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Feed

  • 2005
  • 18
  • 1 Std. 41 Min.
IMDb-BEWERTUNG
5,3/10
6290
IHRE BEWERTUNG
Feed (2005)
An investigator searches for a man who continually feeds an obese woman in this twisted thriller
trailer wiedergeben1:21
1 Video
21 Fotos
Body-HorrorHorrorKriminalitätThriller

Ein Ermittler für Cyberkriminalität verfolgt einen Mann, der verdächtigt wird, Frauen gewaltsam zu Tode gestillt zu haben.Ein Ermittler für Cyberkriminalität verfolgt einen Mann, der verdächtigt wird, Frauen gewaltsam zu Tode gestillt zu haben.Ein Ermittler für Cyberkriminalität verfolgt einen Mann, der verdächtigt wird, Frauen gewaltsam zu Tode gestillt zu haben.

  • Regie
    • Brett Leonard
  • Drehbuch
    • Patrick Thompson
    • Alex O'Loughlin
    • Kieran Galvin
  • Hauptbesetzung
    • Alex O'Loughlin
    • Patrick Thompson
    • Gabby Millgate
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,3/10
    6290
    IHRE BEWERTUNG
    • Regie
      • Brett Leonard
    • Drehbuch
      • Patrick Thompson
      • Alex O'Loughlin
      • Kieran Galvin
    • Hauptbesetzung
      • Alex O'Loughlin
      • Patrick Thompson
      • Gabby Millgate
    • 81Benutzerrezensionen
    • 75Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Feed
    Trailer 1:21
    Feed

    Fotos20

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 16
    Poster ansehen

    Topbesetzung33

    Ändern
    Alex O'Loughlin
    Alex O'Loughlin
    • Michael Carter
    Patrick Thompson
    Patrick Thompson
    • Phillip Jackson
    Gabby Millgate
    Gabby Millgate
    • Deidre
    Jack Thompson
    Jack Thompson
    • Richard
    Rose Ashton
    • Abbey
    Matthew Le Nevez
    Matthew Le Nevez
    • Nigel
    David Field
    David Field
    • Father Turner
    Sherly Sulaiman
    • Mary
    Marika Aubrey
    Marika Aubrey
    • Jesse
    Adam Hunt
    • German Cannibal
    Nicholas Coghlan
    Nicholas Coghlan
    • Cannibal Victim
    Yure Covich
    Yure Covich
    • Hans
    Connor Thompson
    • Young Phillip
    Helene Joy
    Helene Joy
    • Young Phillip's Mother
    • (as Helen Thearle)
    Peter Holloway
    • Young Phillip's Father
    Shane C. Rodrigo
    Shane C. Rodrigo
    • Young Phillip's Mother's Lover
    • (as Shane Rodrigo)
    Adam Young
    • Michael - Age 15
    Victoria Doyle
    • Young Jesse…
    • Regie
      • Brett Leonard
    • Drehbuch
      • Patrick Thompson
      • Alex O'Loughlin
      • Kieran Galvin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen81

    5,36.2K
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    Empfohlene Bewertungen

    6mute_e

    Disgusting, vulgar and fascinating

    I just got to see this movie at the Fantasy Film Festival in Nuremberg and I was pretty astonished how many people actually wanted to see it. Cinema was nearly sold out and I think people got what they were looking for. It's a nice little thriller about a disgusting fetish. The audience gets to see everything. Puking fat women, sex with 600 pound women and some even more disgusting things that I do not want to mention here. But this movie has its weaknesses. Started from the tolerable but ridiculous "computer hacking" scenes in which "dir windows" kind of traces people all over the world, to an ending which is just not plausible. The movie tries to narrate a possibly real story and the ending seems to be misplaced. But as the topic said it's fascinating to see how far humans can go, although the movie exaggerates this a bit too much in my opinion. Acting was quite okay, story has its flaws, but all in all, I'd recommend this movie, because this is one of the movies you will certainly talk about after-wards. 6 of 10, not only for breaking some taboos.
    7claudio_carvalho

