Jesse Stone: Eiskalt

Stone Cold is fun to watch not so much for the story as it is for the performances of the ensemble cast. Everyone is good in this. Mimi Rogers was definitely a lot of fun as the older seductress. But most surprising for me is Tom Sellick's transformation into a real actor.

In the 80's he was always Sellick being Sellick - much like Tom Cruise is always Tom Cruise pretending to be a vampire, a fighter pilot, etc. I first saw Sellick's transformation in "Ike" (or was it "Eisenhower"?). Gone was the high pitched tones at the end of his lines so typical and annoying in Magnum PI and his films from the 80's. In Ike and in Stone Cold it's as if you're watching a different person.

(Coincidentally, Tom Cruise's work in War of the Worlds also struck me as a breakthrough - something about his performance was more polished and less of the hysterical Cruise mannerisms that irritated me in all of his other movies.) I used to avoid Tom Sellick flicks, but after his last couple of performances, including the brooding old school cop in Stone Cold, I'm actually looking forward to seeing more of him.

"Stone Cold" is a 2005 made for television film noir starring Tom Selleck. While the plot is rather simplistic, Tom Selleck, as the film's star, offers a strong performance as Jesse Stone, a worn down police chief now serving in the small Maine coastal community of Paradise.

Formerly a high profile homicide detective from Los Angeles, Selleck as Stone gives this film great appeal. In addition, the supporting roles are all well cast, albeit with largely unknown actors except for Mimi Rogers who stars as a local defense attorney.

Police Chief Jesse Stone has to deal with an ex-wife who is a national news reporter who is always hungry for a scoop. He still has conflicted romantic feelings about her and will listen attentively to her messages on his answering machine, but he refuses her entreaties to insulate herself into his investigation in the hope of gaining inside access to the identity of a serial killer or killers suddenly plaguing the town.

Helping Stone to pass the time in Paradise is the joyful presence of a much younger woman who is not only a dear friend but also a welcome sexual partner. She would love to mean more to Stone, but he is so burned out by his previous work in L.A. and his recent divorce that he keeps her at a safe emotional distance. For the most part, alcohol offers about as much of a constant relationship as Stone has any desire to deal with.

The quiet peacefulness of Paradise is shattered one day by the discovery of a body lying near the craggy shore close to the lighthouse. The young man had been shot twice at close range, apparently by two different 22 caliber guns as the angles of the bullets' entry into his body are different.

Making life more difficult for Chief Stone is the gang rape of a young high school student, Candace Pennington (Alexis Dziema), whose parents are strangely uncooperative when they all sit down in the police station for an interview. Her mother had bathed her before coming down to the station, most likely compromising the physical evidence. They withdraw their complaint and leave in a huff after Stone wants the girl to go to the area hospital for a check up and further tests.

A trusted female officer sent over to the high school quickly deduces the identities of the three rapists when she observes them all taunting Candace in the high school cafeteria. They turn out to be popular students who play football for the local high school team. In an effort to separate the three boys into accessories to the crime and rapists, Stone is immeasurably helped by the discovery of incriminating photographs in the knapsack of one of the kids. Now he and his three man staff have to deal with angry parents and high priced defense attorneys brought in to get the kids off the hook.

The day goes from bad to worse when another body, this time a young woman killed in her car in a parking lot, is discovered with the exact same M.O. as the young man. Chief Stone realizes that he has what looks like a serial killer operating somewhere in town and he begins to wonder who will be next since he has no evidence to suspect anyone much less charge anybody.

"Stone Cold" is one of the better television movies that I have recently seen. As the author has written several books starring Chief Stone, my sincere wish is that Selleck will soon reprise this role.

This thriller is a good evening' s entertainment. On a first glance, it is dominated by its main actor Tom Selleck, who is convincing in his role, very present in the scenes and pleasant to watch. I agree with another post here that the storyline, connecting two 'strings' of events together is questionable. On the other hand, the whole film is somehow unique and original, qualities one associates with the country side, where the movie is set.

It contains great pictures with the seaside, where the little town 'Paradise' is located. The characters involved seem authentic and just to watch and get to know them is some entertainment by itself. What is well displayed is the interplay of the innocence of the plot and yet the bruteness of the crimes. The scenes and storyline are nicely painted and evoke feelings of warmness and tenderness with the characters involved and the small American town 'Paradise'. Tom Selleck is great to watch, while finding the right balance in bringing in his undoubtedly great charisma. Together with the simple, but effective and beautiful score, all mounts to a swell thriller well worthwhile to watch.

The challenge for actors that star in popular long-running TV shows is that they become forever fused to their character, sometimes called "type-cast". Most middle-age audiences will forever think of Tom Selleck as Thomas Magnum of the 1980's hit show Magnum PI. But Selleck, after-all, is an actor, not Thomas Magnum. He was an actor playing a part, and after the series ended, Selleck had to find new roles to conquer Unfortunately, directors are often reluctant to cast actors with strong associations with a particular television role. Luckily, for the film Stone Cold, Selleck offers a presence quite distinct from the happy-go-lucky Hawiian-shirted private detective who sported a Ferrari. Here, Selleck walks in the shoes of a far darker, even introspective, character in a small town in rural Massachusetts.

Although their occupations are similar, a young independent private detective versus an LA cop in the twilight of his career, Jesse Stone and Thomas Magnum are quite polar opposites. Magnum would crack jokes, score with beautiful women, and put down the bad guys all under a blazing Hawiian sun. In Stone Cold, the gloomy mists off of Cape Cod are the backdrop to a haunting but compelling story of a tired urban investigator tracking senseless serial killings in a town where the entire police force is barely four people.

There is a very deliberate but tempered pace to the film which matches the feel of a small New England community that is quite removed from the hurry and worry of New York or LA. Nothing is rushed. Just as the locals walk at a slow but steady pace through their neighborhood, this film also is a very one-step-at-a-time story. I felt like the the filmmakers wanted you to see and feel the fog-ridden ocean, the quiet streets, and crisp air of New England life as much as the other aspects of the story.

All in all, a satisfying viewing experience, with an outstanding performance by Selleck. And it looks as though the character of Jesse Stone continues in new films. Selleck has found a new niche that is an appropriate sequel to the TV show of his younger days. Jesse Stone is a very different kind of Thomas Magnum.

This movie is not going to stand out as one of the top ten crime dramas of any year, but it is extremely well made and fulfills the job of keeping one interested and entertained for a couple of hours. The script is good, for which we can credit the redoubtable Robert Parker and the screenwriter John Fasano. The film looks great, and captures the small-town New England atmosphere (although it was filmed in Nova Scotia). Acting is OK all around, especially from the underrated Tom Selleck, who does a fine job portraying the flinty, laconic police chief Jesse Stone, whose dialogue seems to come right out of a Hemingway novel. It should be mentioned that, although made for television, it stands up very well as a straight movie. My only, minor criticism is that I find the perpetrators of the crimes - and the movie lets us know up front who they are, so this is not a spoiler - to be a rather implausible pair. A nice note is the recurring presence of the charming golden retriever, who as sort a wordless Greek chorus to the proceedings. All around, a worthwhile popcorn burner.