Jesse Stone: Eiskalt

This is not a police movie. It does have the police chief as the main character and it does present most of the movie investigations and killings and rapes and lawyers, but what it is really about is the personality of Tom Selleck's character.

I personally like Tom Selleck and I think he could have been a great actor not given his apparent gentleness. I don't see him performing great action roles or emotional roles for the money and the fame, I see him as a quiet guy and probably so do many casting people, although I am sure he would have done great in any of the above roles.

The film is nicely shot, mixing the cold atmosphere of a small sea shore town with the beautiful scenery and the plot. The 'perps' are not really presented, they are only doing what they do and Tom gets them. He is also developed through actions and not description. His character's coldness and the last name Stone give the (I think unfortunate) name for this film.

It is a good film.

This movie is not going to stand out as one of the top ten crime dramas of any year, but it is extremely well made and fulfills the job of keeping one interested and entertained for a couple of hours. The script is good, for which we can credit the redoubtable Robert Parker and the screenwriter John Fasano. The film looks great, and captures the small-town New England atmosphere (although it was filmed in Nova Scotia). Acting is OK all around, especially from the underrated Tom Selleck, who does a fine job portraying the flinty, laconic police chief Jesse Stone, whose dialogue seems to come right out of a Hemingway novel. It should be mentioned that, although made for television, it stands up very well as a straight movie. My only, minor criticism is that I find the perpetrators of the crimes - and the movie lets us know up front who they are, so this is not a spoiler - to be a rather implausible pair. A nice note is the recurring presence of the charming golden retriever, who as sort a wordless Greek chorus to the proceedings. All around, a worthwhile popcorn burner.

The challenge for actors that star in popular long-running TV shows is that they become forever fused to their character, sometimes called "type-cast". Most middle-age audiences will forever think of Tom Selleck as Thomas Magnum of the 1980's hit show Magnum PI. But Selleck, after-all, is an actor, not Thomas Magnum. He was an actor playing a part, and after the series ended, Selleck had to find new roles to conquer Unfortunately, directors are often reluctant to cast actors with strong associations with a particular television role. Luckily, for the film Stone Cold, Selleck offers a presence quite distinct from the happy-go-lucky Hawiian-shirted private detective who sported a Ferrari. Here, Selleck walks in the shoes of a far darker, even introspective, character in a small town in rural Massachusetts.

Although their occupations are similar, a young independent private detective versus an LA cop in the twilight of his career, Jesse Stone and Thomas Magnum are quite polar opposites. Magnum would crack jokes, score with beautiful women, and put down the bad guys all under a blazing Hawiian sun. In Stone Cold, the gloomy mists off of Cape Cod are the backdrop to a haunting but compelling story of a tired urban investigator tracking senseless serial killings in a town where the entire police force is barely four people.

There is a very deliberate but tempered pace to the film which matches the feel of a small New England community that is quite removed from the hurry and worry of New York or LA. Nothing is rushed. Just as the locals walk at a slow but steady pace through their neighborhood, this film also is a very one-step-at-a-time story. I felt like the the filmmakers wanted you to see and feel the fog-ridden ocean, the quiet streets, and crisp air of New England life as much as the other aspects of the story.

All in all, a satisfying viewing experience, with an outstanding performance by Selleck. And it looks as though the character of Jesse Stone continues in new films. Selleck has found a new niche that is an appropriate sequel to the TV show of his younger days. Jesse Stone is a very different kind of Thomas Magnum.

This thriller is a good evening' s entertainment. On a first glance, it is dominated by its main actor Tom Selleck, who is convincing in his role, very present in the scenes and pleasant to watch. I agree with another post here that the storyline, connecting two 'strings' of events together is questionable. On the other hand, the whole film is somehow unique and original, qualities one associates with the country side, where the movie is set.

It contains great pictures with the seaside, where the little town 'Paradise' is located. The characters involved seem authentic and just to watch and get to know them is some entertainment by itself. What is well displayed is the interplay of the innocence of the plot and yet the bruteness of the crimes. The scenes and storyline are nicely painted and evoke feelings of warmness and tenderness with the characters involved and the small American town 'Paradise'. Tom Selleck is great to watch, while finding the right balance in bringing in his undoubtedly great charisma. Together with the simple, but effective and beautiful score, all mounts to a swell thriller well worthwhile to watch.

Stone Cold is fun to watch not so much for the story as it is for the performances of the ensemble cast. Everyone is good in this. Mimi Rogers was definitely a lot of fun as the older seductress. But most surprising for me is Tom Sellick's transformation into a real actor.

In the 80's he was always Sellick being Sellick - much like Tom Cruise is always Tom Cruise pretending to be a vampire, a fighter pilot, etc. I first saw Sellick's transformation in "Ike" (or was it "Eisenhower"?). Gone was the high pitched tones at the end of his lines so typical and annoying in Magnum PI and his films from the 80's. In Ike and in Stone Cold it's as if you're watching a different person.

(Coincidentally, Tom Cruise's work in War of the Worlds also struck me as a breakthrough - something about his performance was more polished and less of the hysterical Cruise mannerisms that irritated me in all of his other movies.) I used to avoid Tom Sellick flicks, but after his last couple of performances, including the brooding old school cop in Stone Cold, I'm actually looking forward to seeing more of him.