    Consumption Is Evolution

    In Sidney, the Interpol agent Phillip Jackson (Patrick Thompson) investigates crimes in Internet with his partner Nigel (Matthew Le Nevez). After a mission in Hamburg, Phillip has troubles in the relationship with his liberal girlfriend Abbey (Rose Ashton) that tags him "chauvinist pig". While researching the web, Phillip finds a bizarre site where a man shows obese women being fed by him. He finds the origin of the site in Ohio, and without authorization, he travels to USA pursuing the pervert Michael Metszencalmpf, a.k.a. Michael Carter (Alex O'Loughlin). When Phil meets Michael, he surprisingly knows who Phil is; further, Michael tells that what he is doing is not wrong since he is releasing fat women from the standards of thinness imposed by the society. However, Phil discovers the true motives of Michael, beginning a personal war against the deranged criminal.

    "Feed" is bizarre, sick, disgusting; I have no doubts about it. However, it is also a scary and original story, with well developed characters and situations, and very well acted and directed. The association of the unpleasant plot with "Se7en" or the first's works of David Cronenberg or Takashi Miike is quite immediate. Michael is a clever psychopath, and his explanations about evolution and fashion standards are very impressive. Phillip is an impulsive detective that goes deeper in his investigations, but has his own demons in the closet. The result is a fascinating mouse and cat duel with a surprising conclusion. The gruesome "Feed" is not recommended to audiences of blockbusters or commercial movies; but for viewers that aim for a disturbing film that breaks taboos, they will certainly enjoy this movie. My vote is se7en.

    Title (Brazil): "Feed – Fome Assassina" ("Feed – Assassin Hunger")
    6Coventry

    Super Size HER!

    "Feed" is an impressive new psycho-thriller, definitely not without flaws or weaknesses but nonetheless capable of providing a compelling story as well as a handful of genuine shocks and/or repulsive images. The plot often gets compared to the overrated 90's thriller "Seven", but "Feed" is a lot more realistic, or at least the most basic elements in the screenplay are. This movie primarily handles about extreme sexual fetishes and, as much as we'd all like to deny it, they really do exist. The movie opens with a fictional re-telling of the Arnim Meiwes murder-case. This odd German guy cooked and ATE a man whom he met through the internet, because they both deeply desired to experience this. Onwards to the main storyline, which revolves on a twisted persona who fattens a helpless woman until she weighs more than 600 pounds. His intentions with her may be typical movie-material (he video cams her on his internet pages and accepts bets on when she will die), but actual fetishes like this are real and they're nearly impossible to understand. The scenes in which Michael nourishes his obese muse Deirdre disgusting hamburgers and even shoves funnels and plastic tubes down her gullet are unpleasantly perplexing and, yes, maybe even a bit disturbing. However, "Feed" loses a lot of its power as soon as the story too obviously turns into a typical power showdown between the evil mastermind and the obsessive copper. Aussie cyber detective Philippe Jackson, whose passionate sex life we also get to see in great detail, stumbles upon Michael's well-protected website and single-handedly travels to the States to put a stop to it. The maniac once again turns out to be traumatized since childhood and, naturally, he's very eloquent and always has a genius speech ready whenever someone points out his sickness to him. These are some clichés "Feed" regretfully suffers from, but it remains a clever thriller and SO much better than the mainstream crap that reaches the theaters. Brett "The Dead Pit" Leonard's directing is solid and he surely makes the most out of a tiny budget. Alex O'Loughlin's portrayal of the weirdo Michael occasionally reminded me about Ted Levine in "Silence of the Lambs", and that's always a good thing. The make-up effects are pretty convincing, most notably the jaw-dropping fat suit they put on poor actress Gabby Millgate. The creators' twisted sense of humor is extra emphasized by the soundtrack, which contains ambiguous 60's songs like "Yummy Yummy, love in my Tummy", "Cherish" and "Lips like Sugar". Time to wrap up with some food-related terms & expressions: "Feed" is at times finger-licking good and certainly recommended to the horror-connoisseurs among us!
    6jessicka_slade

    Quite good, actually.

