Goodbye Bafana

Nelson Mandela – this movie is about him, and that is the only factor that made to select this movie.

But the story is not about Nelson Mandela (Dennis Haysbert) but about his prison guard James Gregory (Joseph Fiennes) who first serves as a prison guard (in 1968) for Mandela because he knows the African language Xhosa that Mandela and his comrades speak. He is transferred because he shows a soft corner for Mandela but due to international pressure is re-appointed in 1983 till the release of Mandela from prison.

While seeing the movie one feels that what a great honor to have – serving contemporary history's most respected leaders as prison guard. Joseph Fiennes shows his range as an actor filling all ranges of age profile – being young and energetic to middle aged character. Dennis Haysbert portrays the role of his life time with gut, gutsy and tremendous respect and dignity – in being Nelson Mandela – an honor for an actor.

The movie as rightly said by some critics is a history lesson of sorts. But please do not be mistaken by this comment. When I read that comment, I had two thoughts – whether I should go and see a history lesson? YES everyone who has a golden heart should see this movie. Every person who is by default has white skin should see this movie. It is simple, honest, and displays hidden prejudices of apartheid world that are prevalent even today in forms of class.

As Mahatma Gandhi was called terrorist, so was Nelson Mandela was labeled a terrorist. He used arms struggle for making his point. He wanted the ruling British to talk with nationalist fighters – for peace. But British and their allied countries never agreed for a one-to-one dialogue and the mayhem of anarchy, atrocity and violence continued for more than half a century in peaceful and beautiful South African country. The local inhabitants were brutally killed by invaders who occupied most part of resources land claiming it to be their own mother land.

My salute to Denmark Director Bille August who shows the apathy of human mind with everyday talks against terrorist – the same we talk today.

I was fortunate to be part of the audience seeing this movie.

(Stars 7.5 out of 10)

Goodbye Bafana is a touching, thought-provoking movie. Extremely well acted, I loved Joseph Fiennes (James Gregory) and Dennis Haysbert (Nelson Mandela) in their roles, and Diane Kruger (Gloria Gregory) did well, too. The movie has the slow, a bit mysterious charm in it, as August's movies usually do. The color scheme was like African dust, diluted, sometimes almost raw in the scorching sun. Music supported various scenes very well, without being too prominent.

The movie starts when a young prison warden James Gregory arrives to Robben Island 1968 and is addressed to keep an eye on Nelson Mandela, who is being imprisoned there for his political views. Gregory gets this mission, because he speaks xhosa, the local language, and therefore is able to read (and censor) the correspondence in and out of the prison, as well as understand what the prisoners talk to each other.

James Gregory is a faithful supporter of apartheid. He believes these black men are behind bars for a good reason and he supports the government politics. After he and his family witness a raid in a busy street, where black people are randomly harassed, Gregory has to answer the questions of his children - and his explanations sounded shallow even in his own ears. Very slowly, over the years, he became to see through the apartheid and change his views.

Dennis Haysbert was chosen to the role of Mandela, because of his quiet, distinctive charm and mental power. He did a great job. Joseph Fiennes was chosen because Bille August wanted an actor, who was tough and yet sensitive, someone who would be able to portray the change in the character in a period of almost thirty years. It was a very challenging role but Joe did a marvelous job.

There has been a lot of talk about his South African accent, and mostly it has been praised. I followed it very closely, and I think Joe did fine in that area, too. In some scenes the British accent is more or less audible, but most of the time he does a wonderful job.

Diane Kruger did a good job as James's wife, a mother of two, who was also raising their kids to support the apartheid. She opposed her husband being a warden for Nelson Mandela, because she could see that the close contact with the inmate made cracks to James's shield and his racistic opinions were vanishing rapidly. She tried to hold onto the apartheid views for much longer than her husband.

The movie ends to a year 1990, when Nelson Mandela is released from prison after being incarcerated for 27 years. The era of the new South Africa was to begin.

Or at least through the eyes of a white man. Even if you are not familiar with Mandelas story you will able to see where this is going. The story of the white man/guard might be spiked a bit and his wife does not have much to do (Diane Kruger) besides the obvious (caring for him, the safety of their family and being a faithful wife, sticking with her husband through it all).

