Das geheime Leben der Worte

Two persons trying to cope with the past: a splendid Sarah Polley and (as always) a great Tim Robbins. This is a smart and very interesting film about the way we try to escape from the past: with love and with words (and with silences). I also enjoyed the rest of the characters: it is amazing how they are described with small details here and there, and you finish the movie wanting to know more about the rest of the cast. Isabel Coixet did a splendid work here of portrayal of the more inner parts of the human soul. Please check the music of the film, the selection is really good and all the songs fit brilliantly in the plot of the film.

In Ireland, the introspective deaf worker Hanna (Sarah Polley) is forced to take vacations by her boss after four years service in a factory. She travels, but when she overhears a phone conversation in a restaurant, she offers to nurse a burned worker with fractures and temporarily blind in a decommissioned oil rig. Joseph (Tim Robbins) seriously wounded after risking his life to rescue a colleague that committed suicide jumping in a fire and need to stay for a while in the platform to stabilize his health condition. Hanna is a lonely woman, with the paranoid behavior of eating white rice, chicken nuggets and apple everyday and never repeating the soap, and she slowly interacts with the few workers first, opening her heart to Joseph later and disclosing her traumatic experience in her old country.

"The Secret Life of Words" is a touching and heartbreaking romance, with an awesome screenplay and wonderful performances of Sarah Polley and Tim Robbins. The dramatic story develops perfectly the characters and in spite of the happy-end, it is never corny. The sensitive direction of Isabel Coixet, from the stunning "My Life Without Me" with the same Sarah Polley, is top-notch again. The process of re-socialization of Hanna, who was dead inside and reborn after meeting Joseph, is intense. My vote is eight.

Title (Brazil): "A Vida Secreta das Palavras" ("The Secret Life of Words")

I went to see this last Isabel Coixet's movie three hours ago and its beautiful and powerful story is still bouncing in my head... the sea, Tim Robbin's eyes, Hanna's beautiful voice and her intense way of holding her feelings, Simon's delightful food in the middle of nowhere..

The way it is conceived is somehow simple, a mysterious woman, in my opinion extremely well resolved by Sarah Polley, happens to arrive to a remote place where a bunch of loners have just had a deep dramatic experience. As explicitly mentioned in the movie, 'God makes them..' ('Dios los cria'.., in Spanish), and so as she gets there she expands and relaxes in this environment where no one really expects anything from anybody.

The takes are so beautiful, the thousand different feelings that the same isolated landscape in the middle of the sea projects through the movie is unbeatable. The cast of characters is solid, and the supporting characters are developed enough so as to allow the viewer to understand, in basic terms, what brought them there.

Finally, the use of Tom Waits for the final transition is sublime! but, yeah, how could it not be? Tom Waits's music is the music for these films where the very deep of the heart is at stake.

So, yes, I do recommend this movie for anyone who cares or wants to care or would like to be able to care about people who have been profoundly wounded at some point. And this, I am afraid, hopefully includes you. Thanks Isabel.

Great performances, an original idea, good script - it's just a great movie, which nobody I know has seen.

I have no idea why this one didn't get better distribution, it certainly deserves it. The little quirks of the characters liven up the story, as does the interaction between Polley's disturbed nurse and Robbin's rough patient. Although you could see the ending coming a mile away, that was fine, as it seemed that was what was supposed to happen.

This is a good one when you're in the mood for a somewhat dark drama with romantic overtones. The romance doesn't get too much in the way of the drama, the drama doesn't go overboard into melodrama.

I understand the commentary about the revelation of pain but the most significant 'lesson' for me was the insidious horror of war - in a film without bloodshed - and obviously the lingering effects of man's inhumanity to man. The slow reveal of the characters' backgrounds crept up on me and to my surprise left me absolutely gutted at the film's conclusion -and for some time after. I was left with a feeling of emotional and physical grief that i have not felt since my father died - the uncontrollable tide of internal pain. While a completely different genre, it reminded me of Sophie's Choice but in comparison made Streep's horror look like a walk in the park. Polley is amazing. What human's do to each other is tragic beyond description. And yet, we continue to torture our fellow humans and apparently fail to learn from our mistakes.