    Well first of all - to correct the previous comment - the cop wasn't SENT to America, he in fact went over there to investigate it for himself, without his boss even knowing.

    He was in danger of being fired if is boss ever found out. That was in fact part of the plot; so how the previous poster failed to notice that I'm not too sure.

    All in all I enjoyed the film; I liked the (at times jerky) camera-work and lighting - as the previous comment mentioned, a lot of filters were used (like the blue one) but I think this added to the film's atmosphere.

    A few things were a bit unbelievable, and the ending was rather odd (shan't spoil it for you)...but all in all, a fairly good movie.
    4knifeintheeye

    interesting, but unfullfilling

    The basic plot: cyber investigators from Austalia stumble on a fetist website about women who literally get feed to death of their own volition.

    This movie will have a limited target audience. Fans of gross out movies will enjoy it, but there is no way an average person who pays to see movies like King Kong, The Transporter or Pirates of the Caribian will enjoy this. This target audience is a little more...less mainstream.

    It's gross. At times it's hard to stomach 600 pound naked women being force fed then puking. It's a different kind of gross from movies like Cannibal Holocaust, Salo, Hostel, Se7en. It's more disturbing simply because of the subject matter, rather then the gore. But at the same time, I watched the whole thing, so I guess it wasn't bad.

    Both the acting and direction were a pleasant surprise, I was expecting a mid range B movie, but got a real movie instead.

    Two things I would have done differently...1. Dwell a little on the 'fans' of the fetish in question (they weren't even addressed), and 2. either more of the cannibal issue from the start of the movie or take that scene out completely or tie it into the force feeding later on.

    I did stop eating though when I was watching it. A perfectly good tub of Orvil movie style popcorn, thrown away. So I suppose it accomplished what it set out to do.

    I won't rate this movie though. I will only say, it was well done overall, and if you think you can stomach the subject matter, seek it out and watch it.

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    • Wissenswertes
      The "German Cannibal" scene at the start of the film is based on the real life case of Armin Meiwes, a 42 year old computer technician from Rotenburg, Germany, who caused a worldwide scandal in 2003, when it was reported that he had killed and partially ate 43 year old Bernd Brandes, an Engineer from Berlin. While the facts of the crime were gruesome, the difficulty German prosecuters had in actually charging Mr. Meiwes with ANY crime was the truly shocking part of the tale. Because the two men had met in an and internet chatroom devoted to Gay cannibal fetishism in which Mr, Brandes had clearly expressed his desire to be killed and eaten, Mr. Meiwes was shielded from murder charges under laws that were originally enacted to protect doctors who assist terminally-ill patients commit suicide. At the time, cannibalism was not explicitly forbade in any statute, and it was unclear whether a crime had even been committed under existing German law, a situation that many both in Germany and abroad found absurd and macabre. These real-life events also inspired the song "Mein Teil" by the German Industrial band Rammstein.
    • Patzer
      When the camera is angled at Deidre's crotch, you can clearly see that the "fat suit" is build up from separate segments.
    • Zitate

      Phillip Jackson: It's not your run-of-the-mill lick my boots, drink my piss kind of relationship.

    • Verbindungen
      Featured in Feed: Meat the Cast (2006)
    • Soundtracks
      Cherish
      Composed by Terry Kirkman

      ©1966 Screen Gems - EMI Music Inc

      All Rights Administrated and Licensed by EMI Music Publishing Australia

      Performed by The Association

      Courtesy of Warner Music

      Performed by Bertie Blackman

    Top-Auswahl

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    FAQ16

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. Februar 2006 (Vereinigtes Königreich)
    • Herkunftsland
      • Australien
    • Sprachen
      • Englisch
      • Deutsch
    • Auch bekannt als
      • Feed - Friss und stirb!
    • Drehorte
      • CentrePoint Tower, Sydney, New South Wales, Australien
    • Produktionsfirmen
      • All At Once
      • Becker Entertainment
      • Cutting Edge
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    Box Office

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    • Weltweiter Bruttoertrag
      • 33.004 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 41 Min.(101 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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