona's exes, despite the lack of time on-screen.

Cera on the other hand, is perfect as Pilgrim. The character plays a little too close to his stereotypical neurotic and off-centre archetype, but it works out beautifully here. He makes the character real, and brings a depth to Scott Pilgrim that no other young actor could. He has the right look and the right sound down pat. It was a little weird to see him get so physical in some sequences, but this is a vintage fit for Cera. Although they are downplayed more than I liked, Winstead and Wong are great as Ramona and Knives. They both have a certain edge throughout the film, and even at its most ridiculous, deliver strong performances. It helps too that they have insanely good chemistry with Cera.

I jumped at the idea of an advanced screening of Scott Pilgrim vs. The World, and I do not regret seeing the film in the slightest. It is a bit of a niche movie, but it is one that is lovingly made through and through.

8/10.

(An extended review also appeared on http://www.geekspeakmagazine.com).