Deddo ribusu

I thought I had seen it all, then I saw Dead Leaves.

Preface:

From the mind of Hiroyuki Imaishi (director of FLCL and Gurren Lagann) comes this cracktastic adventure of the bizarre and insane. Get ready for a 45m long wild ride on ludicrous speed. It goes full plaid.

Story: 8

Retro- a guy with a TV for a head, and Pandy- a woman with an enormous red eye wake up in the middle of nowhere with no recollection as to how they got there, or what the heck they were doing in the first place. Their inhibitions flung to the wind, they take up arms and go buck wild on the city, only to be rounded up and sent to the prison Dead Leaves, which is located on the half munched-off remainder of the moon. Hilarity, violence, and madness ensue.

Art: 10

Everything about this OVA screams Hiroyuki Imaishi. I loved seeing his unique art style on display- Everything in this looked like the bumper slides from Gurren Lagann for reference, and I thought it was awesome. Crisply animated, and so so so many quick cuts, flashing lights, and fast, fluidly moving action pieces. Vibrant colors, and those glorious stars.

Sound: 8

I watched this in sub, and the voice acting was appropriately outrageous and manic. The energetic music pumped along to the explosions, gunfire, and general mayhem going on screen. Great stuff.

Characters: 8

Okay, so, Pandy the Red-eyed leading lady, and Retro, the deranged TV head team up to figure out just exactly what the heck is going on, along with a skeevy doctor that looks like Zoidberg, but swap the tentacles for bad teeth, some dudes with some not-so-subtle reproductive organ parts for heads, and Mr. Chinko Drill, who has an enormous golden drill for a penis. That's right, a drill, and he's not afraid to use it.

They all play their parts with equal bits psychosis and thirst for violence, and it couldn't be much more entertaining to watch.

Enjoyment: 9

What a rush. Nonstop, quick cut, over the top, sheer craziness from start to finish. It never lets up. Blink, and you might as well be watching something else- it goes FAST. Story on hyperdrive, action on lightspeed- I had to rewind several times after trying to find my jaw to put it back on. The absurd situations, the crude jokes, loved all of it. Couldn't stop laughing the whole time.

Overall: 8.8 (rounding this one up, because it was too much fun) - 9

In typical, addictive Imaishi style, it is extremely irreverent, edgy, and a bit crass, but when combined with his incredible art, a tasty soundtrack, and more gonzo than you've seen since Inferno Cop, and we have a formula for success.

Note: I see this as a sort of spiritual predecessor to Gurren Lagann. The art style definitely was inspired by this, and no-one can deny the introduction of the awesomeness of Spiral Power that we have Dead Leaves to thank for

I saw this one night on a whim. I had no idea what this was going to be. On animidnight I catch the occasional anime and this was something different. This is Dead Leaves.

This totally blew away my expectations!! We start with our two heroes who for some reason are sitting alone naked and have amnesia. After a small introduction to our heroes, the mayhem begins. The animation alone is the first thing I noticed and it's so stunningly original and fun to look at and fits the story well. The characters our heroes meet along the way are far too funny and silly. This is also packed with some memorable one liners as well. The action is aggressive, funny, original(there's that word again), and extremely violent. Our heroes are very likable(especially Retro), and totally own the screen. Also watch for lots of crude and vulgar humor and language. This is not for kids at all. One of the many characters is Chinco Doll, a mutant with a drill. Once we meet him, let the crude begin. I'll just leave it at that. The voice acting is fantastic, the story is pretty good too. After all of this, why give this a nine and not a ten? Because this is only 45 minutes long. After this ended, I wanted more. 45 minutes does this no justice.

The Last Word: Fantastic. This is an original work of art. I can watch this over and over and this will not get old. From the humor to the action, Dead Leaves delivers all. Only drawback, too short. Dead Leaves will leave you wanting more.

This is what happens when some of the most talented and creative people in japanimation get really drunk. A vulgar, violent, sexy caleidoscope of an acid trip that is simultaneously a love letter to japanimation and a parody of all its cliches, set to driving Yoko Kanno beats. In short it's plain freakin' awesome.

