Behind the Mask

Behind the Mask takes place in the parallel world where scary movies live, and a team of young filmmakers set out to make a real life documentary about a serial killer at work. Such is their dedication to capturing realism that they are willing to follow the killer around and allow the murders to happen so that they can capture it all on tape. The movie is a fascinating and clever analysis of how the mind of a horror movie slasher works.

More than anything else, the movie is a brilliant horror comedy in which Leslie Vernon, the main character, leads our film-making team through the whole process of how he pulls off the vintage horror-movie murders. It's basically an exploration of how those horror movie scenes are constructed. How the doors slam shut at just the right moment, how the perfect weapons are always available to the killer while the victim can't seem to find anything to protect himself or herself, and how the killer manages to let all the other promiscuous teenagers in the vicinity know that there is a killer on the loose and yet still manage to pick them off one by one.

It also explores the history of the slasher genre, because Vernon is, of course, an avid horror movie buff, and idolizes all the great masked murderers. At one point in the movie, he claims that having Michael Myers and Freddy and Jason come back from the dead was a "radical change in philosophy. Changed the whole business."

Nathan Baesel gives the perfect performance as Leslie Vernon. He's obviously disturbed and is also the product of a rape of his mother, but the most startling aspect of his character is how incredibly NORMAL he is. He laughs and jokes and talks to the film-making team as though they were making a documentary about his collection of rare toy cars than about his habit of brutally murdering large numbers of people. He's far too casual and easy-going to really be able to accept him as a serial killer (he even drives a Prius!), but that is the heart of the movie's charm.

In the second half of the movie, however, the team decide that they were not as dedicated to their film as they thought they would be, and they decide that they can't just stand by and allow the killings to happen. In one of the movie's best scenes, Vernon stands there in full masked slasher get-up, mask and weapon and all, and scolds them like a babysitter scolding a naughty kid.

It's hilarious the way he is so clearly offended by their behavior as he tells them that they have "that 'we can't just stand here and let this happen' look on their faces" and says that now they have to leave.

Unfortunately, this is where the clever horror movie analysis ends and it turns into a more conventional slasher movie. The acting falls off a cliff and the killings stop making sense. But worst of all, having lost all of her footage, the remaining member of the documentary team at the end of the movie makes the bizarre and senseless decision to burn Vernon's body, I guess to destroy any remaining evidence of her crazy story, just in case she later had to explain any of this.

But other than that, it's a unique and fresh look at the horror genre and a fun exploration of its history and methods.

Behind the Mask is a film that's taken me more than a day to decide a fair reviewing score for, since it's such a wonderful idea that would be very difficult to execute perfectly. It sometimes feels kind of silly when it should feel serious, and yet sometimes feels a little too serious when it should feel silly, if you get me.

I enjoyed the movie. I thought it was funny and loved the actors. They truly do a fantastic job of portraying the individual personalities of the in-depth characters. Nathan Baesel plays an oddly likeable slasher, who treats his status like a job. Remarkably, he hasn't done much work outside of this film, which is kind of sad because he reminded me very much of a villainous Jim Carrey, but without ever seeming TOO over the top. He does a brilliant job of getting you to enjoy watching his character develop, making you care about him, whilst never letting you forget that he is a dangerous man.

The script is funny and for the most part well written. There were a few little bits here and there that I felt it could've done without as they made the plot feel a little uneven in bits, but for the most part it was enjoyable to watch. The film never really drags. It's also interesting how the first half of the film is presented as a mockumentary, whereas the second half is your standard climactic horror movie, where you get to see the cameramen who filmed the first half of the film. I enjoyed the transition and haven't seen many similar instances of this.

The film unfortunately suffers a little from obviously fake special effects and definitely won't appeal to anyone looking for a scare. It's comical all the way through and never takes itself too seriously. The ending feels a little incomplete and to be honest, kind of predictable. However, it's a good watch for anyone looking for a funny film with an interest in the classic slasher movies as the jokes and dialogue will be relatable to fans of these. Just don't expect to be frightened.

I saw this at the Fantasia Film Festival. I have to admit the first act has some really funny moment, and the actor who portrays Leslie Vernon is great. That being said, the second part turns into a full-blown slasher. The break is WAY too rough to really make it believable, plus the slasher part does not deliver the suspense nor the action, nor the gore we would expect from that kind of movie, which makes it quite monotonous and basically, dull. The director did an okay job, alternating between hand-held video cameras for the documentary parts and stable HD cams for the slasher parts. The guys does have a respect for the genre, but that won't necessarily make the movie good. The cast is pretty solid, especially the guy who plays Leslie Vernon like I said earlier.

So the ''mockumentary'' part is pretty funny, but the ending is terrible. Watchable, but not amazing.

Behind the mask:the rise of Leslie Vernon had the potential to be great.The idea was right up there with the best of horror movie concepts (Elm Street,Friday The 13th,Scream,Etc.).A reporter and her camera crew follow a slasher around as he prepares and sets into motion his master plan so to speak.They are with him as he picks out his victims and prepares his traps.Along the way he explains the do's and don't's and the why's and what-for's of being a psycho killer.

Sounds great right? But alas the execution of these ideas falls short.While the actors and actresses do a fine job portraying their characters, the story becomes rather predictable and a bit silly. especially near the end.All in all this is an unique film with some good ideas that just were not thought through enough.So much more could've been done with this.Maybe a remake with a bigger budget and some better writers could turn this into one of the all-time greats.

Leslie Vernon, a highly-enthusiastic wannabe "supernatural" serial killer, along the lines of Halloween's Michael Meyers or Friday the 13th's Jason, invites a film crew along to document his initial spree this original horror comedy that allows you to see a killing spree from the point of view of the killer. The film crew soon finds itself rooting for the likable Leslie, well-played by Nathan Baesel, who has planned his spree to the last detail. The crew slowly moves from documenting the events to aiding and abetting them, but it has second thoughts as the reality of the events overwhelm them. They discover too late that Leslie isn't exactly who he claims to be, and he has worked out everything, including their last minute hesitations, into his meticulous plan.

The documentary approach gives the filmmakers enough distance from the events to successfully spoof the conventions of slasher genre. However, the filmmakers managed to restore genuine tension by limiting that distance by making the witnesses, the filmmakers, into participants. That's why this film succeeded where other spoofs and "found footage" failed. It delivers both narrative perspective and intimacy.

Well done.