Wildes Verhalten zwingt ein Paar Energy-Drink-Reps dazu, sich für ein Big Brother-Programm anzumelden.Wildes Verhalten zwingt ein Paar Energy-Drink-Reps dazu, sich für ein Big Brother-Programm anzumelden.Wildes Verhalten zwingt ein Paar Energy-Drink-Reps dazu, sich für ein Big Brother-Programm anzumelden.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Lynette
- (as Kerri Kenney-Silver)
- Esplen
- (as Allie Stamler)
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Now, you might think that from this semi-sarcastic tone I hated it, but oh contraire, far from. I admit I had low expectations of this film that were completely smashed by the scatter-gun humour of the film. The dialogue is funny and the sarcasm bitingly funny at times, as the top line suggests. Paul Rudd is perfect as the miserable Danny and Sean William Scott is perfectly cast as the free-living, but unfortunate Wheeler.
The film manages to tread that fine line between cliché ridden schmaltz (Like 27 dresses) and refreshingly enjoyable comedies (Like Something About Mary) with a deft touch, the direction is sure footed and manages to deliver a surprise ending that I would never have guessed from how it began.
A laugh out loud comedy that exceeds expectations.
Paul Rudd and Seann William Scott have good chemistry. Rudd has dry sarcasm to spare and Scott plays a sex-addled numbskull. Their interactions with the two talented young boys are funny and occasionally sweet. Bobb'e J. Thompson is one of the better child actors of his age and makes the nightmare of every teacher a cool often wickedly funny little character. Christopher Mintz-Plasse, or "McLovin'" as he's known throughout America, plays essentially the same character but sweeter and shy and, funny enough, less creepy. So yeah, he's pretty firmly typecast as "dork" at this point. But he's a very palatable dork and may help raise the image of dorks everywhere above the status of subhuman. I heard many girls in the audience very sensitive to his plight in the audience.
A few parts of the plot are contrived. But aside from a few film snobs, who goes to see a comedy for its original plot? The important thing is the laughs, and this is where the film delivers. Directed by David Wain, maker of The Ten (funny cult film), and written by Wain and Paul Rudd, this film is hilarious. The laughs were frequent and hearty. One of the films defining elements is the showcasing of role-playing games such as Dungeons&Dragons (here it is known as L.A.I.R.E). Role Models takes a surprisingly even handed look at it. It pokes fun, of course (so easy). But there is also respect ingrained. The result is a case of "so lame it's awesome" where the absurdity of D&D is given the gravitas of your average Hollywood blockbuster. It's hilarious, and does look terribly fun.
And it's here that the film makes it's stand. Do what makes you happy, no matter what your parents or anyone else tells you. It's been said in so many films that the message seems false at this point. But in Role Model's extreme example of people doing what makes them happy, it really does ring true. You got to give a bunch of people playing with foam swords in the forest their due. They're doing what makes them happy. Can you say the same for yourself? I can't right now.
This was a delightful film. It may be a bad year for movies, but it's a damn fine one for comedy. A-
If you're looking for some brainless, harmless fun to pass the time then 'Role Models' is an ideal choice. This movie is nothing special and it never tries to be, but it is effective as a comedy. It provides some decent laughs and, although it isn't consistently funny, it is a solid piece of entertainment overall. 'Role Models' is a just another silly, harmless comedy. Decent light entertainment but nothing more.
Two energy drink salesmen (Rudd and Scott) are ordered to perform 150 hours of community service as punishment for an offence that occurred when their company vehicle was about to be towed. For their service, the two men work at a program called Sturdy Wings that is designed to pair kids with adult role models.
Personally I avoided it until now because it just sounded like another lame American bawdy comedy about two slacker dudes who create chaos and then grow up by the end credits. This in spite of the fact that I rate Rudd highly and have often found Scott watchable in small doses. As it happens, the film follows the standard formula of plotting but rises above it with funny dialogue, a commitment to its characters and an avoidance of the sort of treacle thick sentimentality that is out of place in this type of comedy. It's also expertly performed by the cast, with the youngsters doing their shift admirably.
Yep, there's adherence to poignancy and type, while the odd scene just comes off as being too smug and clever. But there's so much fun to be had here it doesn't hurt the film, it's a true pick me up if you are feeling down, a splendid case of a cast finding chemistry across the board and delivering on the promise of the zippy script. 8/10
Wusstest du schon
- WissenswertesMany lines in the film were improvised. The writers did constant rewrites and came up with ideas during filming but had to stop because of the 2007 Writers Guild strike.
- PatzerIn the beginning when they are in the minotaur shaped car going from school to school promoting minotaur energy drinks, Wheeler has his helmet off which switches from being in his lap to the back of the car when switching angle views.
- Zitate
Barista: Good morning! Can I take your order?
Beth: Can I get a tall chai?
Danny: And a large black coffee.
Barista: A what?
Danny: Large black coffee.
Barista: Do you mean a venti?
Danny: No, I mean a large.
Beth: He means a venti. Yeah, the biggest one you've got.
Barista: Venti means large.
Danny: No. Venti means "twenty".
Beth: Danny...
Danny: Yeah. "Large" is large. In fact, "tall" is large, and "grande" is Spanish for large. "Venti" is the only one that doesn't mean large. It's also the only one that's Italian. Congratulations! You're stupid in three languages.
Barista: Look, dick... venti is a large coffee.
Danny: Oh, really? Says who, Fellini?
Beth: [quickly reaches for her wallet] How much is that? Here's a ten.
Danny: Do you, uh, accept lire? Or is it all Euros now?
- Crazy CreditsHalfway through the end credits, we cut back to Gayle Sweeny repeating her suggestive use of a hot-dog toward Jim Stansel (continuously pushes the end out of its bun while he sticks it back in).
- Alternative VersionenUnrated Version Includes 8 cuts and 2 using alternative footage, total difference is 2:12 min.
Top-Auswahl
Details
Box Office
- Budget
- 28.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 67.294.270 $
- Eröffnungswochenende in den USA und in Kanada
- 19.167.085 $
- 9. Nov. 2008
- Weltweiter Bruttoertrag
- 92.649.419 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1