IMDb-BEWERTUNG
5,2/10
3957
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAiming for the top, law intern Rick tells his boss that he'll do anything--such as driving the boss' cute niece from Miami to Los Angeles and returning three days later well-prepared for the... Alles lesenAiming for the top, law intern Rick tells his boss that he'll do anything--such as driving the boss' cute niece from Miami to Los Angeles and returning three days later well-prepared for the the bar exam.Aiming for the top, law intern Rick tells his boss that he'll do anything--such as driving the boss' cute niece from Miami to Los Angeles and returning three days later well-prepared for the the bar exam.
Benjamin Gourley
- Rick Robinson
- (as Ben Gourley)
Whit Flint
- Fast-Food Cashier
- (as Whit Hertford)
Empfohlene Bewertungen
It kills some time and what better way to kill it than by watching Mila Kunis. She is very pretty. So it wasn't that good and the roadside "adventures" were batsh** crazy.......but in a way I kinda like it. However I don't expect I'll ever watch it again.
Eager to score points with his boss (Rutger Hauer), law intern Rick Robinson (Ben Gourley) - who hails from Kansas and looks for all the world like Clark Kent - agrees to drive the old man's free-spirited niece, Michelle (Mila Kunis), from Savannah to L.A., and still make it back to Miami in time to take his bar exam. But Michelle has other plans in mind, and she's not about to make it easy for the uptight, highly regimented young man - whom she believes needs to learn how to let his freak flag fly and just enjoy life - to complete his mission.
Though the opposites-attract, road-trip-from-hell premise is far from original, "Moving McAllister" has enough charm, wit and affability to keep it just this side of entertaining. The performances are winning (with Jon Heder particularly effective as a spacey, zonked-out hitchhiker the couple picks up on their way), and writer Gourley and director Andrew Black have provided a series of loopy dream sequences that help lift the movie out of its picaresque rut. Some of the detours are more enjoyable than others, and the ending lacks credibility and conviction, but the lighthearted tone makes up for most of the movie's deficiencies and shortcomings.
Though the opposites-attract, road-trip-from-hell premise is far from original, "Moving McAllister" has enough charm, wit and affability to keep it just this side of entertaining. The performances are winning (with Jon Heder particularly effective as a spacey, zonked-out hitchhiker the couple picks up on their way), and writer Gourley and director Andrew Black have provided a series of loopy dream sequences that help lift the movie out of its picaresque rut. Some of the detours are more enjoyable than others, and the ending lacks credibility and conviction, but the lighthearted tone makes up for most of the movie's deficiencies and shortcomings.
If only the writer/producer/"star" had the slightest inkling of the limits of his acting range, and the way he is perceived on-screen (wearing glasses and a side-parting is not enough to make you look gawky and quirky if your face and teeth have been sculpted by various medical professionals to conform to American ideals of generic, characterless symmetry, erroneously perceived as beauty in this obsessively superficial society) he would have cast John Heder as the main character instead of attempting to pull a Good-Will-Hunting and create a vehicle to showcase his... his... well, himself.
The excellent supporting cast (Lord knows, they must be having problems to agree to this) is wasted in an agonising perpetual struggle to react convincingly to a main character incapable of delivering even the simplest line with appropriate intonation, and believe me, he is not short of simple lines to choose from, as the dialogue appears to have been composed by a five-year-old. Ah wait... it's the same person pretending to be a writer as pretending to be an actor. It's not often that I don't see a film through to the end, but this ejaculation was irredeemable from the outset and showed no signs of improving after the first hour. Excrement.
The excellent supporting cast (Lord knows, they must be having problems to agree to this) is wasted in an agonising perpetual struggle to react convincingly to a main character incapable of delivering even the simplest line with appropriate intonation, and believe me, he is not short of simple lines to choose from, as the dialogue appears to have been composed by a five-year-old. Ah wait... it's the same person pretending to be a writer as pretending to be an actor. It's not often that I don't see a film through to the end, but this ejaculation was irredeemable from the outset and showed no signs of improving after the first hour. Excrement.
Rutger Hauer helps along a film that basically can be summed up in the young person finding themselves category, and rather obviously so, so it needs a lot of help.
The beginning holds a lot more promise, of a film that could turn into Michael Clayton or Stranger Than Fiction. It's too bad because I really got hooked into the beginning. Then, like the opening soundtrack, it went from great and intriguing to basically nowhere.
It's fun enough with plenty of curiosities and interesting characters acted well. I'm sure that will be enough for many people. The problem is it all feels contrived and empty which, ironically, is supposed to be the main discovery for the character's self realization. Not the film itself (it's not a self aware film), but that the character is supposed to recognize his own life is contrived and empty.
The beginning holds a lot more promise, of a film that could turn into Michael Clayton or Stranger Than Fiction. It's too bad because I really got hooked into the beginning. Then, like the opening soundtrack, it went from great and intriguing to basically nowhere.
It's fun enough with plenty of curiosities and interesting characters acted well. I'm sure that will be enough for many people. The problem is it all feels contrived and empty which, ironically, is supposed to be the main discovery for the character's self realization. Not the film itself (it's not a self aware film), but that the character is supposed to recognize his own life is contrived and empty.
Romantic comedy movies are definitely the most fertile genre for "bellow from average" movies and source of frustration for viewers. This one is a perfect example of this and got a place in my "top ten worst movies".
History is far from creative and jokes are weak. I found no reason for a single laugh during all the movie! Characters are plain and the performance of the actors and just good. History develops slowly, it's tedious and foreseeable. Ending is also foreseeable and sugar-coated.
This is one that movies you watch in a rainy Saturday afternoon when you have nothing better to watch in my humble opinion.
History is far from creative and jokes are weak. I found no reason for a single laugh during all the movie! Characters are plain and the performance of the actors and just good. History develops slowly, it's tedious and foreseeable. Ending is also foreseeable and sugar-coated.
This is one that movies you watch in a rainy Saturday afternoon when you have nothing better to watch in my humble opinion.
Wusstest du schon
- WissenswertesDebbie (Patrika Darbo) states that she hadn't seen Zeit der Sehnsucht (1965) in over a year. Darbo played Nancy Wesley on "Days of Our Lives" (1965) from 1999 to 2003.
- Patzer14 minutes in, there is a dream sequence in which a gorilla faces off against an astronaut in a grassy field. When the camera focuses on this astronaut, the reflection of a developed area is visible in his helmet, not the grassy field that is in front of him.
- VerbindungenFeatures Lifestyles of the Rich and Famous (1984)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Moving McAllister?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Бегущий МакАллистер
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 42.538 $
- Eröffnungswochenende in den USA und in Kanada
- 28.665 $
- 16. Sept. 2007
- Weltweiter Bruttoertrag
- 42.538 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Moving McAllister (2007) officially released in Canada in English?
Antwort