Füge eine Handlung in deiner Sprache hinzuAfter 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants hi... Alles lesenAfter 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants him dead.After 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants him dead.
- Regie
- Drehbuch
- Hauptbesetzung
Josh Cramer
- City Official On Phone
- (Synchronisation)
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After a twenty year absence, drifter George Walker (Vince Mola) returns home to settle his grandmother's estate. As if awakening from a long dream, he finds his childhood home condemned and littered with the remnants of squatters.
Rue Morgue named this the best indie feature of 2006, and it received generally positive reviews. "This effective, atmospheric chiller seeps into your fear center like damp rot," says Colin Covert of the Minneapolis Star Tribune. Oddly, the critics are contrasted by viewers, who largely called the film "boring".
Despite being a short film, I can understand why some see it as boring. This is the classic "slow burn", and it is admittedly very light on the horror. Aside from a few visions, the most traumatic thing that happens is a man returning to his home town and realizing how much everyone annoys him.
While not a bad film, it probably falls more into the drama category than the horror category, so I would not recommend it for anyone who wants the blood and guts.
Rue Morgue named this the best indie feature of 2006, and it received generally positive reviews. "This effective, atmospheric chiller seeps into your fear center like damp rot," says Colin Covert of the Minneapolis Star Tribune. Oddly, the critics are contrasted by viewers, who largely called the film "boring".
Despite being a short film, I can understand why some see it as boring. This is the classic "slow burn", and it is admittedly very light on the horror. Aside from a few visions, the most traumatic thing that happens is a man returning to his home town and realizing how much everyone annoys him.
While not a bad film, it probably falls more into the drama category than the horror category, so I would not recommend it for anyone who wants the blood and guts.
Really enjoyed this film. I know it's a low budget horror film but it's one of the best I've seen in a while. Good acting, music, editing, photography and directing. There are a few scenes that the acting wasn't as strong as the rest of the film but they are short and the rest of the film makes up for it. The story is engaging for the 84 minutes. I found some of the scenes very creepy and well crafted. The ending was a surprise and I didn't see it coming but it was a nice twist. I wonder when we are going to see the director , directing bigger budget films? Hopefully soon. Gets me excited to make another film.
George is a troubled homeless man, returning home after 20 years. And to an empty house trashed by squatters and host to terrifying visions of violence. On a seemingly Sisyphean quest to clean up the house and earn it a reprieve from municipal demolition, George is more effective at uncluttering an old mystery.
Head Trauma is a great indie with plenty of moodiness. The alcoholic loner, George Walker could have been rendered with repellent creepiness; yet Vince Mola is superb at playing him as a sympathetic victim of horrific circumstance. The rest of the performances range with varying success.
Unfortunately - as is true of so many low-budget movies - sound design replaces any music, and it's mixed to push the visual scares. At the same time, one strains to hear the dialogue, which could have been recorded through a box of Kleenex.
The bleak cinematography is well-shot, though the visions are over-tweaked with After Effects. But no matter how much effort was put into the visual editing, we are still missing considerable back-story. And that's a serious omission given the ending.
All in all, it's worth a watch.
Head Trauma is a great indie with plenty of moodiness. The alcoholic loner, George Walker could have been rendered with repellent creepiness; yet Vince Mola is superb at playing him as a sympathetic victim of horrific circumstance. The rest of the performances range with varying success.
Unfortunately - as is true of so many low-budget movies - sound design replaces any music, and it's mixed to push the visual scares. At the same time, one strains to hear the dialogue, which could have been recorded through a box of Kleenex.
The bleak cinematography is well-shot, though the visions are over-tweaked with After Effects. But no matter how much effort was put into the visual editing, we are still missing considerable back-story. And that's a serious omission given the ending.
All in all, it's worth a watch.
Head Trauma is about a man who suffers a head trauma while cleaning out his grandmother's condemned house, which results in bizarre nightmares that begin to bleed over into the waking world.
Very well-written, well-directed, and ties things up perfectly at the end. It has some thematic elements similar to the recent invasion of Japanese horror movies (in particular, a mysterious girl with black hair whose back is always to the protagonist/camera), but whereas those have all been disappointing and seem to have just latched onto a scary image without making any effort to justify it, in Head Trauma every strange and scary image actually fits into the story, and it all makes sense in the end.
Very well-written, well-directed, and ties things up perfectly at the end. It has some thematic elements similar to the recent invasion of Japanese horror movies (in particular, a mysterious girl with black hair whose back is always to the protagonist/camera), but whereas those have all been disappointing and seem to have just latched onto a scary image without making any effort to justify it, in Head Trauma every strange and scary image actually fits into the story, and it all makes sense in the end.
Nicely done indie from out of left field. I wasn't sure what I was watching at first, was it supposed to be horror? Drama? Thriller? It begins a bit on the slow side, but quickly starts to set a nice pace and pulls you into the story. Quite different looking visually by independent film standards, it is presented as a dismal existence for the main character "George", who is played wonderfully by actor Vince Mola. I found his acting refreshing and quite believable, as he is not your typical leading man, but rather a portrait of a 30 something slacker set against a horrifying reality. Jamil Mangan and Mary Monahan are equally convincing in their supporting roles and help the story unfold in a believable fashion. Director Lance Weiler seems to have a knack for only showing the viewer as much as needed at any given moment, then turning on all cylinders and pushing forth the horror. Very much in the same realm as "Stir of Echos", "Head Trauma" is a well crafted ghost story that delivers the scares on an ever changing plate of circumstances.
Wusstest du schon
- WissenswertesSteve Garvey former bassist of the Buzzcocks plays bartender Steve.
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Details
Box Office
- Budget
- 126.000 $ (geschätzt)
- Laufzeit
- 1 Std. 24 Min.(84 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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