This came out around the same time as Masaaki Yuasa's mindgame and even almost 20 years later both still feel like the future of animation. Yuasa with his sketchy lines and paintbrush beauty, Imaishi with his vector-like graphical clarity and excess.

The story of Dead Leaves is simple. Two convicts from a lunar prison facility, Pandy and Retro, awaken on earth with no memory of their past and immediately get pursued by the cops. Wickedness and shenanigans ensue.

It's definitely a unique trip and a good introduction to Hiroyuki Imaishi's aesthetic that continues to evolve and refine, as evidenced in the recent opus Promare which managed to gain a more mainstream audience than Dead Leaves will ever have. Which is by design mind you.

It's beautiful madness from beginning to end, gleefully indulgent in sex and violence which are both played for laughs and can be exhausting if you don't know what you're in for. That is not to say it's ever just random. Every frame despite the excess is drawn with a level of taste, purpose and clarity that is rather unique to this day. It's basically the visualization of a great electro punk album and a testament to the creativity of Japanese animators. A promise to the future by Imaishi that he continues to keep.

Makes for a great double feature with his more recent short "Sex and violence with mach speed".

As the above reviews imply this flick is utter insanity, but brilliant insanity! Thoughtful, creative and brutally raw Dead Leaves is essentially a Japanese acid trip in prison. Full pointless filthy creations that can quite literally only work and defecate! The creators are not surprisingly complete lunatics (But just the sort of guys you would love to have a drink with). The directors commentary is hilarious, opening with the pair discussing how long they have been in the bar drinking before even mentioning the film itself.

Involving the producers of Ghost in the Shell, three drunken Japanese legends claimed to have blown nearly the entire budget in the first ten minutes of the picture. A Dramatic but classic car chase between our protagonists' (one with a TV on his head, the other a strange clown looking woman.) Who set out on a ten-minute trail of destruction through an urban futuristic city, until their exploits dump them into the highest security prison on the moon.

The budget constrictions become so obvious throughout the rest of the picture but rather than holding back, these constraints actually add to films aesthetic affect. It's a comedy more than anything and these financial problems heighten the comedic factor to a great extent. Also the animation is inventive and affective, a simplistic style of animation that would in fact require enormous artistic talent on the part of the animators. Very typical of the best new styles of animation whereby extreme complexity creates a beautifully simplistic image. (Cartoon Networks Samurai Jack being a great example of such an animative style.) Dead Leaves is great fun, a new experience and not for faint-hearted or over conservative. As I say it's raw, brutal and blunt; the writers have held back in no respects whatsoever, putting the true dark extremities of the human consciousness into a comic script. So for fans of the genre or newbie's who want to see something crazy, off world and unimaginable – Dead Leaves is well worth a watch. You may feel slightly offended but will certainly not miss 55 minutes of your life! Enjoy.

If Madhouse's Redline is a "flashy action ride", then Dead Leaves is a "nuts-to-the-wall flashy tripped-out action ride on speed". The movie's high-contrast comic book-like visuals had me expecting something unique, but I don't think I could properly have prepared myself for just how unique Dead Leaves turns out to be. The comic book style applies not only to the frequently grotesque characters and outlandish scenery, but also to the cinematography itself with several "panels" often being shown on screen at the same time, sound effects appearing as actual floating words, and unusual framing used to emphasize certain parts of the scenes. The narrative begins with the protagonists, Retro (a TV-headed man) and Pandy (a woman with a mysterious red spot over her right eye) waking up naked and without their memories only to go on a crime spree which gets them sent for life to a prison on the moon called Dead Leaves. Not for the straitlaced or faint of heart, Dead Leaves' mere 52 minutes zoom by at break-neck speed in a flurry of explosions, gore, sex and nudity, but if you can stomach the off-the-wall content you're in for a very enjoyable if lamentably brief anime experience.