Moving McAllister

If only the writer/producer/"star" had the slightest inkling of the limits of his acting range, and the way he is perceived on-screen (wearing glasses and a side-parting is not enough to make you look gawky and quirky if your face and teeth have been sculpted by various medical professionals to conform to American ideals of generic, characterless symmetry, erroneously perceived as beauty in this obsessively superficial society) he would have cast John Heder as the main character instead of attempting to pull a Good-Will-Hunting and create a vehicle to showcase his... his... well, himself.

The excellent supporting cast (Lord knows, they must be having problems to agree to this) is wasted in an agonising perpetual struggle to react convincingly to a main character incapable of delivering even the simplest line with appropriate intonation, and believe me, he is not short of simple lines to choose from, as the dialogue appears to have been composed by a five-year-old. Ah wait... it's the same person pretending to be a writer as pretending to be an actor. It's not often that I don't see a film through to the end, but this ejaculation was irredeemable from the outset and showed no signs of improving after the first hour. Excrement.

Rutger Hauer helps along a film that basically can be summed up in the young person finding themselves category, and rather obviously so, so it needs a lot of help.

The beginning holds a lot more promise, of a film that could turn into Michael Clayton or Stranger Than Fiction. It's too bad because I really got hooked into the beginning. Then, like the opening soundtrack, it went from great and intriguing to basically nowhere.

It's fun enough with plenty of curiosities and interesting characters acted well. I'm sure that will be enough for many people. The problem is it all feels contrived and empty which, ironically, is supposed to be the main discovery for the character's self realization. Not the film itself (it's not a self aware film), but that the character is supposed to recognize his own life is contrived and empty.

It kills some time and what better way to kill it than by watching Mila Kunis. She is very pretty. So it wasn't that good and the roadside "adventures" were batsh** crazy.......but in a way I kinda like it. However I don't expect I'll ever watch it again.

I was very happy about the choices for character casting. Everyone became their part, seeming very comfortable. Our two main characters had very good chemistry. The intermittent characters were given enough focus and detail so that you easily remember them.

It was amusing to follow the characters through all of their adventures. Most of the subplots were rooted in humor, but there were also some dramatic family elements that I felt were well balanced.

Some of the jokes were gross, but still funny. They easily avoided inappropriate language and situations leaving this film an easy pick for teens.

Can't wait for the DVD!

Rutger Hower fans Don't BE FOOLED - he only plays a cameo in this movie and that's IT. This movie loses an extra point for that scam. I think Rutger Hower has a total of about 2 very short scenes and 2 very short voice-overs.

The female lead for this film is way above this poor material in looks and talent-she's great, this movie is a dog and she's wasted on it. The story is of a Lawyer hoping for that partnership one day at the firm getting suckered into having to cart the Boss' niece across country. They have several encounters on the road with various oddballs and that is the vehicle for a variety of skits and the dude that played Napoleon Dynamite is thrown in the mix as a side character for good measure.

This is a road-trip where extreme circumstances put our repressed hero to the test and he slowly winds up loosening up a little bit by the end of the movie, ah isn't love grand, yadda yadda..

Only watch this film if you want to see a hot chick be annoying to a dork in a truck for an hour and half.