One thing is sure, you do need a really charismatic and good actor if you want to portray a man like Mandela. And Dennis H. is one who can deliver. Even if he may not be on everyones radar, he has proved (on TV, but still), that he does have the skills and the presence to do such a job. He is not revealed immediately in the movie, which is not just another (filmmaking) trick, but serves the story or better yet the relationship between the two main man. New movies will come out and they probably will tell a better story, but this is not a bad movie either (even if predictable all the way through).

Joseph Fiennes has always looked a bit like a spider monkey in my view, but in this movie he was better than in any role I'd seen him in before, doing what I thought was a competent job with the South African accent as well. Finally exempted from having to play the sex symbol, Ralph's little brother could finally concentrate on actually challenging himself with a complex role. In a movie based upon a true story, Fiennes plays James Gregory, a racist South African guard whose certainties are nonetheless shaken to the core over the span of twenty years – the time he spends as Nelson Mandela's prison warden. The movie's merit lies largely in showing us the daily application of a major historic abomination – Apartheid – through the lives of "little people", those ordinary men and women of South Africa thanks to whom it was perpetuated. These are "ordinary" white people who are neither heroes nor villains, but obtuse conformists. The violence of the system on its white citizens was considerably more hidden than on its black ones, but it was violence all the same: it was the obligation to remain as ignorant as possible. The alternative was to be persecuted by the status quo.

Dennis Haysbert as Nelson Mandela was suitably stoic and charismatic, a positive counterpart to Forest Whitaker's villainous Idi Amin from The Last King of Scotland. Diane Kruger was definitely better cast as an "ordinarily" racist, suburban hairdresser wife and mother of two, than as Helen of Troy. By the end of Goodbye, Bafana, I was also somewhat moved. My major complaint with the movie was that like the vast majority of African-set, historical movies made recently, Nelson Mandela and all the black African characters were largely viewed from the outside, through the whiteys' eyes. These movies' directors all need to sit in a darkened room and watch The Battle of Algiers together sometime

Any movie that deals with Nelson Mandela is a movie worth watching in my opinion. He is perhaps the only person in the world I can think of to whom I would apply the adjective "great." He was a man who could have lived in bitterness and anger all his life, seeking revenge when he finally achieved power, but who instead chose to devote himself to democracy and peaceful reconciliation between blacks and whites in South Africa. This movie, which I saw under the title "The Color Of Freedom," is interesting because although it deals extensively with Mandela, doesn't actually look at events from his perspective. The story is actually told from the perspective of James Gregory (played convincingly by Joseph Fiennes) - who as a prison guard slowly advancing up the ranks - met Mandela (played by Dennis Haysbert) in 1968 and gradually developed a relationship of trust and respect with him.

There's enough background information to give the viewer a taste of what South African life was like under apartheid, but the story isn't really about that. It's more a story of Mandela's impact on Gregory. At the start of the movie, Gregory came across as basically just another white South African, committed to apartheid and devoted to maintaining the white hold on "their" country. But slowly, as Gregory comes to know Mandela, he changes. Mandela's graciousness as well as his fierce devotion to his cause impacts Gregory, who suddenly begins to see Mandela not as a black terrorist out to kill whites but as a human being seeking basic dignity and equality.

Fiennes performance was very strong. Haysbert had a tough challenge. It surely isn't easy playing a man who is literally a living legend. He did well with the part, but it was difficult to accept him as Mandela. The portrayal of the racism that was so deeply ingrained in South African society was at times almost painful to watch. I suppose the biggest weakness of the story is that it's been denied by many people - apparently including Mandela. He did develop a strong relationship with one of his white guards, but it wasn't Gregory, who seems to have taken some liberty in the account he shares in his book, from which the movie was made. He is unfortunately dead and unable to answer to those criticisms. Still, this is a moving story, and there is truth behind it apparently, and it clearly established the qualities that made Mandela the great man he is, who accomplished the great things he managed.