Behind the Camera: The Unauthorized Story of Mork & Mindy

I have to agree with the first reviewer, the actor who played Robin Williams was amazing. If I wasn't looking at the screen, I would have sworn it was really him talking. But his performance was more than just an imitation of Robin Williams; he also showed a lot of the same skills that Robin Williams has. Skills like the ability to mimic others and the ability to switch characters practically mid-breath. I can't imagine that many people could capture so much of his character and personality. That performance alone made it a worthwhile watch.

The actors chosen to play other actors were good choices as well, they looked enough like the originals that it was easy to see who they were supposed to be.

I was pleasantly surprised by this movie. I enjoyed it a lot more than I thought I would.

For those fans of the original "Mork & Mindy" show in the 70's, this was a believable look into the early career of Robin Williams, now widely regarded as a comic genius and respected actor. The fact that it was "unauthorized" is probably meant to convey that no punches were pulled, and the dirty laundry gets aired. This was the case here as well. The producers took pains to recreate the characters from the show both physically with regard to personality. They go out of their way to put forth the fact that Williams almost became typecast for his Mork role, and the tedium and frustration that the part produced for him. After all, his fans knew he was something special when they saw him for 5 minutes on "Happy Days". His manic, rapid fire improvisational brilliance continues to amaze to this day, and yet, through this TV movie, we see how close he may have come to losing it all in the early 80's. My only qualm is that I have been unable to locate the credit for the actor who played John Belushi.

I don't now know where this kid came from who played Robin Williams but he was channeling. It was astounding at times. The writing was as good as it could get for someone trying to capture Robin's crazy improv in a script. And I gotta tell you, it made me cry. I really felt empathy with Robin and Valerie. When Robin walked away from his crippling vice and into the best years of his marriage and fatherhood and a mostly sparkling movie career, I was moved to tears.

Sometimes, these insider TV movies can be terribly cheesy. This one benefited greatly by the lead performance and Daniel Roebuck's loving turn as Garry Marshall. These people are heroes of mine and I came out of this movie with even more admiration for them than ever before.

I just watched this movie on it's premier night out of curiosity and sheer nostalgia. I liked (not loved) "Mork & Mindy" as a kid, mostly for Robin William's zany energetic performance. This movie made me remember why. Was the original show great? Not really, but Robin certainly was. Which brings me to this movie.

I was pleasantly surprised, expecting nothing more than a paint by numbers chronological retelling of the show (which in a way it was). But, of course, the real focus was on Robin. It was interesting to see Robin's journey from struggling street jester to national t.v star, and how such a drastic difference affected him and his long suffering wife. And my hat is off to star Chris Diamantopoulos as he portrayed Mr. Williams with integrity, sensitivity, and heart; not just a cute impression, although it was even dead-on. (On an unrelated note, I noticed that Robin's struggles were in some ways similar to Andy Kaufman, who was under-appreciated by network t.v. and held back creatively, but that's the "Taxi" behind the scenes biopic.)

All in all, this was a very enjoyable flick, in which I felt I got to know a little more of the man behind the Orkan. The acting was solid by all- never melodramatic like I suspected- and the story moved along well. Performances that were particularly good were by those who played Garry Marshall and John Belushi (the scene in which Belushi heckles Robin was a hoot!). Not a great masterpiece by any means (I would have liked to have seen a tad more about Pam Dawber), but definitely watchable, especially for those Robin Williams and "Mork & Mindy" fans out there. Nanoo, nanoo!

In the 1920's they called it "going Hollywood" — talented but naïve kid from the sticks gets a big movie deal, becomes an overnight sensation, gets big-headed, blows his money on alcohol (an illegal substance in the U.S. back then) and sex, then either dies young or pulls himself together, gives up the booze and returns to the woman who loved him before he became famous. In 1933 Raoul Walsh directed a film with that title, starring Bing Crosby and Marion Davies, and "Behind the Camera: The Unauthorized Story of 'Mork and Mindy'" could almost be considered a remake. It takes the known facts of Robin Williams' early success and presses them into the familiar cliché mold, with cocaine instead of alcohol and John Belushi as a sort of Mephistopheles to Williams' Faust. Best things here are Chris Diamantopoulos' eerily exact reproduction of the early Robin Williams and some bits of felicitous creativity in the writing (especially when Diamantopoulos as Williams encounters a busker doing him doing Williams and gives him $100).