Mord im Pfarrhaus

This charming little black comedy should have all but ultra conservatives smiling throughout the ludicrous scripting, eluding gaping plot holes and complete unrealism with sheer likability. A friendly, very export-worthy British comedy, Keeping Mum is a throwback to guilt free, sinister joys that were in much greater fashion before everyone decided to let their films guide their morality. Nothing has recently personified this old fashioned, fun spirited creepiness as affectionately as Maggie Smith's vibrant performance for her semi-cuckoo, housemaid with a few secrets of her own. With a delightful, perceptive supporting cast, the plot may not exactly pull you in (especially the first half), but will nonetheless keep pleasant spirits anchored as the real fun takes hold. Rowan Atkinson in particular, portraying a character not unlike his famous bumbling priest in Four Weddings and a Funeral, gets to exercise more of his subtle comedic chops then usually seen, and the ensuing awkwardness that radiates whenever he is on screen is sweet and endearing.

Despite the obvious tone of an utmost fictionalization, I suppose Keeping Mum will still take a few hits for it's portrayal of religion and murder, but anyone seriously trying to analyze the lack of morality on this one will have missed the whole carefree point. The characters might have been completely unbelievable by the time this thing is over, but the nature of this kind of entertainment does not beckon one to take offense to that.

Niall Johnson's 'Keeping Mom' is a delightful black comedy. Russo and Johnson's innovative screenplay, the pleasant score and the surprising cast and the dark humour is brilliantly put together. At the same time, the characters are very identifiable. After all, Grace is just a mother who's protecting her children, Gloria just wants her husband's affection, Walter just wants to excel in his 'profession' and Lance is a sleaze you might have met once. Yet, the story cleverly takes them to extreme ends that results in murder, infidelity and voyeurism. Pretty much all the actors are cast in roles you have never seen them play before. Kristin Scott Thomas is the heart of the film (as the director himself stated) and she performs very naturally. While Atkinson has played Reverend earlier, he actually delivers a very subtle performance where he downplays the comedy (unlike his regular in-your-face comedy sketches). He is proving to be a versatile comedian. I loved how Patrick Swayze makes fun of his iconic status in an indirect way. The actor is excellent as the jerk and it has been ages since he has been in something worthwhile. Liz Smith is fun to watch as the annoying and nosy flower committee member. Emilia Fox is very good as the nonchalant killer and Maggie Smith is hilarious! This lady has never let down and she is a complete delight to watch as she goes on 'protecting' her family. 'Love the actress! The location shots are amazing. The fictitious town looks lovely yet the director manages to successfully bring out the coldness and boredom. The stunning cinematography deserves mention too. 'Keeping Mom' is a small but wonderfully innovative film that had me laughing all the way.

This great black comedy in the British tradition appeals to all generations. I went with my mother, wife and son and we all enjoyed it very much.

My 20-year-old son, who was not accustomed to this type of dark humour, was quite startled at how murder was portrayed in an off-hand, humorous way. I felt it was a revival of a genre going back to the "Wrong Box" [1966] and before. This film does not dwell on the violence, the gore, the sentiment or the psychological aspects of murder. It seems to be standard fare for most films but it didn't seem appropriate here.

As much I respect, Rowan Atkinson as a comedian, I was concerned that this film would be in the Mr Bean or Black Adder vein. In fact, I was pleasantly surprised to find that Rowan Atkinson is a very good actor. Most of the time, he played his role as an absent-minded vicar in an understated and sometimes quite touching way. Mr Bean fans will have their moments. There's also lots of innuendo combined with more subtle humour.

Maggie Smith is as ever excellent. The rest of the cast play their archetypal characters or in the case of Patrick Swayze's caricature well.

Though I was able to predict the overall plot, the story is entertaining and there is a gentle message about marital problems, the generation gap and hypocrisy. The scenery mainly in the Isle of Man and partly in Cornwall is stunning.

I recommend it highly.

You could drive a horse and cart through the plot holes in this movie. It doesn't matter, just splash about in the humour. It has the predictability of a Stan and Ollie routine, Morecambe & Wise or any other such comedians who mix story telling with visual and verbal humour. Rowan Atkinson is of course the comedian cast in the straight part trying to regain a sense of humour. Maggie Smith is absolutely superb as the straight actress playing the clowning criminal. A bit of sound effect filched from Reeves and Mortimer's frying pan sketch would have heightened the humour even more. Never mind, this is harmless, charming, and engaging entertainment. Entertainment - now we don't get much of that to the pound usually.

I saw this film recently and I was pleasantly surprised. It reminded me of the old Ealing Comedies as it was charming but had a definite sense of delicious wickedness running through it. All of the main characters are funny in their own way particularly Rowan Atkinson and Maggie Smith. It reminded me so much of and Ealing Comedy that after a while I could only see Alec Guinness in drag when Maggie Smith was on screen. Kristin Scott Thomas started out as being being a bit of a female Hugh Grant in Four Weddings and a Funeral and showed that she can be quite funny but towards the end she gets a little unconvincing once some revelations unfold. All in all it has it's minor misgivings and gets a little too silly and unbelievable in places but I'd give it a go.