Surrender, Dorothy

This was okay. Good cast and interesting "slice of life" storyline however the movie itself was kinda all over the place. Diane Keaton plays her usual loopy self which I generally like but not in a role that requires her to be grieving over the death of her daughter. She was still all bubbly and silly which just didn't work here.

Anyways, she plays Natalie, who had always thought she had a close relationship with her daughter. However when she is killed Natalie becomes determined to find out exactly who her daughter really was, by spending the summer with her friends.

It was super fun to see Chris Pine in an early role here playing a gay man and Josh Hopkins from Cougar Town was good too. Then there was the bearded lady; who may have just put me off soft serve ice cream forever! 05.11

like food, few films are the expressions of taste. Surrender, Dorothy is one. not the script, not the acting, not the moral lesson are important in its case. only the final taste.like a lemon with sugar. a tragedy. a mother. few couples. and the meaning of life. nothing new. but useful for the rediscover of old themes, for Diane Keaton, for the fragility of truth and for not bad cast looking save a story who is not real convincing. a film about miracles. like many others. not bad, not good. only decent. with a huge potential, using ordinary way, proposing a drama who is far to be touching but seems be a nice summer story with few interesting scenes, good actors and high expectations. a film about an event who change lives. and who gives few directions for the imagination of viewer.

A good, not great, Diane Keaton performance is pretty much the only reason to see this clichéd movie-of-the-week and the only reason it gets my rating. Would it be possible to have a TV film where zero gay characters dress in drag or are screaming queens? Would it be possible that no more characters hear something scandalous over a baby monitor? Can we get a movie with people most of us can relate to, instead of the usual East Coast elite (hey, I'm liberal, but c'mon - it's been done as recently as Keaton's own "Something's Gotta Give"!) Keaton is, as usual, worth sitting through this, but I just felt like I'd seen it all before.

Natalie Swerdlow (Diane Keaton) and her daughter Sara (Alexa Davalos) are exceedingly close. Sara is at her annual summer vacation place with gay best friend Adam (Tom Everett Scott), his boyfriend Shawn (Chris Pine), and their married friends; Maddy (Lauren German), Peter (Josh Hopkins), and their baby. Sara is killed while driving Adam. A heartbroken Natalie barges in on the friend group's summer house.

The death of one's child can get emotionally messy. That's why I can excuse the abundance of anger from Natalie and Adam. This is a mess of emotions. It is a messy movie. I choose not to wallow in the mess, but rather accept it for what it is.

the best part is the silence. the worse - ambition to create a convincing story. a film who could be interesting for the taste after its end. but it is not real enough. it could be seductive for its cast. but the acting is far to be remarkable. or, the real good part could be the holes of story who are perfect places for the viewer's memories/emotions. a movie like a lot of many others. not good, not bad, not inspired or new. the theme is old, the manner to present it not original, the same idea than with a better script it could be real good work remains. a film who do not say nothing. a puzzle with too many pieces , many wrong, but useful, maybe, for a evening after a hard work day . short- good actors are not always the solution for repair a not inspired script or a not best ideas of director.